literacy

By Patricia Tomaszek, 24 September, 2015
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Year
ISBN
9781567504828
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All Rights reserved
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Abstract (in English)

When researchers in computer-mediated communications discuss digital textuality, they rarely venture beyond the now commonplace notion that computer textuality embodies contemporary post-structuralist theories. Written for students and faculty of contemporary literature and composition theories, this book is the first to move from general to specific considerations. Advancing from general considerations of how computers are changing literacy, "Digital Fictions" moves on to a specific consideration of how computers are altering one particular set of literature practices: reading and writing fiction.

Suffused through the sensibility of a creative writer, this book includes an historical overview of writing stories on computers. In addition, Sloane conducts interviews with the makers of hypertext fictions (including Stuart Moulthrop, Michael Joyce, and Carolyn Guyer) and offers close reading of digital fictions. Making careful analyses of the meaning-making activities of both readers and writers of this emerging genre, this work is embedded in a perspective both feminist and semiotic. "Digital Fictions" explores and distinguishes among four distinct iterations of text-based digital fictions; text adventures, Carnegie Mellon University Oz Project, hypertext fictions, and MUDs. Ultimately, Sloane revises the rhetorical triangle and proposes a new rhetorical theory, one that attends to the materials, processes, and locations of stories told on-line.

(Source: from the back cover)

By Patricia Tomaszek, 19 November, 2013
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ISBN
978-3-7705-4179-9
License
All Rights reserved
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Abstract (in original language)

Schwanengesänge sind publikumswirksam, Ankündigungen revolutionärer Umbrüche nicht minder. Beide ›Textsorten‹ prägen seit jeher das Bild der öffentlichen Diskussion über die Zukunft der Literatur im Medien- Zeitalter. Solchen pessimistischen und euphorischen Extremen setzen diejenigen, die mit Literatur und den neuen Medien arbeiten, in der Regel eine gelassenere und pragmatischere Sicht auf die Dinge entgegen. Ihr folgend sucht das vorliegende Buch nach Antworten auf die Frage, wie die Literatur der Zukunft aussehen könnte.

Source: Publisher's Peritext

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Abstract (in English)

Digital media and computational technologies are revolutionizing our lives by altering relations between our selves, others, and the world. Literacy studies, this course proposes, can help us better understand the digital revolution’s impact by situating its innovative technologies, those “new media” that rapidly lose their aura of newness, within a longer discursive history.

Students will study literary mediations of technological developments from the late-19th century to the present. The emphasis will be on analyzing how modern writers, active in 20th- and 21st-century literary discourse networks, have engaged with technology and responded to the technologization of culture. In an historical survey spanning several literary movements and stages of modernity, we’ll explore how literature, literary theory, and criticism have transcribed the technological imaginary and reconfigured people’s everyday lives and experiences.

Students will be introduced to several literary resources in the digital humanities. Interested students may have opportunities to collaborate in digital-humanities projects affiliated with a literary database (the ELMCIP Electronic Literature Knowledge Base, http://elmcip.net) or one of the Web’s longest-running, open-access, literary-critical journals (ebr, the Electronic Book Review http://www.electronicbookreview.com).

This course was offered in the Spring 2014 semester to MA students enrolled in the Literacy Studies program at the University of Stavanger.

Database or Archive Referenced
By Eric Dean Rasmussen, 10 May, 2012
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Abstract (in English)

Hypertext has been promoted as a vehicle that will change literary reading, especially through its recovery of images, supposed to be suppressed by print, and through the choice offered to the reader by links. Evidence from empirical studies of reading, however, suggests that these aspects of hypertext may disrupt reading. In a study of readers who read either a simulated literary hypertext or the same text in linear form, we found a range of significant differences: these suggest that hypertext discourages the absorbed and reflective mode that characterizes literary reading.

(Source: abstract.)

Pull Quotes

The key issue here will not be how far literature can be made to dance to the multimedia tune in order to seize the attention of the Internet-surfing audience for electronic entertainment, but how far we can establish the distinctive qualities of the literary experience that makes it a clear and significant alternative to what commercial interests are willing to provide.

By Patricia Tomaszek, 29 April, 2012
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All Rights reserved
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Pull Quotes

I've yet to encounter anyone who reads hypertext fiction. No one, that is, who isn't also a hypertext author or a journalist reporting on the trend. Surely those readers, however few, must exist, but what's most remarkable about hyperfiction is that no one really wants to read it, not even out of idle curiosity.

Hypertext is sometimes said to mimic real life, with its myriad opportunities and surprising outcomes, but I already have a life, thank you very much, and it is hard enough putting that in order without the chore of organizing someone else's novel.

