Spanish (Castilian)

Terranigma, known as Tenchi Sōzō (天地創造, lit. "The Creation of Heaven and Earth")[1] in Japan, is a 1995 action role-playing game for the Super Nintendo Entertainment System developed by Quintet. Manga artist Kamui Fujiwara is credited with the character designs. Terranigma tells the story of the Earth's resurrection by the hands of a boy named Ark, and its progress from the evolution of life to the present day.

It was published by Enix in Japan before Nintendo localized the game and released English, German, French and Spanish versions in Europe and Australia. The game has never been officially released in North America.

(source: Wikipedia)

Mexica: 20 Years–20 Stories [20 años–20 historias] contains 20 short narratives developed by the computer program MEXICA. Plots describe fictional situations related to the Mexicas (also known as Aztecs), ancient inhabitants of what today is Mexico City. This is the first book of short-stories produced completely by a creative agent capable of evaluating and making judgments about its own work, as well as incorporating into its knowledge-base the pieces it produces. By contrast with other, statistical models, MEXICA is inspired by how humans actually develop fictional stories. The book, in both Spanish and English, also includes source references related to the program. Preface by Fox Harrell.

(Source: Publisher's catalog page)

Sabotage Retroexistencial is a digital poem generator produced by an algorithmic sequence that pertains to the blog novel series of "Kublai Moon", specifically the blog novel "La tierra nunca comprenderá". This algorithmic poetry generator gives the reader access to an unlimited combination of poems and to an infinite text. In the fictional world of Kublai Moon where the story is set, the generator is the creation of the robot Al-Halim, an artificial intelligence engine who searches for the meaning and limits of poetry. 

White-Faced Bromeliads on 20 Hectares is a digital poem, which includes a mixture of primarily the English language with some instances of Spanish. In this work Glazier explores alternatives to our customary experiences, through the use of a generator which changes the text of the poems every 10 seconds, turning it from it’s traditional static state to one with movement and change. Furthermore, the evocation of traveling through the images and anecdotes, provides an exploration of a multilingual and multicultural experience. Additionally, the presences of the HTML code leads to a work with multiple possibilities, primarily on how the reader perceives and experiences the work due to the possible technical reading of the code and the multiple possible poetic readings.

Author description: White-Faced Bromeliads on 20 Hectares is a JavaScript investigation of literary variants with a new text generated every ten seconds. Its goals are as follows. (1) To present a poetic evocation of the images, vocabulary, and sights of Costa Rica's language and natural ecosystems though poetic text and visuals. (2) To investigate the potential of literary variants. Thinking of poems where authors have vacillated between variant lines, Bromeliads offers two alternatives for each line of text thus, for an 8 line poem, offering 512 possible variants, exploring the multi-textual possibilities of literary variants. (3) It explores the richness of multiple languages. (4) It mines the possibilities of translation, code, and shifting digital textuality. Having variants regenerate every ten seconds provides poems that are not static, but dynamic; indeed one never finishes reading the same poem one began reading. This re-defines the concept of the literary object and offers a more challenging reading, both for the reader and for the writer in performance, than a static poem. The idea is to be able to read as if surfing across multiple textual possibilities. Such regeneration allows traces of different languages to overwrite each other, providing a linguistic and cultural richness.

Blending Spanish and English and offering a sort of postcard prelude to each of its constantly changing stanzas, White-Faced Bromeliads on 20 Hectares is a poem that explores alternatives and crossings. From line to line the reader can enjoy the turns of phrase but then must figure out how to deal with their constantly turning nature. Options include waiting for the line that was being read to re-appear, re-starting from the beginning of the line that just appeared, or continuing from the middle of the word or phrase.

This multimedia work is a remake of the 1960s collection "El hacedor" by Jorge Luis Borges. Agustín Fernández Mallo maintains the structure and chapter titles, but changes the content to demonstrate how the material gains symbolic significance over time. One paradigmatic example includes the remake of Borges's story "Mutations". Agustín Fernández Mallo's take on it presents a narrator who recreates Robert Smithson's 1967 famous journey through the use of google maps as well as images that compare the journeys. In this regard, the text conveys a comparison between the in-person and the virtual journeys, thereby exploring the temporal difference and the impacts of technology and societal context. 

Organized in the format of numerous blog entries, the text follows Belén Gache, the protagonist, and her journey in a fictitious world taken over by semiotic dictatorships. In this environment overrun by lingüistic oppression, Gache rebels through her quest to understand poetry, its meaning, and its relationship with technology. Through Gache’s alliance with other semiotic rebels, her struggles against word forgers, and her desire to uncover the truth behind the poetry of the semi-autonomous robot, AI-Halim, the author conveys an analysis of the relationship between human intelligence, artificial intelligence, and poetry.