Abstract (in English)
In the visual arts, from the 60s, pop art makes a profuse use of the appropriation. The topic of appropriation approaches dangerously to paranoid. Here, alteregos and eschizophrenic ghosts of the own-someone else's and own-other appear. In this game od double meanings and double codes -expectation, reading, listening-, the meaning becomes double, always distorted, processing questions. Reference without reference, as Derrida said? Doubles of anything, according to Baudrillard? The appropriation invites us to mistruct every text, every sign, every indentity.
