post-print

By Jane Lausten, 3 October, 2018
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Abstract (in English)

The “post-print” classroom has gained significant momentum in the last decade, with some universities even attempting to mandate “e-text-only” curricula (Kolowich, 2010; Graydon, Urbach-Buholz and Kohen, 2011). The impact this trend has on a range of practical concerns, from literacy and comprehension to classroom and programmatic assessment, should no doubt be a key focus of pedagogical research. But so, too, should students’ and instructors’ perceptions of this shifting environment. What variations exist within groups of students engaging in digital reading practices? How do their experiences differ from those of their instructors? Critical social research methodologies can help gain necessary insight into individual perceptions of digital reading practices. Perhaps more importantly, such methods also enable us to search for the ways in which structural factors such as gender and socioeconomic status may shape variation in such perceptions - and ultimately, how to adapt our practices and tools accordingly. I argue here that phenomenographic methodologies, and in particular those drawing on what Ashwin terms the “second order perspective” (2015), are a necessary – but often overlooked – companion to assessment-based research of the e-text movement.

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978-0980139266
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All Rights reserved
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Pull Quotes

The bad idea is not known to infect any other species other than humans, among whom it is communicable through language and violence.

but during training they found i have an extraordinary memory i am able to hold entire books in my mind
they tested my accuracy precision and capacity with numbers strength dexterity vision
and my knowledge of astronomy they put me in 20g
in a sensory deprivation tank and into freefall
they starved me suffocated me irradiated me with glasses of metallic-tasting liquid isotopes
but at no point was i asked to read anything more difficult than eye charts
one test never happened
they kept me locked in an empty waiting room all day an honest mistake they said
i think that was the test
the waiting room didn’t even have a magazine
i could have screamed but i wanted this mission
at no point was i asked to write anything
the subject of my poetry never came up.

Short description

Søren Pold presented "Ink After Print" at the Bergen Public Library on Dec. 2, 2014, as part of the University of Bergen's Electronic Literature Research Group/Bergen Public Library Electronic Literature Reading Series.

'"Ink After Print" is a digital literary installation designed to make people engage with, and reflect on, the interactive qualities of digital literature in public settings such as libraries.' (PR)

The installation allows readers-users to perform, reenact and rewrite recombinant poems written by Peter-Clement Woetmann "and you" (user-reader).

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Description (in English)

Ink After Print is a digital literary installation exhibited in public settings such as libraries. The installation allows readers-users to perform, reenact and rewrite recombinant poems written by Peter-Clement Woetmann "and you" (user-reader). AS -- Ink After Print is an interactive, participatory, digital literary installation made in a collaboration between PIT-researchers, CAVI/Tekne Productions and Roskilde Libraries initiated during the Literature Takes Place (Litteraturen Finder Sted) project and first exhibited in 2012. Ink is designed to make people affectively engage with, and reflect on, the ergodic qualities of digital literature in public settings such as libraries and events. Through their engagement with Ink, people can – individually or collaboratively – produce poems by interacting with three books embedded with a custom-made sensor system, the DUL Radio. The interactive books let people control a floating sentence in an ocean of words toward a sheet of paper to produce a poem, all visualized on a large display. The sentences, written by Danish author Peter-Clement Woetmann, are retrieved from a database. When the poem reaches a limit of 350 characters, it is printed out in a form similar to a library receipt that people can take with them. The poems also appear on a blog updated in real-time (www.inkafterprint.dk) where people can read their own and others’ poems, and comment on them. (Source: http://www.inkafterprint.dk/?page_id=45)

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