interviews

A Dictionary of the Revolution documents the rapid amplification of public political speech following the uprising of 25 January 2011 in Egypt.

Material for the Dictionary was collected in conversations with around 200 individuals in Egypt from March to August 2014. Participants reacted to vocabulary cards containing 160 words that were frequently used in political conversation, talking about what the words meant to them, who they heard using them, and how their meanings had changed since the revolution.

The Arabic website contains 125 imagined dialogues woven from transcription of this speech.

Each word is accompanied by a diagram that shows its relationship to other words in the Dictionary. The thicker the line connecting two words, the closer their relationship is. The diagrams are the result of an analysis of the complete text of the Dictionary.

(Source: About-page website)

A Dictionary of the Revolution was the winner of the 2018 New Media Writing Prize

A Dictionary of the Revolution documents the rapid amplification of public political speech following the uprising of 25 January 2011 in Egypt.

Material for the Dictionary was collected in conversations with around 200 individuals in Egypt from March to August 2014. Participants reacted to vocabulary cards containing 160 words that were frequently used in political conversation, talking about what the words meant to them, who they heard using them, and how their meanings had changed since the revolution.

The Arabic website contains 125 imagined dialogues woven from transcription of this speech.

Each word is accompanied by a diagram that shows its relationship to other words in the Dictionary. The thicker the line connecting two words, the closer their relationship is. The diagrams are the result of an analysis of the complete text of the Dictionary.

(Source: About-page website)

The video-essay features interviews with 17 electronic literature scholars and practitioners including Mark Amerika, Simon Biggs, Serge Bouchardon, J. R. Carpenter, John Cayley, Cris Cheek, Maria Engberg, Jerome Fletcher, Maria Mencia, Nick Montfort, Jörg Piringer, Jill Walker Rettberg, Scott Rettberg, Alexandra Saemmer, Roberto Simanowski, Christine Wilks, Jaka Železnikar. The production method for the video-essay is interesting in that the questions being asked of the interviewees are never explicitly pronounced. Rather, the video is divided into sections based on the general themes Futures and Foci, Platforms and Politics, The Human Problem, Senses and Screens, Reading and Writing. The answers given by the various interviewees are wide-ranging and address issues as diverse as the future of electronic literature, the ownership of data, the roles of author and scholar, and the issue of national models of electronic literature. What emerges from the video-essay is a sense of the dynamism and complexities that make up electronic literature as a field. (Source: ELO 2015 Catalog)

radioELO archives and curates aural information associated with works of electronic literature. This might include author traversals of their work(s) during which they discuss their inspirations and problem solving, or the state of electronic literature at the time of their creation(s). Reevaluations and retrospectives, commentary and reviews, even testimonials, memoirs, and oral histories may also be included. Beyond spoken voice, radioELO also archives soundtracks, soundscapes, and sound collages associated with or considered as individual works of electronic literature. With such information available for on demand, online listening, radioELO is a laboratory in which to examine and discuss the changing nature(s) of electronic literature. Works featured in radioELO are: eLiterature A-Z (Roderick Coover), Soundscapes and Computational Audio-Visual Works (Jim Bizzochi and Justine Bizzochi), Song for the Working Fly (Alan Bigelow), No Booze Tonight (Steven Wingate), ARCHIVERSE In Relation ELO 2014 (Jeff T. Johnson and Andrew Klobucar), The Obsolete Book in a Post-Obsolete World as Represented by a Post-Obsolete Book About Dance (Eric Suzanne), “Where’s Waldo?::Where’s the Text?” (John Barber), Sc4nda1 in New Media (Stuart Moulthrop), Radio Salience (Stuart Moulthrop), Under Language (Stuart Moulthrop), Circuits—from River Island (John Cayley), Califia (M. D. Coverley), The Unknown (William Gillespie, Scott Rettberg, Frank Marquardt, and Dirk Stratton), The Roar of Destiny (Judy Malloy), Uncle Buddy’s Phantom Funhouse (John McDaid), Pieces for Simultaneous Voices (Jim Rosenberg). All sound fragments are available at the source listed below.

(Source: http://radionouspace.net/radioelo.html)