algorithmic text generation

By Daniel Johanne…, 2 June, 2021
Language
Translator
Year
Record Status
Abstract (in English)

The paper describes the procedure of porting of one of the first known poetry generators in Russian from a description of a program algorithm published as an article in the USSR Academy of Sciences: Automatics and Telemechanics in 1978. Boris Katz, a computer linguist at MIT in the moment, and at that moment mathematical mechanical faculty of Moscow university graduate was working on the generator in 1972 - 1975. The generator is based on Stone, 1916, the collected poems by Osip Mandelstam. This work was inspired by his elder colleague, a professor of Moscow University, E.M.Landis. Katz started his research on machine poetry and was asking colleagues if they knew anyone working on the theme in the Soviet Union, and they failed to point him to similar work.After several years of developing the program on BECM - 4 (Big Electronic Calculating Machine) he noticed Michael Gasparov’s book Contemporary Russian verse. Metrics and rhythmics. 1974, that analysed contemporary and traditional poetic verse and general laws of organization of Russian verse. This made a considerable contribution to the work.In order to understand the context in which On Program Composing Verse was produced we have to note that unlike in other language contexts the first generated poems in Russian appeared later than musical compositions, even though the beginnings of statistical analysis of literary texts dates back to the end of the nineteenth century. Another component that proved necessary for the computational poetics in the Soviet context was the study of structural properties of literary texts such as metrical analysis of Russian verse undertaken by Vladislav Kholshevnikov, Boris Tomashevsky and Michael Gasparov. So it was important to gain both qualitative and quantitative knowledge in regards of the properties of the poetic text in Russian.Porting or recreating this generator involved creation of a database in which every word of the Mandelstam’s Stone has been classified and included into a database. The program was created by a computer scientist Boris Katz in 1978 for BECM. A poet and computer programmer Anna Tolkacheva used java script for porting the original program. The paper will report on the principles and choices made during the process, as well as the mistakes made at the first iteration of the project and methods implemented for correcting them.

Multimedia
Remote video URL
Content type
Author
Year
Language
License
All Rights reserved
Record Status
Description (in English)

Lede is a text generator that produces absurdist lede lines describing narrative situations.

Screen shots
Image
Screenshot from Lede
Content type
Year
License
All Rights reserved
Record Status
Description (in English)

Lagunas is a semi-algorithmically generated novel that users can download for free from the author's website and that doesn't have two identical versions. Published in 2015, it was originally Milton Läufer's Creative Writing in Spanish MFA thesis at New York University. The story happens in a pre-apocalyptical world where, with the increasing massification of 3D printers, the public has access to the production of different kind of weapons which results in an alarming number of terrorists attacks over the planet. Lagunas is been regarded also a novel about how memory works and its ever changing form is related with the way the past is always rewriting itself.  

Content type
Author
Year
Language
Platform/Software
Event
License
Public Domain
Record Status
Description (in English)

Autopia is a simple text generator that presents language as if it were endless traffic. The headline-style sentences that are produced are made entirely of the names of cars — no other lexemes are used. While the Web version uses a JavaScript port of espeak to do text-to-speech synthesis, it is not necessary to present the work in a gallery setting with sound.

Autopia is available as free software. It is also published in print form, as a book, by Troll Thread, a New York press. It has been exhibited in galleries.

Description in original language
Screen shots
Image
Cover of the printed book Autopia, published by Troll Thread.
Image
Screenshot of Autopia running in a Web browser.
Content type
Author
Year
Publication Type
Platform/Software
Record Status
Description (in English)

‘’ was derived from Gertrude Stein, . It was first published in Picador New Writing 1995.

"Neuromancing Miss Stein" was freely adapted from a from a loose draft resulting from computer-aided analyses [using Brekdown] of letter-group frequencies in two samples of text, one from Gertrude Stein's The Autobiography of Alice B.Toklas, and William Gibson's Neuromancer. The index and frequency tables from these analyses were then blended, and the draft text regenerated from the resulting combination. First published in the 1995 print book Picador New Writing 1995, the story was later posted to the web by the author.

Content type
Author
Year
Publication Type
Platform/Software
Record Status
Description (in English)

"Carousel" was freely adapted from a from a loose draft resulting from computer-aided analyses [using Brekdown] of letter-group frequencies in two samples of text, one from Henry Miller's Tropic of Cancer and the other from Yasunari Kawabata's The Master of Go. The index and frequency tables from these analyses were then blended, and the draft text regenerated from the resulting combination. First published in the 1998 print book _Different Hands_, the story was later posted to the web by the author.

By Sumeya Hassan, 26 February, 2015
Language
Year
Platform/Software
Record Status
Abstract (in English)

The course concerns the classic tension in poetry between decontextualization and juxtaposition: deciding what a text’s constituent elements are, breaking the text into those elements, and then bringing them back together in surprising and interesting ways. Students are taught not just about string processing and text analysis, but also about the poetic possibilities of using those techniques to algorithmically build new texts. Each semester, the course culminates in a live performance, in which each student must read aloud for an audience a text that one of their programs has generated.

(Source: Author's Abstract)

Short description

Synthetic in essence and brittle in terms of longevity, digital poetry’s fluid states prevent us from considering works as being plastic. Yet since they are never completely fixed, works of digital poetry always maintain plasticity in presentation on the WWW. They exist in a state of being molded, receiving shape, made to assume many forms – often seeking qualities that depict space and form so as to appear multi-dimensionally.

C.T. Funkhouser’s lecture “On 'New Directions in Digital Poetry'” recounts the challenges and process of preparing a scholarly edition focusing on the pursuit of fully – and usefully – capturing the dynamics of this ever-changing genre. As poetry becomes a networked form, its poetics explodes and singular measurements of its pliancy resist finite definition. Recognizing plasticity as an aesthetic foundation establishes a valuable metaphor for generally qualifying the results of electronic writing to date, “On 'New Directions in Digital Poetry'” explicitly stems from Funkhouser’s experience teaching Electronic Literature courses at New Jersey Institute of Technology.

Bio:

Christopher Funkhouser, PhD, is an associate professor in the department of humanities and director of the undergraduate program in professional and technical communication at New Jersey Institute of Technology.

Funkhouser is the creator of a proto-anthology of hypermedia poetry and is completing his dissertation on the subject. He edited The Little Magazine Volume 21 CD-ROM, and is responsible for two on-line poetry and poetics journals: Descriptions of an Imaginary Universe and Passages. His work has recently appeared in Talisman, Hambone, and Callaloo. His hypertext POETRY WEBS was produced in conjunction with the 1996 European Media Arts Festival. Funkhouser’s contributions to ebr are both found in the Electropoetics special (ebr5): The House of Poetry...: Recent Noticings*, and Poetry@The_Millennium: A Conversation with Jerome Rothenberg and Pierre Joris.

Funkhouser was awarded a Fulbright Scholarship in spring 2005 to travel to Cyberjaya, Malaysia, where he taught a course at Multimedia University entitled “Hypermedia Writing” focusing on the history of digital writing. He also led a creative multimedia workshop, a practice in which he has been involved for more than a decade. His research focused on database programming.

(Source: UiB)

Multimedia
Remote video URL
Record Status