Published on the Web (online journal)

Description (in English)

Notes Very Necessary is a collaboratively authored web-based multi-media essay that aims to addresses climate change by remixing images, text, and data generated by centuries imperialist, colonialist, capitalist, and scientific exploration in the Arctic. The title is borrowed from an essay authored in 1580 by the Englishmen Arthur Pet and Charles Jackman offering detailed instructions on how to conquer new territories by taking copious notes. In 2015 Barbara Bridger and J. R. Carpenter attempted to follow these instructions by making, finding, and faking notes, images, data, and diagrams online and reconfiguring them into a new narrative. The result is a long, horizontally scrolling, highly variable collage essay charting the shifting melting North.

Pull Quotes

if the wind does serve
go a seaboard the sands.

set off from thence.
note the time diligently.

turn then your glass.
keep continual watch.

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Notes Very Necessary || J. R. Carpenter & Barbara Bridger
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Notes Very Necessary || J. R. Carpenter & Barbara Bridger
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Notes Very Necessary || J. R. Carpenter & Barbara Bridger
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Notes Very Necessary || J. R. Carpenter & Barbara Bridger
Technical notes

use bottom scroll bar or arrow keys to scroll from left to right

Description (in English)

A series of interactive journals which follow Alice aged 18 during her gap year. A unique mix of audio, visuals, films and interactive word games.

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Description (in English)

‘Once upon a Tide’ is a variable, restless, shifting narrative. Turns of phrase, stage directions, and lines of dialogue from Shakespeare’s The Tempest (1610-11) are randomly, repeatedly, and somewhat enigmatically recombined within a close, tense, ship-bound setting reminiscent of Joseph Conrad’s The Secret Sharer (1910), or The Shadow-Line (1916). On the deck of a ship off the shore of an island, two interlocutors are closely observed by a narrator who remains hidden from view.

Not quite a short story, not quite a stage play, ‘Once upon a Tide’ is just one of those moments in literature when time … stands … still.

(Source: J. R. Carpenter, The Junket)

Pull Quotes

Once upon a perigee tide we sailed past a lagoon, our ship charmed. On the forecastle deck two stout men sat mending nets. From their looks I wondered that they had come from calmer shores, certainly none so desolate as these.

Once upon an apogee tide we piloted past a cliff, our ship a brave vessel. On the poop deck two mean boatswains squated twisting tales. From their looks I assumed that the pair had set out from foreign shores, certainly none so harsh as these.

Once upon a spring tide we piloted past a delta, our ship dashed all to pieces. On the tween deck two old strangers loitered mending nets. From their apparel I reasoned that both had sailed from braver shores, surely none so harsh as these.

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Once Upon a Tide || J. R. Carpenter
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CC Attribution Non-Commercial Share Alike
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Description (in English)

aktra is a poem-play written to be displayed and staged as a running script in a theater setting. The setting is the stage itself, during the characters' rehearsals.

The 2766-line poem was written between 2012 and 2014.

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aktra by Álvaro Seiça (screen shot)
Description (in English)

This web-based computer-generated guide 'book' perpetually proposes plausible yet practically impossible walking routes through the city of Edinburgh and its environs using JavaScript developed by Caden Lovelace and images and text culled from a City of Edinburgh Transport Map published by the Edinburgh Geographical Institute in the 1940s and a pamphlet called Walks from City Bus Routes published by Edinburgh City Transport in the late 1950s.

Pull Quotes

DIRECTIONS: Leave the bus and cross the bridge over the canal. Take the footpath about five yards to the left and continue north. Passing a derelict mill you will observe the rather florid facade of a small, unlikely building. Here there is a wide view of the hills - wasted, one feels, on the young, but no doubt comforting to their teachers. The path runs among thickets of rhododendron and flowering trees. The tower was built in 1972 and presented to the city in 1932. Turn Right into the road and follow the path which leads round the shoulder of the hill. If you care to pay the small fee to climb to the top, you will be rewarded with one of the best panoramas in the area. In late autumn the hawthorn hedges assume a remarkable colour. After a few yards, cross the road and continue. Continue along the road from the level crossing to the corner. This walk is not exciting. For the adventurous there is a further section of so-called promenade along the sea wall from the level crossing. The road continues between the grounds of the hospitals to the bus route. For bus route information see appendix.

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Walks from City Bus ROutes || J. R. Carpenter
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Walks from City Bus ROutes || J. R. Carpenter
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Walks from City Bus ROutes || J. R. Carpenter
Description (in English)

Anacrón, Hipótesis de un producto todo is the vertiginous text that calls to the dead and the imagination. Both the subjects are attached to Mexican culture since ancient times and more than ever in our actual global society. Anacrón is an eclectic aesthetic e-poem that aims to respect the linear textual reading of the poem while it explores the boundaries of collaboration, multimedia and video game. Gabriel, the poet, and Augusto, the bandit. The entire project has developed without meeting each other. All communication has been done by e-mail. The journey starts when Augusto found an abandoned book called Caja over a couch in a Cafe at Puebla city. Of course, he stole both: the coffee and the book.

(Source: ELO 2014 Conference)

Hypermedia with recombinatory text, colourful images and noisy sounds about people who die. It is a vertiginous text imitating old fashioned videogames effects. The topic of death is displayed in a sarcastic like in This is how you will die (2005) by Jason Nelson. The cultural context reflected is the representation of death in Mexican folklore like in Carmen Gil’s El alebrije (2004). Acrobat and Flash Player have been used to shock the reader with visual and sound effects like in a game. The entire project was developed by e-mail correspondence between both authors which shows how an online work can be made without need of personal contact.

(Source: Maya Zalbidea)

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Anacrón (Source: http://banditomag.com/anacron/index.html)
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Anacrón (Source: https://viniciusmarquet.wordpress.com/2012/12/12/anacron-hipotesis-de-un-producto-todo/)
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Anacrón (Source: https://viniciusmarquet.wordpress.com/2012/12/12/anacron-hipotesis-de-un-producto-todo/)
Technical notes

Requirements: Acrobat 10 or later and Flash player installed.

Description (in English)

The Obsolete Book in a Post-Obsolete World as Represented by a Post-Obsolete Book About Dance is a multimedia archival rhizome ecology in ten parts, and a reflection on the obsolescence of obsolescence, documented on the cloud, and open-sourced as a defense against post-post-obsolescence. It is a performable website, a pseudo-academic lecture, and a dance about architecture, in the spirit of Michelle Ellsworth. It exists as a website, and/or an installation, and/or a 10-minute performance. The book is dead. Long live the book. (Source: ELO Conference website)

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Description (in English)

'City of dreams' is an excerpt from a work in progress entitled 'a smear of roses' and explores subjectivity, secrets, sadness and desire. The non-linear text of 'a smear of roses' ruptures traditional narrative, opening out into flightlines across the plains of madness, picking up trace memories of disturbing events, sensual and violent impulses, erotic encounters and pyschotic states.

Part of another work
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CC Attribution
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Description (in English)

Computer-generated text embedded in a code poem based on a portion of the script for live performance of Etheric Ocean, by J. R. Carpenter, 2014.

Part of another work
Pull Quotes

I’ll ['wade in', 'wait', 'wait a while'].
I’ll ['walk in', 'walk away', 'walk on water'].
I’ll ['want'], I’ll ['warble'], I’ll ['warrant'].
I’ll ['wash', 'wash up', 'wash ashore'].
I’ll ['waste land', 'waste water', 'waste paper'].

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this sea is nothing in sight but isles || J. R. Carpenter
Description (in English)

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(Source: Punkto 0)

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