The end of books will come only when readers abandon novels for the deconstructed stories of hypertext, and that exodus is strictly a fiction.

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Abstract (in English)

Transcriptions is a NEH-funded curricular development and research initiative started in 1998 by the English Department at the University of California, Santa Barbara (UCSB) to focus on literary study and information society. The goal of Transcriptions is to demonstrate a paradigm—at once theoretical, instructional, and technical—for integrating new information media and technology within the core work of a traditional humanities discipline. Transcriptions seeks to "transcribe" between past and present understandings of what it means to be a literate, educated, and humane person.

Put in the form of a question: what is the relation between being "well-read" and "well-informed"? How, in other words, can contemporary culture sensibly create a bridge between its past norms of cultural literacy and its present sense of the immense power of information culture?

To address this question, Transcriptions has developed an integrated combination of the following:

  • curriculum 
  • research agenda
  • technology model
  • supporting resources (pedagogical, research, and technical guides)
  • special events

The idea is to build a working paradigm of a humanities department of the future that takes the information revolution to its heart as something to be seriously learned from, wrestled with, and otherwise placed in engagement with the lore of past or other societies with their own undergirding technologies and media. Transcriptions also collaborates with related digital humanities, arts, and society projects at UCSB and elsewhere. 

(Source: project webpage)

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Transcriptions, begun in 1998, focuses on work in digital humanities and new media.  Our overall goal is “to build a working paradigm of a humanities department of the future that takes the information revolution to its heart as something to be seriously learned from, wrestled with, and otherwise placed in engagement with the lore of past or other societies with their own undergirding technologies and media.” True to the initial vision, then, Transcriptions endeavors to be flexible, responsive, and creative.

Currently, three areas of inquiry structure our activities:

  • Electronic literature beyond the screen (new reading formats; locative and mobile media; alternate reality games)
  • Media ecologies (high-tech trash; media environments’ visualizations of climate and landscape; ALife; biomedia)
  • IT and the so-called new economy (theorizations of the network society, information society, and digital capitalism)

Transcriptions will host lectures, conferences, and other events that will be of general interest to the English deparment and to colleagues across the university. Watch the Transcriptions blog for announcements and coverage of Center-related news. Please feel free to contact us with any ideas you have about our themes and activities.

(About Transcriptions webpage)

By Eric Dean Rasmussen, 24 March, 2011
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Journal volume and issue
47.5 (Jan. 2010)
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Abstract (in English)

In forty pithy essays, the author considers technological innovations that have transformed writing, altering the activity of reading and the processing of texts, individually and collectively. . . . The book's fragmentary organization--the adroit syntheses can be read in any order--makes it exceptionally accessible . . . for the born-digital generation. . . . Essential.

By Eric Dean Rasmussen, 24 March, 2011
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ISBN
978-0-252-07625-1
Pages
ix, 191
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Librarian status
Approved by librarian
Abstract (in English)

Reflections and predictions of technology's effect on reading and writing In this study, Christian Vandendorpe examines how digital media and the Internet have changed the process of reading and writing, significantly altering our approaches toward research and reading, our assumptions about audience and response, and our theories of memory, legibility, and context. Reflecting on the full history of the written word, Vandendorpe provides a clear overview of how materiality makes a difference in the creation and interpretation of texts. Surveying the conventions of reading and writing that have appeared and disappeared in the Internet's wake, Vandendorpe considers various forms of organization, textual design, the use (and distrust) of illustrations, and styles of reference and annotation. He also examines the novel components of digital texts, including hyperlinks and emoticons, and looks at emergent, collaborative genres such as blogs and wikis, which blur the distinction between author and reader. Looking to the future, reading and writing will continue to evolve based on the current, contested trends of universal digitization and accessibility. (Source: University of Illinois Press.)

By Eric Dean Rasmussen, 22 February, 2011
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CC Attribution Non-Commercial No Derivatives
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Abstract (in English)

 Countering Andrew Gallix's suggestion in a Guardian blog essay, "Is e-literature just one big anti-climax," that electronic literature is finished, Dene Grigar proposes that it may not be e-lit, but rather the institution of humanities teaching, that is in a state of crisis. And e-lit, she proposes, could be well placed to revive the teaching of literature in schools and universities.

The title of Grigar's essay was adapted by the Electronic Literature Organization 2012 Conference Planning Committee in its call for proposals.

Pull Quotes

[R]ather than focus our attention on the tired old question, is elit dead?, isn't our time better spent finding ways to bring elit to the classroom, to help promote it in the contemporary literary scene, and support artists who produce it so that it can foster and bolster literary sensibilities and literacies of future generations?

Creative Works referenced
Critical Writing referenced