robotics

Description (in English)

Robopoem@s consist of five insect-like robots whose legs and bodies are engraved with the seven parts of a poem@ (“poema” in Spanish) written from the robot’s point of view in bilingual format (my original Spanish with English translations by Kristin Dykstra). Voice activation, micro-mp3 players, and response to sensors (reactive to obstacles) allow these quadrupeds to interact with humans and with each other, emphasizing the existential issues addressed in the poem. The final segment of the poem, number VII, re-phrases the biblical pronouncement on the creation of humans, as perceived by the robot: “According to your likeness / my Image.” With this statement, the notion of creation is reformulated and bent by the power of electronics, ultimately questioning its binary foundations.

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Description (in English)

Robopoem@s are robots created by Tina Escaja. Robots that are designed to take the apearance and function of poems, able to move, and even "speak" different poems.

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Short description

Picking up the thread from last year’s conference, The End(s) of Electronic Literature, we chose the theme “New Horizons,”—that is, looking past current practices and ahead to future ones, with emphases on literary games, preservation, and new digital technologies.

The festival involves 27 works in the Exhibit, 13 Readings & Performances, four works in the Screenings, and five Sound Installations — for a total of 49 works. Caitlin Fisher, ELO 2016 Artistic Director, and her team of curators — Brenda Grell (Exhibit), Jim Andrews (Readings & Performances, Jim & Justine Bizzocchi (Screenings) and John Barber (Sound Installations and radioELO) have selected some excellent works involving mobile apps, AR/VR, robotics, video, net art, sound art, and other forms that reflect our theme.

The Artistic Director of the Festival is international artist, and Canada Research Chair at York University, Caitlin Fisher, whose research investigates the future of narrative through explorations of interactive storytelling and interactive cinema in Augmented Reality environments. She is co-founder of the University of York’s Future Cinema Lab. Working Fisher, are four curators:

  • Exhibit: Brenda Grell
  • Readings & Performances: Jim Andrews
  • Screenings: Jim Bizzocchi, Curator; Justine Bizzocchi, Producer
  • Sound Installations, John Barber
  • All events take place at the University of Victoria. The Exhibit is located in the Atrium of the MacLaurin Building; Readings & Performances, at Felicita’s; Screenings, at Cinecenta; and radioELO will provide live broadcast during the conference and festival from a station located in the MacLaurin Atrium.

    (Source: http://elo2016.com/festival/)

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    By Daniele Giampà, 22 March, 2015
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    Pedro Barbosa recalls in this interview his memories of the first studies and works of electronic literature back in the 1970s when he was a student at the University of Porto. Starting from considerations about his collaborative works he makes a comparison between printed literature tradition and the age of new media focusing on the paradigmatic change of this very transitional period with live in and the differences of the creative work. Furthermore he makes an interesting statement on regard of the aesthetics of new media by comparing works of electronic literature with the oral tradition. In the end he mentions some of the milestones of electronic literature that he considers important.

    By Alvaro Seica, 19 November, 2013
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    9726991501
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    85
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    Abstract (in English)

    This book is a collection of essays on semiotics of media, infoart, infopoetry, videopoetry, holopoetry, fractal aesthetics, poetics of zero gravity, dematerialization, teleart and robotics. (Source: http://www.cibercultura.org.br/tikiwiki/tiki-index.php?page=Po%C3%A9tic…)

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    Since the very beginning of art ‘techne’ has been a substantial part of ‘poeisis’. The complex technologies of today create a particularly compelling and provocative frame for expressing artistic ideas. Media/ techno/ hybrid art is currently one of the most promising kinds of art that enriches art with most recent developments in science, robotics, electronics, telecommunication and bio technologies. Interacting with the objects and whole environments, the viewer is empowered to relate to the works in multiple ways and is intuitively immersed into the problematic field of contemporary technological culture. The unique modes of sensory engagement, when visual perception is closely tied with auditory and tactile, suggest new paradigms of cognition and proprioception. While internationally the media arts practice is supported by wide range of industries and governmental institutes, in Russia the development of this field is still sporadic. The exhibition “Art Focus for Technologies: Charm and Challenge” is intended to introduce to Ekaterinburg audience and the city’ guests some of the most important issues of international media art practice and to instigate further discussions, research and practice in this science- and technology-rich region. The exhibition is organized within the strategic program of EB NCCA “Art. Science. Technology” and will include works by Russian, German, Austrian, French, Dutch, and Swedish artists that deal with the ideas of optics, acoustics, interactivity, robotics, virtual realities, and performativity. The pieces will give a witty response to the current state of media consumerism, create sensory provocations and metaphoric interpretations of scientific facts, reflect upon the social and urban structures, as well as present interfaces for more nuanced and intimate communication. A number of works are commissioned specifically for this event. Participating artists: Sonia Cillari (IT/NL), (RU), Arijana Kajfes (SE), Andrey Khazov/ Sergej Novik (RU), Julius Popp (DE), Denis Perevalov/ Nina Rizhskaya/ Igor Sodazot (RU), Alexei Shulgin/ Aristarkh Chernyshov (RU), Christa Sommerer (AT)/ Laurent Mignonneau (FR), Where the Dogs Run (Olga Inozemtseva, Natalia Grekova, Alexei Korzukhin, Vladislav Bulatov, RU). In conjunction with the exhibition there will be organized a series of lectures and workshops by the invited participants. The works of the exhibitions will be documented in a special publication (catalogue). “Innoprom 2011” is one of the largest exhibitions and forums of advanced technologies developed in Russia, which is organized with the purpose to facilitates the spreading of the best innovation practices and developing connections between industrial enterprises and technology developers. The exhibition “Art Focus for Technologies: Charm and Challenge” will be become a valuable and very special addition to the project. Selected pieces of the exhibition can also be put on view at other venues of the city for longer time.

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    By Jill Walker Rettberg, 15 October, 2012
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    In this paper I will discuss three recent electronic art works in which biological processes or interfaces are investigated. These works are entitled "Teleporting an Unknown State" (1994/96), "A-positive" (1997), and "Time Capsule" (1997) The first work created a situation in which actual photosynthesis and growth of a living organism took place over the Internet. The second piece proposed a dialogical exchange between a human being and a robot through two intravenous hookups. The third approached the problem of wet interfaces and human hosting of digital technologies through the implantation of a memory microchip