telecommunication

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"I know the voices dying with a dying fall
Beneath the music from a farther room."

The quote from T. S. Eliot’s poem “The Love Song of J. Alfred Prufrock” is an important motif in this poem by Safavian, inspired by overheard cell phone conversations. These conversations are intimately private yet their delivery in public spaces make them “become part of the poetry of public, everyday life,” according to Safavian. This idea of private confessions getting out into the world is a theme parallelled in Prufrock, which in turn references Guido da Montefeltro’s words in Dante’s Inferno (see the epigraph).

Safavian uses Photoshop filtered photographs of places in Baltimore to provide a setting and context to six voices, whose lines appear statically on the screen while a kinetic lines cascade or rise softly through the screen with verses that come from another speaker’s voice which reflects upon the overheard lines. This unifying voice is a layer that helps unify the poem, as is the image of the Baltimore skyline, and two layers of audio: a short musical loop that plays for several minutes and a lower volume voice loop of poetry. If you cannot make out the sotto voice track, you may want to wait for the music loop to end to appreciate it and its resonance in the poem.

(Source: Leonardo Flores, I ♥ E-Poetry)

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This poem is inspired by the phone conversations made by telemarketing representatives whose peak calling hours were in the early evening, when people are having dinner and perhaps unwinding with a glass of wine after a long day’s work. Written and published in 2001, this poem captures some of the frustration and unexpected human connections that occurred in these contexts before the National Do Not Call Registry was implemented in the U.S. in 2004, effectively ending that kind of telemarketing strategy. Clicking on each pictorial icon triggers a sequence of animated, scheduled text, with accompanying images and music, told from the perspective of each of the two women who seem to find unexpected pleasure in their weekly phone conversations. At least during this time in the history of telemarketing, the phone technology allowed for human interactions, sometimes cordial, sometimes providing opportunities for cathartic venting of pent up frustrations, and occasionally, very rarely, genuine connections and empathy. (Source: Leonardo Flores, I ♥ E-Poetry)

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Since the very beginning of art ‘techne’ has been a substantial part of ‘poeisis’. The complex technologies of today create a particularly compelling and provocative frame for expressing artistic ideas. Media/ techno/ hybrid art is currently one of the most promising kinds of art that enriches art with most recent developments in science, robotics, electronics, telecommunication and bio technologies. Interacting with the objects and whole environments, the viewer is empowered to relate to the works in multiple ways and is intuitively immersed into the problematic field of contemporary technological culture. The unique modes of sensory engagement, when visual perception is closely tied with auditory and tactile, suggest new paradigms of cognition and proprioception. While internationally the media arts practice is supported by wide range of industries and governmental institutes, in Russia the development of this field is still sporadic. The exhibition “Art Focus for Technologies: Charm and Challenge” is intended to introduce to Ekaterinburg audience and the city’ guests some of the most important issues of international media art practice and to instigate further discussions, research and practice in this science- and technology-rich region. The exhibition is organized within the strategic program of EB NCCA “Art. Science. Technology” and will include works by Russian, German, Austrian, French, Dutch, and Swedish artists that deal with the ideas of optics, acoustics, interactivity, robotics, virtual realities, and performativity. The pieces will give a witty response to the current state of media consumerism, create sensory provocations and metaphoric interpretations of scientific facts, reflect upon the social and urban structures, as well as present interfaces for more nuanced and intimate communication. A number of works are commissioned specifically for this event. Participating artists: Sonia Cillari (IT/NL), (RU), Arijana Kajfes (SE), Andrey Khazov/ Sergej Novik (RU), Julius Popp (DE), Denis Perevalov/ Nina Rizhskaya/ Igor Sodazot (RU), Alexei Shulgin/ Aristarkh Chernyshov (RU), Christa Sommerer (AT)/ Laurent Mignonneau (FR), Where the Dogs Run (Olga Inozemtseva, Natalia Grekova, Alexei Korzukhin, Vladislav Bulatov, RU). In conjunction with the exhibition there will be organized a series of lectures and workshops by the invited participants. The works of the exhibitions will be documented in a special publication (catalogue). “Innoprom 2011” is one of the largest exhibitions and forums of advanced technologies developed in Russia, which is organized with the purpose to facilitates the spreading of the best innovation practices and developing connections between industrial enterprises and technology developers. The exhibition “Art Focus for Technologies: Charm and Challenge” will be become a valuable and very special addition to the project. Selected pieces of the exhibition can also be put on view at other venues of the city for longer time.

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