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Description (in English)

November 2008, mid-GFC. Kim Powe, Australia’s once wealthiest citizen, is depressed and obsessed with the $3.9 billion he lost in overseas investment. He writes ‘business plans’ for his personal life. March 2014. Paige Bligh, a runaway from Karratha, recounts her experiences for Right Now! Weekly’s follow-up feature article: Confessions of an Australian Sex WorkerPaige & Powe is a digital epistolary novel that depicts Australia’s wealthiest citizen losing considerable money, and Australia’s poorest citizen coming into considerable money. As their two lives eventually intersect, it explores controversial social issues, specifically the impact of recent Western Australian casino and prostitution legislation.

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Technical notes

Interface made for PC. Mobile viewing is not recommended.

Contributors note

David Thomas Henry Wright - Author

Karen Lowry - Digital Interface

Julia Lane - Illustrator

By Glenn Solvang, 9 November, 2017
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Abstract (in English)

Gene Kannenberg, Jr. finds the most well-publicized comic by one of America’s most significant cartoonists to be technically accomplished, challenging as narrative but finally all too true to its title: the characters and situations in David Boring are in fact boring.

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Description (in English)

A cartoon is very good support for a database documentary on the Second World War. From the story of a young child through France, each vignette is an opportunity to build links to specific information about the war. The structure of the comic vignettes is completely redesigned. Animations endow a temporal structure. Some travel "printing screen" full and create a link between the thumbnails. The action moves on several boxes at the same time. As the reader has not done the necessary actions to advance the narrative, some cells in the "board-screen" remains grayed out and the bubbles are not displayed. Action of the reader simultaneously affects several cases.

(Source: http://www.olats.org/livresetudes/basiques/litteraturenumerique/9_basiq… )

Description (in original language)

Une bande dessinée de très bon niveau sert de support à une base de données documentaire sur la seconde guerre mondiale. À partir du parcours d'un jeune enfant à travers la France, chaque vignette est l'occasion d'établir des liens vers des informations spécifiques relatives à la guerre. La structure des vignettes de la bande dessinée est totalement repensée. Des animations la dotent d'une structure temporelle. Certaines parcourent la « planche-écran » entière et créent un lien entre les vignettes. L'action évolue sur plusieurs cases en même temps. Tant que le lecteur n'a pas fait les actions nécessaires pour avancer dans la narration, certaines cases de la « planche-écran » demeurent grisées et les bulles ne sont pas affichées. Une action du lecteur affecte simultanément plusieurs cases. [Source: http://www.olats.org/livresetudes/basiques/litteraturenumerique/9_basiq… ]

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Description (in English)

In July 2007 I began saving the daily image from the online version of the comic strip "Real Life Adventures" removing the text from its panels, so all that was left were the empty thought bubbles. I think of this collection as "Empty Thoughts from Real Life." My reason for doing this was to create an archive of generic comic strip images stripped of their original text so that later both the text and its container could be used for other content. In addition to altering the comic, one of my other ongoing daily rituals has been to make hand-drawn tracings from the newspaper. In these drawings I bring elements from different pages of the paper together. I often trace what appears on the front and backsides of a single page by holding it up to a window and drawing over selected images and texts. My hand drawings are quirky and purposely imprecise. They become a distilled interpretation of the news. I have always been interested in how the computer can process an image or "trace" and how the computer's tracing differs from my own. By selecting specific photoshop filters I can make a news image look like a black and white line drawing. The computer's drawing uses an algorithm, whereas my drawings are based on subjectivity. "Without A Trace" is a project that brings together these disparate collections and through juxtaposition recontextualizes them. The website takes as its point of departure the idea of a daily ritual. The site is meant to change once a day. For each iteration (each day for a year) a comic image, a trace drawing and three words from the original strip will be randomly selected from the archive. These will be presented with a live news feed (RSS headline) and an image taken from the New York Times. As news is fluid during a given day the headlines and news images can change creating new juxtapositions. A screen grab will be generated at the same time each day creating a representational snap shot of the day. At the end of the project there will be an archive presenting the screen grabs for the year. While the main page of the site is this five part coupling, I have also included a way to view the juxtapositions using previously rendered news images. Under the random version link one can refresh the page collaging archived elements. Here only the headline is live. The title "Without A Trace" has multiple meanings. A trace references a memory. It is what remains when almost everything else disappears. A trace is an action. One traces an image or traces over something. 'Without A Trace' is also the phase we use to refer to something that has disappeared leaving no record. The news is ephemeral, as is the newspaper. It has a given structure yet its online content changes continually. In this project I have attempted to take these disappearing elements and bring them together for the time they are viewed on the webpage. However, like all web content these juxtapositions will disappear when the browser is closed. Only to live in memory--both ours and that of the computer-- challenging the title and the notion; without a trace. 

(Source: author's description)

I ♥ E-Poetry entry
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Without a Trace - November 7, 2009
Contributors note

"Without a Trace" is a 2008 commission of New Radio and Performing Arts, Inc., (aka Ether-Ore) for its Turbulence web site. It was made possible with funding from the Jerome Foundation.

Description (in English)

Grafik Dynamo is a net art work by Kate Armstrong & Michael Tippett that loads live images from the internet into a live action comic strip. From the time of its launch in 2005 to the end of 2008, the work used a live feed from social networking site LiveJournal. The work is currently using a feed from Flickr. The images are accompanied by narrative fragments that are dynamically loaded into speech and thought bubbles and randomly displayed. Animating the comic strip using dynamic web content opens up the genre in a new way: Together, the images and narrative serve to create a strange, dislocated notion of sense and expectation in the reader, as they are sometimes at odds with each other, sometimes perfectly in sync, and always moving and changing. The work takes an experimental approach to open ended narrative, positing a new hybrid between the flow of data animating the work and the formal perameter that comprises its structure.

(Source: Project site)

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