future

By Lucila Mayol Pohl, 17 October, 2020
Publication Type
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Journal volume and issue
The New River Spring 2018 Issue
Record Status
Abstract (in English)

The world as we know it is changing: drones can deliver burritos, cars can drive themselves, all movies are remakes, and our middle school math teachers were all wrong – we do always have a calculator in our pocket. Welcome to the future! We’re talking about your smartphone. These small rectangular devices have affected nearly every aspect of our lives. New media is no exception. For this issue, we have curated a collection of pieces, both desktop and mobile, that exemplify all that new media has to offer in this future we live in.

(Source: https://www.cddc.vt.edu/journals/newriver/18Spring/editor.html)

By Lucila Mayol Pohl, 17 October, 2020
Publication Type
Language
Year
Journal volume and issue
Spring 2018 Issue
ISSN
ISSN 2151-8475
License
All Rights reserved
Record Status
Abstract (in English)

The world as we know it is changing: drones can deliver burritos, cars can drive themselves, all movies are remakes, and our middle school math teachers were all wrong – we do always have a calculator in our pocket. Welcome to the future! We’re talking about your smartphone. These small rectangular devices have affected nearly every aspect of our lives. New media is no exception. For this issue, we have curated a collection of pieces, both desktop and mobile, that exemplify all that new media has to offer in this future we live in.

Source: https://www.cddc.vt.edu/journals/newriver/18Spring/editor.html)

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Description (in English)

"Future Lore" is a poetry generator that remixes Nick Montfort's poetry generator "Taroko Gorge". It presents a futuristic free-for-all world where chaos rules. 

Pull Quotes

The human breaks the machine.

The posthumans win.

Exiles delete the observers.

  eliminate the artificial digital mysterious unforgiving —

The leader destroys the cyborgs.

Machines conspire.

Drones kill.

The exile corrupts the program.

  infect the surrounding —

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Screenshot of text generated by the poetry generator.
Description (in English)

Covering 600 years of history, from pre-Colombian America to a present in 2121,TimeTraveller™ follows the journey of Hunter, a Montreal Mohawk who wishes tolearn about his ancestors and to seek an alternative to his consumerist world. Inthis science-fiction narrative, combining factual history and hypothetical futures,the main protagonist travels through time by logging on his edutainment system,his TimeTraveller™. His multiple immersions in indigenous history, from theMinnesota Massacre in 1875 to the Oka Crisis in 1990, leads him to meetKarahkwenhawi at the occupation of Alcatraz Island in 1969 with whom he falls inlove. The work comprises a website and nine machinima episodes created inSecond Life.

Description (in English)

Through a mystical tarot card, Future Visions presents a multitude of possiblefutures. Angela Gabereau and Coral Short, the “mothers” of the project, sent outan open and uncensored call for submissions and were able to assemble morethan eighty predictions in a collection of "queer futures". The contributions reflect — by means of filmed performances, tutorials, music, video mixing, etc. — on afuture free from hate, prejudice and the yoke of heteronormativity. While thiscollection is forward-looking, its visions reflect the present-day concerns of thequeer community that too often go unnoticed.

Description in original language
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Description (in English)

Cyborgs in the Mist is an enquiry which takes the form of a movie, a soundinstallation, photo prints, and a book. The film presents the LOPH research laband its utopian proposals to struggle against the planned obsolescence ofhumankind. Taking into account the development of robotics and artificial formsof intelligence, the LOPH research lab experiments with ways to help humansadapt to their new environment, and to put them in a position to fight against their planned obsolescence. How can we anticipate this shift in the logic of evolution?How can we adapt to this change with a minimum of violence? Academic teams,science-fiction writers, and new forms of artificial intelligence work together toanticipate the most disastrous scenarios.

(source: description from the schedule)

Pull Quotes

How can we anticipate this shift in the logic of evolution?How can we adapt to this change with a minimum of violence? Academic teams,science-fiction writers, and new forms of artificial intelligence work together toanticipate the most disastrous scenarios.

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image of the work
Multimedia
Remote video URL
Event type
Date
-
Short description

The world's annual gathering of the international computer graphics community, where the digital future is defined and revealed. Learn the next generation of powerful hardware and software. Understand how technical innovations are changing your work, your profession, your company. Apply your new knowledge to creative and business breakthroughs.

(source: http://www.siggraph.org/s2002/conference/index.html)

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By Hannah Ackermans, 31 October, 2015
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Abstract (in English)

Five minute lightning talks addressing the question: What comes after electronic literature?

Steven Wingate: eLit and the Borg: the challenges of mainstreaming and commercialization
Leonardo Flores: Time Capsules for True Digital Natives
Maya Zalbidea, Xiana Sotelo and Augustine Abila: The Feminist Ends of Electronic Literature
Mark Sample: Bad Data for a Broken World
José Molina: Translating E-poetry: Still Avant-Garde
Daria Petrova and Natalia Fedorova: 101 mediapoetry lab
Judd Morrissey: Turesias (Odds of Ends)
Jose Aburto: Post Digital Interactive Poetry: The End of Electronic Interfaces
Andrew Klobucar: Measure for Measure: Moving from Narratives to Timelines in Social Media Networking
David Clark: The End of Endings
Damon Baker: "HAPPINESS FOR EVERYBODY, FREE, AND NO ONE WILL GO AWAY UNSATISFIED!": New Developments in the CaveWriting Hypertext Editing System

(source: ELO 2015 conference catalog)

By Hannah Ackermans, 27 October, 2015
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Abstract (in English)

This is a two-part meditation on where electronic literature came from, some of the places it’s been, and how (and why) it might possibly go on.

Espen Aarseth will look at the roots of electronic literature in the period before 1997, discussing the origins of digital writing in terms of contemporary art and theory. Particular attention will be given to interactive fiction and what happened to it.

Stuart Moulthrop skips over the really important bits (1997-2010) and concentrates on the state of electronic literature in the current decade, especially the intersection of various text-generation schemes with latter-day conceptualism and “the new illegibility.”

Both keynote speakers will offer critical prospects on the very idea of electronic literature, the meaning of the name, and various present and future ontologies for our discourse.

(source: ELO 2015 conference catalog)