neoliberalism

By Carlos Muñoz, 12 September, 2018
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This paper will discuss a range of concepts relating to populism in digital media. The vernacular appears to literary scholars as a shift towards democracy (tilting the ideal of readership and the consciousness of the reader towards the Reformation and the Enlightenment). Along with this practical historical shift (facilitating the rise of nations and nationality), the pivot to the popular permitted an expansion of poetic and subjective possibilities in the literary arts. In the US, a second “revolution” of the vernacular takes place in the post-colonial context in rejection of perceived European norms--often with Black expression serving as a space of cultural imagination—both in the literary arts and in mass culture. This shift marked the expansion of American hegemony, beginning with Manifest Destiny and towards Neoliberalism. The result is a complicated genealogy of popular language. What can this tell us about popular culture in a post-digital age?

By Filip Falk, 26 September, 2017
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In this review, three social conditions of the Precarious (“precariousness, precarity, and (governmental) precarization”) are described. Furthermore, the neo-liberalist use of self-regulation as a means to exert control over individuals is exposed. The possibility to turn precarity into “a form of political mobilization,” as suggested by Lorey, is also explored.

(Source: EBR)

By Davin Heckman, 1 September, 2015
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In this essay, Davin Heckman argues that works of electronic literature often provide occasions for cultivating attention in a mutable cultural landscape. Through readings of John Cayley, YHCHI, Rob Wittig, and Richard Holeton, Heckman points to a poetics of technical estrangement by which new media is opened up to deliberative reading, and thus presents contemporary readers with the opportunity to develop critical practices appropriate for the conditions of neoliberalism.

By Eric Dean Rasmussen, 12 April, 2012
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Davin Heckman is a Fulbright Scholar with Digital Culture this year, and will hold a lecture on his current research on Thursday, April 12, 2012.

Heckman will discuss literature in a time of media change.  Part of an ongoing research project, this talk will explore the objective tendency of neoliberalism and the digital revolution, and the humanistic potential of emerging literary and critical practices.

(Source: University of Bergen)

Description (in English)

 

A satirical piece of netart featuring multiple short fictions detailing the failure of well-known, contemporary institutions, primarily corporations such as Apple, IKEA, and CNN, though corporatized political entities (Canada, France, and the White House) and individuals (author Neil Gaiman) are also ribbed. Readers access the prose narratives by hovering over iconographic logos, affixed to a rotating, transparent globe. A minimalist, electronic soundtrack, reminiscent of those used in planetarium productions from the late 1970s and early 1980s, enhances the work's retro-futurist commentary on the factors leading to obsolescence in the capitalist world-system.

 

Pull Quotes

In an attempt to regain market share versus manufacturers of furniture designed to last more than two years, IKEA introduced the concept of Houseumglobin. Their idea was for consumers to assemble their own veneer covered, cheap screw fitted houses inside giant IKEA warehouses and then work off the debt as sales staff.

Election and government reforms meant all decisions, every choice made by a public employee, be decided by citizen’s instant daily voting. For example, before a city gardener could plant a tree, or a teacher could change a test question residents would have five minutes to vote. And influential sites like the Daily Kos were replaced by large marketing firms who hired thousands to write hundreds of daily one 144 character pitches, the twitterification of politics ruled.

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By Eric Dean Rasmussen, 22 February, 2011
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...could Electronic Literature be a form of organized violence against this ordinary language?

Rather than simply making the comparison of epic struggle to our daily frustrations with technology, which is funny in itself, Bouchardon et al. (2008) go to great lengths to create distinctive levels of play, each of which is sufficiently novel to merit continued play (and to use the piece’s log in feature, so that readers can save their progress as they play).

While the writing itself is fairly utilitarian (rather than poetic), 12 Labors is literary at a conceptual level. At once, it relies upon familiarity with classical literature (myth and allegory) and the conventions of contemporary narrative (cinematic and ludic) to provide critical and humorous insights into the tedious realities of daily life in the 21st century.

The piece is notable for the ways in which it signifies the reader’s touch, and thus poses a fascinating question for critics of electronic literature: when a physical act such as ‘touching’ is transformed into representation via an interface, in what ways might this parallel the representational conjuring that we associate with literary works?

On its most basic level, it is a piece about control and its loss that resonates with the common experience of media users in times of transition. Technology always proceeds by the extension of grasp and the promise of control.

Description (in English)

A hypercube is a work of electronic fiction based on the structure of a cube. It comprises six pages, each of which links to four others. Letter to Linus uses the form of a hypercube to explore, through six points of view, the politics of electronic literature.

(Source: Author's description from Electronic Literature Collection, Volume 2)

I ♥ E-Poetry entry
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The art of writing has always been threatened by low overhead. Until now. When you join our exclusive club, you'll enjoy the benefits of reduced competition.

My parents, before they died, bought me English as a graduation present. It's an outdated version. I hear it has fewer problems than the latest release, but I can't look up some of the newer words...

In decrepit basement rooms, gather daily to train, recite the alphabet backward and forward in seconds, write in complete darkness, memorize dictionaries.

You are even capable, some fear, of unlocking encrypted text; freely pirating newspapers, textbooks, bus schedules.

If. Dialects starved, would you still cook me dinner?

To foster literacy, the government is using helicopters to overfly target sectors, dropping poems warning of the evils of poverty. "Real friends don't need money," one optimistic slogan states.

With language rapidly gaining the status of a military technology, some form of regulation may be in order in order to lock...

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