remix

Content type
Author
Year
Language
Platform/Software
Record Status
Description (in English)

"Future Lore" is a poetry generator that remixes Nick Montfort's poetry generator "Taroko Gorge". It presents a futuristic free-for-all world where chaos rules. 

Pull Quotes

The human breaks the machine.

The posthumans win.

Exiles delete the observers.

  eliminate the artificial digital mysterious unforgiving —

The leader destroys the cyborgs.

Machines conspire.

Drones kill.

The exile corrupts the program.

  infect the surrounding —

Screen shots
Image
Screenshot of text generated by the poetry generator.
By Hannah Ackermans, 7 December, 2018
Author
Publication Type
Language
Year
Pages
311-326
Record Status
Abstract (in English)

The inherent complexity of multimodal databases constitutes a challenge in terms of structuring and interoperability. However, it also stimulates the translation of organized data into enhanced and adaptable interfaces. Using the Digital Archive of Portuguese Experimental Literature (www.po-ex.net) as a framework, I will describe possible strategies for curating digital archives, through appropriation and remixing of database assets, allowing artistic and creative re-interpretations of experimental and electronic literature.

(source: abstract repository)

By Ana Castello, 2 October, 2018
Author
Publication Type
Language
Year
Publisher
ISBN
9780415320610
Pages
XVII, 212
License
All Rights reserved
Record Status
Librarian status
Approved by librarian
Abstract (in English)

The 21st century is awash with ever more mixed and remixed images, writing, layout, sound, gesture, speech, and 3D objects. Multimodality looks beyond language and examines these multiple modes of communication and meaning making.

Multimodality: A Social Semiotic Approach to Contemporary Communication represents a long-awaited and much anticipated addition to the study of multimodality from the scholar who pioneered and continues to play a decisive role in shaping the field. Written in an accessible manner and illustrated with a wealth of photos and illustrations to clearly demonstrate the points made, Multimodality: A Social Semiotic Approach to Contemporary Communication deliberately sets out to locate communication in the everyday, covering topics and issues not usually discussed in books of this kind, from traffic signs to mobile phones.

In this book, Gunther Kress presents a contemporary, distinctive and widely applicable approach to communication. He provides the framework necessary for understanding the attempt to bring all modes of meaning-making together under one unified theoretical roof.

This exploration of an increasingly vital area of language and communication studies will be of interest to advanced undergraduate and postgraduate students in the fields of English language and applied linguistics, media and communication studies and education.

(Source: publisher catalog copy)

By Hannah Ackermans, 18 September, 2018
Publication Type
Language
Year
Pages
13-38
Record Status
Abstract (in English)

"What is a book?" This is the question the text starts of with and the question the text circles around, exploring the material basis of reading and writing. Parallel to the theoretical examination and anecdotal reference to the history of the written word, the author positions a post-apocalyptic fiction about the last reader.

Description (in English)

The Required Field is an expansive interactive digital poem exploring the impact of policy documents, bureaucratic forms and the river of applications on our lives and our daily culture. Using twenty found and remixed government and corporate documents, the work poetically translates those overly complex and confusing forms. For example, a Tax Form for farmers will be recontextualized through an interactive image-­‐map tour, transforming specific sections of the forms into poetic text and animated elements. Or a page from a Work Visa application will be created into a platform game, where the reader/player triggers poetry blasting bureaucracies through their game play. And in the end, The Required Field, builds from and then poetically destroys the bureaucratic cultures and their fields of red-­‐tape, laws and policies for the sake of policies, the sub-­‐section to a sub-­‐section, part B stroke 9 for breathing.

Pull Quotes

The Required Field, builds from and then poetically destroys the bureaucratic cultures and their fields of red-­‐tape....

Screen shots
Image
Image
Image
Technical notes

Built in html5, javascript and many other magical wonderments and secret codes. 

