ELMCIP

Type
Language
Year
Record Status
Abstract (in English)

Course introduction

The course focuses on the development of both theoretical and practical skills in digital humanities. Students will learn how digital platforms can be used in research in the humanities. In the theoretical component of the course, students read academic texts on digital humanities research and do practical research on selected projects in the digital humanities. The course focuses on student active research. Students gain practical research experience as digital humanists by developing projects in ELMCIP Electronic Literature Knowledge Base. This knowledge base is a scientific, open access, relational database programmed in Drupal that documents creative work, research, events and actors in the field of electronic literature.

Students in the course will gain practical experience through working with one or more of the following areas:

  • editing: researching, writing, and editing entries about electronic literature in the Knowledge Base
  • web design and user interface development
  • project planning and implementation; team-work and academic collaboration
  • documentation
  • visualization based research methods

This course provides a unique opportunity for students to get real-world experience working with scholars on an international research project in electronic literature and the digital humanities, and to contribute to the state of the art in these fields.

The ELMCIP Knowledge Base is based at the University of Bergen and can be accessed at http://elmcip.net/knowledgebase Contributions to the ELMCIP Knowledge Base are publicly accessible and licenced with a Creative Commons, non-commercial share-alike license (nc-sa).

Teaching Methods

There will be four hours of teaching each week for twelve weeks during the semester, split between one theoretical and one practical seminar each week. Student workload is estimated at 20 hours per week from the beginning of the semester until the exam, including during weeks without classes. This time should be spent attending classes, reading the assigned readings, completing assignments, contributing to the database projects, and gathering relevant material in the library and online (books, articles, videos, etc). If there are fewer than five students enrolled in the course, the institute can chose to reduce the hours of instruction, as per guidelines published on Mitt UiB. If this is the case, students will be able to find information about the revision of course hours at the start of the semester, before the deadline for semester registration (Sep. 1).

Assignments will be posted on Mitt UiB. UIB course page: http://www.uib.no/course/DIKULT207

Platform/Software referenced
Type
Language
Year
Record Status
Abstract (in English)

Course introduction

The course focuses on the development of both theoretical and practical skills in digital humanities. Students will learn how digital platforms can be used in research in the humanities. In the theoretical component of the course, students read academic texts on digital humanities research and do practical research on selected projects in the digital humanities. The course focuses on student active research. Students gain practical research experience as digital humanists by developing projects in ELMCIP Electronic Literature Knowledge Base. This knowledge base is a scientific, open access, relational database programmed in Drupal that documents creative work, research, events and actors in the field of electronic literature.

Students in the course will gain practical experience through working with one or more of the following areas:

  • editing: researching, writing, and editing entries about electronic literature in the Knowledge Base
  • web design and user interface development
  • project planning and implementation; team-work and academic collaboration
  • documentation
  • visualization based research methods

This course provides a unique opportunity for students to get real-world experience working with scholars on an international research project in electronic literature and the digital humanities, and to contribute to the state of the art in these fields.

The ELMCIP Knowledge Base is based at the University of Bergen and can be accessed at http://elmcip.net/knowledgebase Contributions to the ELMCIP Knowledge Base are publicly accessible and licenced with a Creative Commons, non-commercial share-alike license (nc-sa). Teaching Methods There will be four hours of teaching each week for twelve weeks during the semester, split between one theoretical and one practical seminar each week. Student workload is estimated at 20 hours per week from the beginning of the semester until the exam, including during weeks without classes. This time should be spent attending classes, reading the assigned readings, completing assignments, contributing to the database projects, and gathering relevant material in the library and online (books, articles, videos, etc). If there are fewer than five students enrolled in the course, the institute can chose to reduce the hours of instruction, as per guidelines published on Mitt UiB. If this is the case, students will be able to find information about the revision of course hours at the start of the semester, before the deadline for semester registration (Sep. 1). Class meetings are on Tuesdays and Thursdays, from 14.15-16:00 in Sydneshaugen skole, Datalab 124. Assignments will be posted on Mitt UiB. UIB course page: http://www.uib.no/course/DIKULT207

Database or Archive Referenced
Platform/Software referenced
By Hannah Ackermans, 29 October, 2015
Language
Year
Record Status
Abstract (in English)

This half-day workshop will be focused on the preservation and archiving of Electronic Literature Organization events and conferences. Scott Rettberg has been asked by the ELO board to establish a standing committee of ELO members that will be focused on documenting and archiving current and past ELO events. This workshop will be focused both on the future scope and projects of that committee and on the hands-on documentation of ELO conferences in the ELMCIP Electronic Literature Knowledge Base. We will consider questions including:

What are the best practices related to archiving for ELO conference organizers?
Should relationships be established with one or more libraries or archives to preserve data and ephemera from ELO conferences?
How should we best go about gathering ELO archives materials and preserving them?
How can we archive events using the platform of the ELMCIP Electronic Literature Knowledge Base?

