“Sonnet Corona” is a generated monometer poem that generates 4782969 possible texts.
Originally titled A Million and Two, V[R]ignettes is a series comprised of Virtual Reality crafted microstories. Each individual microstory, or vignette, is designed to encourage a kind of ‘narrative smearing’ – where traditional story techniques are truncated and mutated into smears (kinetic actions and mechanics, collage-like layered building blocks, visual distortions, dual-tiered text annotations) which requires a reader to make active choices in order to navigate each microstory space (storybox).
The microstories presented below are part of the ongoing V[R]ignettes Series. When exploring each microstory, a reader will experience poetically dense language (such as letters bracketed in words – requiring rereading – that are designed to expand and enhance meaning potentials) and various visual, textual and technological elements that require direct audience input (such as: do you choose to view each microstory in a 3D or VR space – through a Virtual Reality headset or a mobile phone or computer monitor? Do you set each microstory to autopilot, or navigate the experience through manual annotation click-throughs and spatial manipulations? Do you choose to use the model inspector and view the microstories without any post-processing effects, or in wireframe? Do you choose to enable audio? Do you read only the title fields or entire paragraphs?) Such smears are also designed to be combined by the reader to create a story piecing system that’s circular in nature, where a reader/interactor is encouraged to experience each microstory multiple times, in multiple ways. For instance, when experiencing In the Skin of the Gloam, if a reader chooses to read only the title line of each annotation, they’ll experience a minimal poetic (title) text version: if they instead read the rest of the annotation accompanying teach title line, the narrative is accented differently. If you choose to manipulate (scale, rotate, zoom) the 3D models in the space (and/or if you engage autoplay, or in the case of Wracking in the Upper Bubble read the wall text only), a reader’s experience will be markedly different from those choosing to experience each microstory in a VR space (where teleportation is an option and the spatial dimension is crucial).
To load each microstory, please press the white arrow in the middle of each V[R]ignettes storybox below (and if viewing on a mobile device, please make sure to view each storybox in full screen mode). After clicking on the white arrow, to begin reading the text please click on the “Select an annotation” bar at the bottom of each storybox screen: from there, you get to choose how you experience all other narrative smearing possibilities. If you need help with navigation and controls, please click the “?” located in the bottom right side of each storybox.
An interactive fiction written in Google Docs. The story starts in a dream, then you wake up in your bedroom and must begin to make choices. The work was made during the COVID-19 lockdown, and online team playing was encouraged as a way to counteract physical social distancing.
The blog Ihpil: Láhppon mánáid bestejeaddji was presented as the genuine diary of a 19-year-old, lesbian Sámi girl studying in Tromsø, using the pseudonym Ihpil. The blog starts on her first day as a student in August 2007, and lasts until she drowns in December of that year. Later the blog was published as a print book. In 2010, a journalist discovered that nobody drowned in Tromsø harbour that day, and Sigbjørn Skåden revealed himself to be the author, claiming that he had always intended to do so at some point (see NRK 4 Feb 2011).
Created during an AHRC Innovation Placement on Emerging Formats at the British Library, this piece of interactive fiction aims to show some of the difficulties associated with and benefits arising from collecting complex digital works.
[meme.garden] is an Internet service that blends software art and search tool to visualize participants' interests in prevalent streams of information, encouraging browsing and interaction between users in real time, through time. Utilizing the WordNet lexical reference system from Princeton University, [meme.garden] introduces concepts of temporality, space, and empathy into a network-oriented search tool. Participants search for words which expand contextually through the use of a lexical database. English nouns, verbs, adjectives and adverbs are organized into floating synonym "seeds," each representing one underlying lexical concept. When participants "plant" their interests, each becomes a tree that "grows" over time. Each organism's leaves are linked to related streaming RSS feeds, and by interacting with their own and other participants' trees, participants create a contextual timescape in which interests can be seen growing and changing within an environment that endures.