Montreal

Description (in English)

Les huit quartiers du sommeil was written in January-February 2007 during a six-week residency at Yaddo, where I didn't sleep at all. Thanks everyone at the Yaddo dinner table, for listening to thunks and rattlings of this text coming to life. And thanks CALQ, for helping me get to Yaddo.

The web-iteration of Les huit quartiers du sommeil was created in Montreal in July-August 2007. Thanks Sandra Dametto for the brilliant Google Maps idea. Thanks in advance Google Maps, for having a sense of humour - all the satellite photos are totally copyright you. Thanks Google Images for finding all the other images and thanks photoshop filters for making them look like something I would do. The tapestry obscuring the left side of the main map is lifted from Vermeer's The Art of Painting.

Les huit quartiers du sommeil was published in print in French translation in Le Livre de chevet, an anthology edited by Daniel Canty, published by Le Quartanier, Montreal, QC, Fall 2009. Thanks most of all to Daniel Canty for sending me stumbling into the theme of sleep in the first place.

Pull Quotes

I moved to Montreal on the night train. I've lived in eight neighbourhoods since. Each has had a different quality of sleep. These are les huit quartiers du sommeil. J.R.Carpenter, 2007.

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les huit quartiers du sommeil || J. R. Carpenter
By J. R. Carpenter, 28 September, 2013
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Abstract (in English)

An amalgamation of a series of lectures presented at Acadia University, Dalhousie Art Gallery and the Nova Scotia College of Art and Design, tracing the influence and use of maps in the web-based works of J. R. Carpenter.

Pull Quotes

Notions of place pervade my fiction writing and maps have long featured prominently in my web-based electronic literature, operating (often simultaneously) as images, interfaces and metaphors for place. My most recent work involves the mapping my most immediate surroundings, my Montréal neighbourhood, Mile End. Entre Ville [2006] and in absentia [2008].

I moved to Montreal in 1990 and have lived in the Mile End since 1992. I have been using the Internet as a medium for the creation and dissemination of experimental texts since 1993. I made my first web-based writing project in 1995. And I made my first Montreal-based project in 2006. Given my preoccupation with place, why did it take me so long to take up the topic of Montreal in my work?

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Short description

the first HTMlles festival of web-based works by women hosted by Studio XX, a feminist artist-run centre founded in Montreal in 1996.

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Belgo Building
372 Ste-Catherine West, #410
Montreal QC
Canada

Short description

Studio XX's 2nd annual international festival of web art by women. Eleven women artists from Canada (Montréal, Toronto, Calgary), New York, Australia, England, Scotland, and Estonia will present web art projects in the festival.

Web art treats the Internet as a specific medium for creation and expression - a medium which is a relatively new one for art.

During the festival, visitors are invited to view the various web art projects at their leisure on a fast Internet connection. Documentation about the projects and the artists will be available.

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By J. R. Carpenter, 19 August, 2013
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Pull Quotes

in absentia, a web-based art project presented by Dare-Dare, reads as a cross between a map and a novel. When you have lived in a place for long enough, every street corner is inhabited with memories and meaning, and a tour through in absentia feels like exploring a much-loved place with a long-time local.

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By J. R. Carpenter, 8 July, 2013
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Abstract (in English)

Illya Szilak interviews J. R. Carpenter in her on-going series of posts on E-Lit for Huffington Post Books.

Pull Quotes

In much of her work, writer/artist J. R. Carpenter fabricates hybrid places that are both "virtual" and attached to real world locales.... these online spaces contain objects whose appearance together makes sense only in the context of the artwork, in Carpenter's case, multimedia stories. Combining intimate details, both autobiographical and appropriated, of characters' lives with real-world maps and photo and video "documentation," Carpenter's works are narrative landscapes through which the reader meanders.

By J. R. Carpenter, 9 May, 2012
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Abstract (in English)

Hypermedia essay about Entre Ville, a work of digital literature created by J. R. Carpenter, commissioned, in 2006, by OBORO, a Gallery & New Media Lab in Montreal, on the occasion of the 50th anniversary of the Conseil des arts de Montreal.

Pull Quotes

"Entre Ville is a text of walking, and a walk through texts. There are many authors of our neighbourhood. Some are famous, some less so. Through prose, poetry, photography, drawing, audio, video and various HTML, DHTML, CSS and javascripts, Entre Ville collates these texts, giving fictional, poetic and philosophical voices equal credence. And the neighbours get a say. It's a shared city, after all, this city entre nous."

Description (in English)

in absentia is a site-specific web-based writing project which addresses issues of gentrification and its erasures in the Mile End neighbourhood of Montreal, where the author lived for seventeen years. J. R. Carpenter writes, "Faced with imminent eviction, I began to write as if I was no longer there, about a Mile End that was no longer there. I manipulated the Google Maps API to populated "real" satellite images of my neighbourhood with "fictional" characters and events. in absentia is a web "site" haunted by the stories of former residents of Mile End, a slightly fantastical world, a shared memory of the neighbourhood as it never really was but as it could have been. in absentia was created with the support of the Canada Council for the Arts. It was presented by DARE-DARE Centre de diffusion d'art multidisciplinaire de Montréal. It launched June 24, 2008. New stories were added over the summer, in English and French. A closing party was held in conjunction with the launch of my novel, Words the Dog Knows, (conundrum press), at Sky Blue Door, November 7, 2008"

I ♥ E-Poetry entry
Pull Quotes

What traces do people leave behind when they leave a place? What stories spring form their absence?

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in absentia || J. R. Carpenter
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in absentia || J. R. Carpenter
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in absentia || postcard || J. R. Carpenter
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in absentia || postcard || J. R. Carpenter
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in absentia || poster || J. R. Carpenter
Technical notes

uses the Google Maps API, requires an internet connection

Description (in English)

Entre Ville was commissioned in 2006 by OBORO, an artist-run centre in Montréal, on the occasion of the 50th anniversary of the Conseil des Arts de Montréal. J. R. Carpenter writes: "Although I had lived in Montréal for 15 years at the time of the commission, Entre Ville was my first major work about my adopted city. It took me that long to learn the vocabulary. I don’t mean French, or Greek, Italian, Portuguese, Yiddish or any of the other languages spoken in my neighbourhood. I refer, rather, to a visual, tactile, aural, sensorial vocabulary. My home office window opens into a jumbled intimacy of back balconies, yards, gardens and alleyways. Daily my dog and I walk through this interior city sniffing out stories. Poetry is not hard to find between the long lines of peeling-paint fences plastered with notices, spray painted with bright abstractions and draped with trailing vines. Entre Ville is web-based heat-wave poem presented in the vernacular of my neighbourhood, where cooking smells, noisy neighbours and laundry lines criss-cross the alleyway one sentence at a time." Entre Ville was launched at the Musée des beaux-arts de Montreal April 27, 2006.

I ♥ E-Poetry entry
Pull Quotes

Altars of clutter, hanging gardens of sound - the back balconies buckle under the weight of high summer Saint-Urbain Street heat. All the kitchen back doors stand open - sticky arms flung open - imploring, a heat-rashed prayer: Deliver us unto the many gods of Mile End.

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Entre Ville, J. R. Carpenter
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Entre Ville, J. R. Carpenter
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Entre Ville, J. R. Carpenter
Technical notes

Requires Quicktime plug-in.