palimpsest

November 2008, mid-GFC. Kim Powe, Australia’s once wealthiest citizen, is depressed and obsessed with the $3.9 billion he lost in overseas investment. He writes ‘business plans’ for his personal life. March 2014. Paige Bligh, a runaway from Karratha, recounts her experiences for Right Now! Weekly’s follow-up feature article: Confessions of an Australian Sex Worker. Paige & Powe is a digital epistolary novel that depicts Australia’s wealthiest citizen losing considerable money, and Australia’s poorest citizen coming into considerable money. As their two lives eventually intersect, it explores controversial social issues, specifically the impact of recent Western Australian casino and prostitution legislation.

The Deletionist is a concise system for automatically producing an erasure poem from any Web page. It systematically removes text to uncover poems, discovering a network of poems called “the Worl” within the World Wide Web.

In the “Working Note” for Nets, Jen Bervin explains her impulse to play with Shakespeare’s sonnets “to make the space of the poems open, porous, possible.” Her 2004 collection presents bolded words from sixty sonnets, creating a new “net” of meaning, a visually and lyrically emergent poetic constellation. The technique of erasure, in which words are removed from a source text to reveal poems latent within it, came to prominence with the work of Ronald Johnson and Tom Phillips in the 1960s. It has come back into fashion in recent book-length poems, including Srikanth Reddy's Voyager, Janet Holmes's The MS of My Kin, Jonathan Safran Foer's Tree of Codes, Mary Ruefle's A Little White Shadow, and (just released as this project is being completed) Sonne from Ort by Christian Hawkey and Uljana Wolf. The Deletionist asks what will happen if the text being erased is itself already a Net.

The Deletionist takes the form of a JavaScript bookmarklet that automatically creates erasures from any Web pages the reader visits. A similar method has been used in Ji Lee's Wordless Web, which removes all text from Web pages, as well as applets that turn webpages into Katamari Damacy environments or Space Invaders levels to make a game of destroying language. Between such extremes and the everyday Web, The Deletionist finds a space of texts that amplify, subvert, and uncover new sounds and meanings in their sources. Neither an artificial intelligence nor a poetry generating system, The Deletionist has a repertoire for uncovering patterns and revealing the poetics at play within the cloud: from Project Gutenberg ebooks, to Facebook, to Bomb Magazine and Arts and Letters Daily, The Deletionist will willingly apply itself to any text set before it.

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