interactive poetry

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Description (in English)

JanusNode is a user-configurable dynamic textual projective surface. It can create original texts using a rule-based system or can morph your texts using Markov chaining and various other techniques. It has been described (albeit generously) as 'Photoshop for text'.

JanusNode is the direct descendent of an old program called 'McPoet' that I started writing in the mid-80s. The program has been in sporadic but continuous development since that time. I do not intend to definitively stop working on it in my lifetime.

(Source: http://janusnode.com/)

By Hannah Ackermans, 31 October, 2015
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Abstract (in English)

Five minute lightning talks addressing the question: What comes after electronic literature?

Steven Wingate: eLit and the Borg: the challenges of mainstreaming and commercialization
Leonardo Flores: Time Capsules for True Digital Natives
Maya Zalbidea, Xiana Sotelo and Augustine Abila: The Feminist Ends of Electronic Literature
Mark Sample: Bad Data for a Broken World
José Molina: Translating E-poetry: Still Avant-Garde
Daria Petrova and Natalia Fedorova: 101 mediapoetry lab
Judd Morrissey: Turesias (Odds of Ends)
Jose Aburto: Post Digital Interactive Poetry: The End of Electronic Interfaces
Andrew Klobucar: Measure for Measure: Moving from Narratives to Timelines in Social Media Networking
David Clark: The End of Endings
Damon Baker: "HAPPINESS FOR EVERYBODY, FREE, AND NO ONE WILL GO AWAY UNSATISFIED!": New Developments in the CaveWriting Hypertext Editing System

(source: ELO 2015 conference catalog)

By Jim Andrews, 9 March, 2015
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Abstract (in English)

One of several essays Jim Andrews wrote to accompany his shoot-em-up poetry game Arteroids.

Description in original language
Pull Quotes

Arteroids is about cracking language open.

The future and the present are involved in the emergence of new media language that multiplies the symbols of writing, and changes writing from dealing with solely typographical material to multimedia composition and cognizing.

Description (in original language)

Poemas combinatórios e generativos, programados de modo a permitir ao leitor alterar dinamicamente, em tempo de execução, os paradigmas que alimentam a sintaxe original; Som gerado aleatoriamente a partir de bases de dados previamente gravadas, com vozes e texturas sonoras; Além de alterar o poema, o leitor pode guardar as suas versões/leituras num weblog disponível na Internet. Duas versões disponíveis (versão horizontal e versão vertical) dão aos leitores a possibilidade de navegar entre distintas tipologias de página: em modo de panorama ou em modo de página html: A versão horizontal (panorama) inclui video, permite ao leitor alterar as palavras e enviar para weblog; A versão vertical (html) permite ao leitor alterar as palavras, alterar as listas e enviar para weblog.

(Source: http://edicoes.ufp.pt/product/humanidades/poemas-no-meio-do-caminho-poe…)

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Poemas no Meio do Caminho: Poesia Combinatória Animada por Computador
Contributors note

Ana Carvalho: video
Luís Aly: sound
Luís Carlos Petry: images
Nuno F. Ferreira: programmer
Nuno M. Cardoso: voice
Manuel Portela: critical writing
José Augusto Mourão: critical writing
Laura Borràs Castanyer: critical writing
Luís Cláudio Fajardo: critical writing

Description (in English)

Nothing You Have Done Deserves Such Praise is an art/ poetry/ adventuring game, a playland for exploring our ever-present desire for constant and over-blown rewards. Our worlds (digital and breathing) are filled with needless and unearned praise, we are built to love exploding trophies for fifth place. This art/poetry game satisfies your compliment addiction by celebrating your walking/ jumping/ falling through strange and wondrous anatomical lands.Nothing You Have Done Deserves Such Praise is a 2013 commission of New Radio and Performing Arts, Inc. for its Turbulence website. It was funded by the National Endowment for the Arts.

(Source: Turbulence)

Pull Quotes

our worlds (digital and breathing) are filled with needless and unearned praise. this art/poetry game satisfies your compliment addiction.

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All Rights reserved
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Description (in English)

An interactive hypertext piece based on the sefirotic tree of the Kabbalah. "Storms" is organized in vocalic and consonantal bifurcations. To navigate through the poem one is invited to click on a letter at any given time. In some instances, navigation can also take place by clicking outside the word. If the reader does not make a choice, that is, if he or she does not click on a vowel or consonant, or in some instances also on empty space, the reader will remain stationary. The poem does not have an ending. This means that one can continue to explore different textual navigation possibilities or quit at anytime. Originally a Hypercard stack, it is available below in an identical Flash translation. (source: author)

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0948454873
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Public Domain
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Description (in English)

A collection of texts, which combine based on next-word branching (similar to Leaving the City).  By taking a given word on a page, an underlying script will find all other instances of that word in the supplied corpus, and randomly determine which work's text to shift into.

Collocations is an anthology consisting of:

"Under It All 2"

"A Refinement of Language"

"Indra's PoemPoem"

"Critical Theory"

 

Each of these uses similar methods of generating acrostic text to create the final work.

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By Rui Torres, 2 December, 2011
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972-99062-4-6
Pages
129-134
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CC Attribution Non-Commercial Share Alike
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Abstract (in English)

Partindo da apresentação de exemplos de poesia criada para o meio digital, pretende-se com este artigo propor uma reflexão acerca das novas textualidades emergentes com as tecnologias digitais interactivas. Assim, acreditando que as características da hipermédia constituem um terreno fértil para o experimentalismo literário, critica-se uma postura de mera remediação dos arquétipos analógicos para os meios digitais, argumentando a favor da criatividade colectiva em rede enquanto possibilidade de conhecimento e esclarecimento acerca dos novos media.

Creative Works referenced
Description (in English)

Generative and combinatory translation of "O Corvo/The Crow" (Fernando Pessoa / Edgar A. Poe). Created for the Núcleo de Estudos do Modernismo em Língua Portuguesa, Universidade Fernando Pessoa.

Description (in original language)

Tradução generativa de "O Corvo" (Fernando Pessoa / Edgar A. Poe). Encomenda do Núcleo de Estudos do Modernismo em Língua Portuguesa, Universidade Fernando Pessoa.

PO.EX entry
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Um corvo nunca mais [Rui Torres]
Contributors note

Nuno F. Ferreira: programming

Luís Carlos Petry: images

Nuno M. Cardoso: voice

Description (in English)

Work created for Oficinas do Convento de 2009, Conversas à Volta do Peso e da Leveza, Montemor-o-Novo. Texts and words by Fernando Pessoa and Sophia de Mello Breyner Andersen

Description (in original language)

Trabalho realizado por encomenda das Oficinas do Convento de 2009, Conversas à Volta do Peso e da Leveza, Montemor-o-Novo. Textos e léxico de Fernando Pessoa e Sophia de Mello Breyner Andersen

PO.EX entry
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Do Peso e da Leveza by Rui Torres (screen shot)
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Do Peso e da Leveza by Rui Torres (screen shot)
Contributors note

Nuno F. Ferreira: programming

Luís Carlos Petry: images