The session will include a discussion of these issues followed by hands-on work in the ELMCIP Knowledge Base. Participants will learn how to document their presentations, papers, creative works, and events in order to preserve them and make them available to other international researchers.

(Source: ELO 2015 catalog)

By Hannah Ackermans, 29 October, 2015
Language
Year
Record Status
Abstract (in English)

This two-part workshop led by Philippe Bootz and Johnathan Baillehache will focus on the history and documentation of French Digital Poetry.

Morning session: History of French digital poetry since Calliope (1952) until Transitoire Observable (2003). Lecture and discussion led by Bootz.
Afternoon session: Documenting French digital poetry in ELMCIP French Language Electronic Literature research collection.

Participants will first encounter some of the history of French digital poetry and view and interact with some early works. In the afternoon, participants will work together to document this history and these works in the ELMCIP Knowledge Base in a workshop led by Baillehache, who has been developing a research collection on the topic with students at Georgia University.

(source: ELO 2015 catalog)

Short description

This half day workshop will be focused on the preservation and archiving of Electronic Literature Organization events and conferences. Scott Rettberg has been asked by the ELO board to establish a standing committee of ELO members that will be focused on documenting and archiving current and past ELO events. This workshop will be focused both on the future scope and projects of that committee and on the hands-on documentation of ELO conferences in the ELMCIP Electronic Literature Knowledge Base. We will consider questions including:

* What are the best practices related to archiving for ELO conference organizers?
* Should relationships be established with one or more libraries or archives to preserve data and ephemera from ELO conferences?
* How should we best go about gathering ELO archives materials and preserving them?
* How can we archive events using the platform of the ELMCIP Electronic Literature Knowledge Base?

The session will include a discussion of these issues followed by hands-on work in the ELMCIP Knowledge Base. Participants will learn how to document their presentations, papers, creative works, and events in order to preserve them and make them available to other international researchers.

The workshop session will require a computer lab with computers connected to the internet. Up to 20 participants can take part in the workshop, depending on available facilities. No prior competencies are required, though participants are advised to apply for a user account in the ELMCIP Electronic Literature Knowledge Base prior to the conference.

(Source: ELO 2015)

Record Status
Type
Language
Year
Record Status
Abstract (in English)

Course introduction

The course focuses on the development of both theoretical and practical skills in digital humanities. Students will learn how digital platforms can be used in research in the humanities. In the theoretical component of the course, students read academic texts on digital humanities research and do practical research on selected projects in the digital humanities. The course focuses on student active research. Students gain practical research experience as digital humanists by developing projects in ELMCIP Electronic Literature Knowledge Base. This knowledge base is a scientific, open access, relational database programmed in Drupal that documents creative work, research, events and actors in the field of electronic literature.

Students in the course will gain practical experience through working with one or more of the following areas:

  • editing: researching, writing, and editing entries about electronic literature in the Knowledge Base
  • web design and user interface development
  • web design and user interface development
  • project planning and implementation; team-work and academic collaboration
  • documentation
  • visualization based research methods

This course provides a unique opportunity for students to get real-world experience working with scholars on an international research project in electronic literature and the digital humanities, and to contribute to the state of the art in these fields.

The ELMCIP Knowledge Base is based at the University of Bergen and can be accessed at http://elmcip.net/knowledgebase

Contributions to the ELMCIP Knowledge Base are publicly accessible and licenced with a Creative Commons, non-commercial share-alike license (nc-sa).

Teaching Methods
There will be four hours of teaching each week for twelve weeks during the semester, split between one theoretical and one practical seminar each week.

Student workload is estimated at 20 hours per week from the beginning of the semester until the exam, including during weeks without classes. This time should be spent attending classes, reading the assigned readings, completing assignments, contributing to the database projects, and gathering relevant material in the library and online (books, articles, videos, etc).

If there are fewer than five students enrolled in the course, the institute can chose to reduce the hours of instruction, as per guidelines published on Mi Side. If this is the case, students will be able to find information about the revision of course hours at the start of the semester, before the deadline for semester registration (Feb. 1).

Class meetings are on Tuesdays and Thursdays, from 14.15-16:00 in HF 265. Assignments will be posted on Mi Side.

