epoetry

Description (in English)

Aphiddd was inspired, rather fittingly, by another poem I wrote many years ago about a friendship that I felt had become dependent, even parasitic in nature, largely without me even noticing.

The work developed as if the older poem were the ‘host’, the plundered source material – which made for an interesting writing and editing process. 

The idea to use photo-scanned plants and materials as part of the work came from spending time outdoors during the autumn/winter months and seeing plants, leaves and barks deteriorating. The colours at times were spectacular and beautiful, despite the nature of what was happening.

(Source: http://thenewriver.us/aphiddd/)

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Screenshot from Aphiddd
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Screenshot from Aphiddd
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Screenshot from Aphiddd
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Screenshot from Aphiddd
Technical notes

Aphiddd is a browser-based digital poem that uses a series of photo scanned natural textures/shapes and animated texts to uncover the nature of a parasitic human connection. Aphiddd requires a contemporary web browser, a computer with a graphics card, and may take some time to download and unpack. Once loaded, use the mouse and your mouse’s scroll wheel (or the arrow keys on the keyboard and R+F to zoom in and out) to explore the poem. The poem is comprised of 3 sections. There is also an optional Android app version available.

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Description (in English)

This idea came from an university project (2017) and thanks to the exchange students' program. 

This is an experiment of digital poetry written in 14 verses: it was asked to 10 people from 10 different countries to translate each of them from English to their mother tongue.

Every clips were recorded in different places in Bergen (NO).

The result is a multilingual digital poem about Bergen.

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Description (in English)

“Internal Damage Data” uses the structure of a multiple choice questionnaire for self assessment of internal damage to shape the first part of the poem. For each question, Mez uses option C (maybe, unsure, other…) to develop her poem, seeking to transcend the traditional yes/no binaries in such questionnaires. In the part depicted above, she uses algorithms to structure her poem: using the logic and language of programming to guide the reader’s experience of the poem.

[From the "I Love EPoetry" “Internal Damage Data” and “Fleshis.tics” by Mez Breeze Entry.]

I ♥ E-Poetry entry
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By Daniele Giampà, 7 April, 2018
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In this interview, Daniela Calisi talks about her concept of electronic literature and more specifically electronic poetry. This interview was also published in “Texto Digital”, v. 11, n. 1 (2015). Universidade Federal de Santa Catarina, Florianópolis, Santa Catarina, Brasil. ISSNe 1807-9288

By Daniele Giampà, 7 April, 2018
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Christine Wilks is an awarded digital writer, artist and developer of playable stories who participated in different projects in the field of electronic literature. In this interview, she talks about her interest in electronic literature, her activism in the different projects as well as the use of different media tools and of ludic elements in her works.

By Daniele Giampà, 7 April, 2018
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Judy Malloy is a pioneer in the field of electronic literature. As she writes in this interview, she wrote the first hyperfiction in 1986 called “Uncle Rogers” a series of works of hypernarratives for Eastgate Systems, the first hypertext publishing house founded in 1982 in Watertown, Massachusetts (USA). The interview is a resume of her work as an author and visiting lecturer at Princeton University that still goes on as her latest publication in 2016 can prove.

By Daniele Giampà, 7 April, 2018
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This is the first interview of a series called Electronic Literature Review Featuring. I re-publish interviews of other web pages with the permission of the interviewer or the interviewee.

By Daniele Giampà, 5 April, 2018
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Re-published interview with Eduardo Kac, a Brazilian contemporary artist and professor of art. In this interview, Kac talks about his concepts of art, poetry and multimedia which are at the base of his projects since the early 1980s.

By Daniele Giampà, 5 April, 2018
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The second featured interview with Eduardo Kac. This interview was originally published on http://contentodesign.org/cont/autori/kac/interv_kac.htm   

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Lips is a videopoem about the visualization of lips in human body organs, daily objects and machines. A couple communicates through a webcam. The woman recites a poem in Spanish language while the translation of the poem in English appears in the screen with animated letters.

This avant garde videopoem was filmed for a Spanish television channel of left wing ideology named Tele K and took part of a program dedicated to poetry called Show de Rimas. This poem was also exhibited in EPoetry London 2013 in a poster. As a concrete poem, it had the shape of lips. The poem has also been published in the poetry book "Danza Submarina" by Maya Zalbidea Paniagua (Publisher: Huerga y Fierro 2015).