voyeurism

Description (in English)

Originally commissioned by New Media Scotland as part of their Alt-W Cycle 9, Leishman’s latest work Front is a pre-programmed Facebook parody that addresses the major issues of social media—privacy and voyeurism. Front’s interface whilst mimicking the immersive, interaction rich promise of social media, instead reminds us of where the power structures lie, and what is often freely given up by the user/viewer. A contemporary retelling of the Apollo and Daphne myth, Daphne, our protagonist shares her predilections, thoughts and meticulously crafted “selfies”—she has excellent taste (her Front friends tell her so), but all is not as it seems. The narrative moves towards a climax that presents the perils of misrepresentation with the darker side of self-presentation.
Front contains a faux IM chat facility that intrudes on the viewer’s passive reading of the interaction dead “timeline”, upsetting the expected sense of presence and time within the project. Set up as a cautionary tale, the project further re-mixes familiar social media practices via a linked Twitter feed that extends the mediation of Daphne’s character whilst infusing the project with another level of “real” contexts (in the form of supportive specialist web links, and project documentation).

(source: ELO 2015 catalog)

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Description (in English)

"OneSmallStep: a MySpace LuvStory" is an unfolding automated jam—a conscious sampling and randomized regurgitation of MySpace.com media archeology wherein desire, fantasy and fetish form a composted feast for the withered and lonely senses in an eternally habitual loop of voyeuristic consumption, spectacular regurgitation, virtual intimacy and identity production/consumption. 

Artist Statement

We are not ourselves. We cut and paste as we are cut and pasted. We are the remix of images and sounds that never existed outside of this mediated dream. And we are happy to exist this way. "OneSmallStep: a MySpace LuvStory" is an unfolding automated jam - a conscious sampling and randomized regurgitation of MySpace.com media archeology wherein desire, fantasy and fetish form a composted feast for the withered and lonely senses in an eternally habitual loop of voyeuristic consumption, spectacular regurgitation, virtual intimacy and identity production/consumption. With each launch, "OneSmallStep" runs continuously while randomly remixing content from a database that is periodically updated.

(Source: 2008 ELO Media Art show)

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By Eric Dean Rasmussen, 31 January, 2011
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22-37
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Abstract (in original language)

Raley's essay is a careful and descriptive reading of Hansen and Rubin's interactive installation "Listening Post" paying particular attention to complexities of reading a textual work based on live information feeds contributed by an anonymous crowd, a literary work that is perceived as a live embodied experience in a multisensoral "polyattentive" environment.

Pull Quotes

In that Hansen wrote the set of instructions (algorithms) for the collection and sorting of data, Listening Post can be read in the context of the “aesthetics of administration” particular to the work of artists such as Sol Le Witt and Andy Warhol—except that in this instance, production tasks are delegated to computational machinery rather than to a team of workers, rendering the distinction between manual and intellectual labor as a distinction between machinic and human cognition. We thus need to consider Listening Post as a virtuosic statistical work.

In some sense this is the state of the field: writers and artists want to push eye, ear, and machine to their limits. But this is not to suggest a distinction between contemplative reflection (print) and distraction (new media). Rather, we read, view, and listen to new media works such as these in a state of distraction, whereby cognitive engagement is neither conscious nor apperceptive but based on an interplay between the two.

What Hansen and Rubin have given us in Listening Post is a startling and provocative visualization of a collective, of community, on the one hand, and individual affect on the other. It may intuitively seem to be the case that large-scale, multi-user SMS works evoke or produce the more powerful notion of community (given that they feature active collaboration and participation), but in fact it is the unsolicited messages in Listening Post that give us something larger—more hopeful and possibly more disturbing all at once.