UIB course page: http://www.uib.no/course/DIKULT207

Database or Archive Referenced
By Scott Rettberg, 19 June, 2014
Language
Year
Record Status
Abstract (in English)

This intervention presents an analysis of the Portuguese Electronic Literature Collection (PELC) I have been curating since August 2013 in the ELMCIP Electronic Literature Knowledge Base. By aggregating and expanding existing records in the database and creating new ones, I have been developing a research collection that addresses the Portuguese creative and theoretical production since the 1960s in the broader field of electronic literature. The PELC uses resources from ELMCIP and PO.EX, the Digital Archive of Portuguese Experimental Literature, led by Rui Torres at the Fernando Pessoa University.
The standard format of a research collection within the ELMCIP KB enabled me not only to gather creative works and critical writing, but also other content types such as people, organizations, publishers (publishing houses and journals), databases and archives, and events (e.g. conferences, festivals, performances and exhibitions). As an extra media contribution, the collection contains a video interview to Manuel Portela and Rui Torres recorded during the ELO 2013 conference in Paris, bringing into question some of the important characteristics, influences and future directions of Portuguese E-Lit.
The Portuguese avant-garde from the past fifty years was marked by the PO.EX movement, a movement of experimental writers gathered around two main anthologies – Poesia Experimental 1 [Experimental Poetry] (1964) and 2 (1966) – exposing concrete poetry, conceptual literature, sound poetry, “object-poetry,” performances and happenings. From the 1960s until the late 80s, this heterogeneous movement increased and expanded the notion of media experimentation, from videopoetry to computer-generated literature, computer poetry and infopoetry. In this sense, E.M. de Melo e Castro’s videopoem Roda Lume (1968) is a pioneer example of combined text, sound and moving image, forerunning the WWW’s hypermedia poems. In the 1980s, besides his theoretical production, Melo e Castro developed a series of electronic videopoems called Signagens (1985-89) and gave rise to infopoetry (1979-onwards). In the same period, Silvestre Pestana developed his Computer Poetry series (1981-83), programming three visual animated poems in a Spectrum. However, it was Pedro Barbosa who introduced computer-generated literature in Portugal with two theoretical volumes of cybernetic literature, A Literatura Cibernética 1 (1977) and 2 (1980), which also contained a selection of the output texts (poetry and fiction) generated in a mainframe computer with FORTRAN and BASIC languages. Moreover, Barbosa created the text generator “Sintext” (1992-99), published various monographs such as A Ciberliteratura: Criação Literária e Computador (1996) and launched the electronic opera AlletSator (2001). Since the WWW, the panorama of Portuguese e-lit has been growing, mainly through the activity of Antero de Alda, Manuel Portela and Rui Torres. Torres has been creating several digital poems remixing appropriated literary databases and directing the journal Cibertextualidades.
My analysis of the PELC is therefore based on previous critical writing and reads Portuguese creative works using light not only as a poetic unifier element in the dematerialization of word and image in electronic media, but also as the symbolic beam of a corpus that ought to expand our horizon.

(Source: Author's Abstract)

Critical Writing referenced
Type
Year
Record Status
Abstract (in English)

In the seminar of Spanish language electronic literature of 22nd of April 2014 Maya Zalbidea Paniagua used the reader-response methodogy inviting the audience to write a review of the works she had shown and explained previously in the classroom. The students had to interpret the symbolism of the works.

Description in original language
Spanish (Castilian)
Abstract (in original language)

En el seminario de literatura electrónica en lengua española del 22 de abril de 2014, Maya Zalbidea Paniagua, utilizando la metodología de la respuesta del lector invitó a las asistentes a redactar una crítica de las obras que había explicado y mostrado ella previamente en el aula. Las asistentes debían interpretar la simbología de las obras.

By Alvaro Seica, 14 May, 2014
Publication Type
Language
Year
Publisher
Pages
89-102
Journal volume and issue
14:1
ISSN
0806-5063
Record Status
Abstract (in English)

This essay reflects on the shift of user interaction operated by online literary archives and databases. One can easily recognize a change of scenery happening in the current networked world, given the way authors and general public produce, catalog, tag, access, research, analyze, preserve and share knowledge.
In the field of electronic literature, the creation of several collaborative and open access databases attests this trend. For this purpose, I review two of them: the PO.EX Digital Archive of Portuguese Experimental Literature and the ELMCIP Electronic Literature Knowledge Base. My aim is to contribute to an informed view on how these online literary databases are shaped and are shaping the field: What is their scope? How do they operate? What kind of navigation and user input exists? Why should they really matter?
Finally, I use these insights to develop some considerations concerning the relations between memory and archive, and different perspectives on electronic literature preservation.

(Source: Author's Abstract)

By Stig Andreassen, 26 September, 2013
Language
Year
Record Status
Abstract (in English)

The Digital Humanities are in. The trendy scholarly practice for the tech-savvy literati, the DH has generated manifestos, grievances, enthusiasm, grammatical controversy (plural or singular concord?), and conferences. Said to possess both a “dark side” and a utopian core, it is humanities plus media. Humanities in media – but have the humanities ever existed outside a medium of inscription?

Multimedia
Remote video URL
Remote video URL
Attachment