Approved record

Scott Rettberg will present his monograph Electronic Literature, which describes new forms and genres of writing that exploit the capabilities of computers and networks – literature that would not be possible without the contemporary digital context. Rettberg places the most significant genres of electronic literature in historical, technological, and cultural contexts. These include combinatory poetics, hypertext fiction, interactive fiction (and other game-based digital literary work), kinetic and interactive poetry, and networked writing based on our collective experience of the Internet. Rettberg will also present some of his own work and ask us to consider how digital literary art might help us to engage with contemporary societal challenges.

Using Electricity is a series of computer generated books, meant to reward reading in conventional and unconventional ways. The series title takes a line from the computer generated poem “A House of Dust,” developed by Alison Knowles with James Tenney in 1967. This work, a FORTRAN computer program and a significant early generator of poetic text, combines different lines to produce descriptions of houses. The series is edited by Nick Montfort.

The field of Electronic Literature comprises new forms of literary creation that merge writing, computation, interactivity, and design in the creation of writing that is specific to the context of the computer and the global network. While electronic literature is a field of experimental writing with a history that stretches back to the 1950s, it has grown most expansively in the late two decades. Forms of electronic literature such as combinatory poetics, hypertext fiction, kinetic and interactive poetry, and network writing bridge the 20th century avant-garde and practices specific to the 21st century networked society. Yet electronic literature has faced significant hurdles as it has developed as a field of study, related to the comparative instability of complex computational objects, which because of their formal diversity are often not easily accommodated by standardized methods of digital archiving, and are subject to cycles of technological obsolescence. Rettberg's presentation will address efforts to disseminate, document, and archive the field of electronic literature. After providing some examples of genres of electronic literature, Rettberg will discuss projects such as the Electronic Literature Collections, the ELMCIP Electronic Literature Knowledge Base, and the Electronic Literature Repository that seek to preserve a corpus of work and criticism for the future.

Offers a postmodern theory of knowledge based on an ecological worldview that stresses real relations and the pervasiveness of values.Modern thought, finally free from premodern excesses of belief, immediately fell prey to excesses of doubt. This book points toward a postmodern approach to knowing that moves beyond the tired choice between dogma and skepticism. Its key deconstructive aim is to help contemporary philosophers see that their paralyzing modern “epistemological gap” is a myth. Its positive outcome, however, reverses the identification of “postmodern” with deconstruction rather than construction, with the “end of philosophy” rather than renewal in philosophy.Knowing and Value begins by tracing how we got here, and argues that much of our modern dilemma rests on choices that might have gone otherwise. Key value judgments underlying Plato’s and Aristotle’s epistemological norms, which still tend to govern our theories of knowledge, are clarified. Next the value-laden sources of premodern attitudes toward knowing are exposed by showing how the Christian synthesis of faith and reason was at first built by medieval Platonists and Aristotelians, then razed by premodern nominalists. This diagnostic account concludes with a close look at how modernity, from Hobbes and Descartes to Kant, designed its own epistemological trap by rejecting some premodern values, while accepting others.The book also examines the principal ways moderns (positivists, idealists, existentialists, and pragmatists) have tried to cope with the supposed epistemological gap―each without success, but with every failure leaving resources for rebuilding.In a constructive climax, the book shows how an ecological worldview, emphasizing real relations (the view proposed in its predecessor volume, Being and Value) can heal the needless ruptures on which modern epistemic maladies depend. A reformed account of human experience confronts modern skepticism head-on; a fresh “process” approach to language and thinking is proposed; and finally, a postmodern, pluralist view of theories and truth is offered under a guiding aesthetic metaphor: “Knowing is the music of thought.”

Source: amazon.com

We present a simple yet effective method for generating high qual- ity classical Chinese poetry with Generative Pre-trained Language Model (GPT)[5]. The method adopts a simple GPT model, without using any human crafted rules or features, or designing any additional neural compo- nents. While the proposed model learns to generate various forms of clas- sical Chinese poems, including Jueju(绝句), Lu ̈shi(律诗), various Cipai(词牌) and Couples(对联), the generated poems are of very high quality. We also propose and implement a method to fine-tune the model to generate acrostic poetry. To the best of our knowledge, this is the first to em- ploy GPT in developing a poetry generation system. We have released an online mini demonstration program on Wechat1 to show the generation capability of the proposed method for classical Chinese poetry.