Description (in English)

This diptych or bi-fold work presents readers with two re-workings of Lewis Carroll’s “Jabberwocky:” on one hand, a fixed, cyclical hypertext in seven parts (Ouroboros), and on the other, an endless generative deformation that refigures the mock-epic as tennis game in Hell (Jabberwock). Both options are available at the start, but only in faint, translucent lettering. Letting the cursor dwell on one side or the other activates a sound track -- on the O side, a poetic voice whispering words of wisdom; on the J side, various monstrous re-mixes of Thursday, July 2017.This diptych or bi-fold work presents readers with two re-workings of Lewis Carroll’s “Jabberwocky:” on one hand, a fixed, cyclical hypertext in seven parts (Ouroboros), and on the other, an endless generative deformation that refigures the mock-epic as tennis game in Hell (Jabberwock). Both options are available at the start, but only in faint, translucent lettering. Letting the cursor dwell on one side or the other activates a sound track -- on the O side, a poetic voice whispering words of wisdom; on the J side, various monstrous re-mixes of those words. Dwelling on one side or the other will also cause the favored side to become more fully apparent while its opposite fades toward blankness. If the reader pursues this process to the end, which takes only a few minutes, she is invited to complete her Observation by filling out a brief survey asking reasons for the choice of monsters. Dwelling on one side or the other will also cause the favored side to become more fully apparent while its opposite fades toward blankness. If the reader pursues this process to the end, which takes only a few minutes, she is invited to complete her Observation by filling out a brief survey asking reasons for the choice of monsters.

(Source: ELO 2017 Book of Abstracts).

Screen shots
Image
Screen shot_1
Technical notes

Uses HTML5 and Java, recommended to use a browser updated not earlier than in 2017.

Short description

In  this  exhibit,  sound  is  represented  as  an  overarching  medium  connecting  the  artworks displayed. Visitors of the “Affiliations” exhibit will find poetic works that radically explore language and sound. For the curators, sound is one of the fundamental aspects, if not the core, of experimental and digital poetics. Yet, as some writers  and  critics  have  pointed  out  - especially  Chris  Funkhouser,  Hazel  Smith,  and John Barber - sound has not been sufficiently highlighted as a fundamental trait of electronic literature.

The “Affiliations” exhibit presents works that embrace appropriation and remix of older and contemporary pieces - be they merely formalist or politically engaged - as pervasive creative methods in experimental poetics. Furthermore, it suggests that  electronic  literature  can  be  seen  as  a  heterogeneous  field  of  self-reflexive experimentation with the medium, language, sound, code, and space.

At  the  Palacete  dos  Viscondes  de  Balsemão,   connections  between  several  art  forms and movements, ranging from the baroque period to Dada and experimentalism will be underlined. In so doing, the “Affiliations” exhibit will present works printed on paper, composed of sound or generated by computational media. This exhibit  is  divided  into  nuclei  of  practice,  where  works  can  be  independently  or simultaneously read, played, listened to, watched, and remixed.

(Source: Books of Abstracts and Catalogs)

Record Status
By Hannah Ackermans, 27 June, 2017
Publication Type
Language
Year
Publisher
Record Status
Abstract (in English)

As the genre is still unknown to many in the Netherlands, this article serves as an introduction to computer-generated poetry in the Dutch-language field of literary studies. Via an analysis of the canonical Taroko Gorge (Montfort) and its remixes, the article considers how three characteristics of generative poetry - namely temporality, overwriting, and remixing - play with the idea of authorship.

Description in original language
Abstract (in original language)

Generatieve dichtkunst is een genre dat voor velen nog onbekend zal zijn. In dit artikel biedt literatuurwetenschapper Hannah Ackermans een nadere kennismaking met deze vorm van e-poëzie. Via een analyse van de online gedichtengenerator Taroko Gorge van Nick Montfort bespreekt zij hoe drie kenmerkende eigenschappen van generatieve literatuur, namelijk tijdgebondenheid, overwriting en remixen, spelen met het idee van auteurschap. In hoeverre is er nog sprake van een auteur als een algoritme de gedichten creëert?

 

 

Creative Works referenced
Content type
Translator
Year
Language
Platform/Software
Record Status
Description (in English)

A poetry generator for the imaginary city. Tokyo Garage is a remix of Nick Montfort's "Taroko Gorge" -- a nature poem generator built in javascript. Rettberg modified the code and substituted all of the language of Montfort's work to create this poetry generator, which plays with received stereotypes of the Tokyo metropolis and of urbanity in general.

Description (in original language)

Tutaj znajduje się totalny remiks klasycznego i eleganckiego wiersza generatywnego natury Wąwoz Taroko Nicka Montforta. To on napisał poniższy kod. Ja podmieniłem słowa, by uczynić wiersz bardziej miejskim, nowoczesnym, i czymś co przywoła moją wizję Tokyo,mmiasta, w którym nigdy nie byłem. Zremiksowane 18 marca 2009 przez Scotta Rettberga.

(Source: Source code)

Description in original language
Screen shots
Image