rhetorics

By Daniele Giampà, 10 April, 2015
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Alan Bigelow tells in this interview how he started publishing online works of digital poetry around the year 1999 and where his inspirations for his work come from. Furthermore he explains why he chose to change from working with Flash to working with HTML5 and in which way this decision subsequently changed his way of writing. Then he considers the transition from printed books to digital literature from the point of view of the reader also in regards of the aesthetics of digital born literature. In the end he gives his opinion about the status of electronic literature in the academic field.

By Jill Walker Rettberg, 15 October, 2011
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1.6
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This paper applies the linguistic theory of relevance to the study of the way links work, insisting on the lyrical quality of the link-interpreting activity. It is argued that such a pragmatic approach can help us understand hypertext readers´ behavior, and thus be useful for authors and tool-builders alike. (Source: Author's abstract)

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A collection of ten modules that can be used alone or together to create a whole course, Elit 101, as Larsen sometimes refers to it. Each module centers on a rhetorical device used in hypertext fiction, such as the ways links convey meaning, the ways images and sounds are used, the meaning of spatial layout, the use of fonts to create a mood, and so on. There are many practical writing assignments or "paper experiments" for each rhetorical device covered, and most of these can be done without computers, using materials such as posterboard, decks of cards, paper, cardboard, glue and tape, images and sounds. A year of publication is not given.

Deena Larsen has written many works of hypertext fiction and poetry, and has also led many hypertext writing workshops at conferences and other gatherings.