Freud

By tye042, 26 September, 2017
Publication Type
Language
Year
Record Status
Abstract (in English)

An overview of Gregory Ulmer’s thought by Victor Vitanza.

1. How do we not know we think, yet think?

Gregory Ulmer (a.k.a. ‘Glue’) has been for some time developing a theory of invention that would be appropriate and productive for those cultural theorists who have an interest in electronic media. (Invention, classically defined in oral and print culture, is the art of recalling and discovering what it is that one would think or say about a given subject. In electronic culture, invention takes on new ramifications). In his Applied Grammatology (1985), Ulmer moves from Derridean deconstruction (a mode of analysis that concentrates on inventive reading) to grammatology (a mode of composition that concentrates on inventive writing); that is, he moves towards exploring “the nondiscursive levels - images and puns, or models and homophones - as an alternative mode of composition and thought applicable to academic work, or rather, play.

Pull Quotes

It is equally deadly for a mind to have a system or to have none. Therefore, it will have to decide to combine both.   Frederich Schlegel

By Alvaro Seica, 6 May, 2015
Publication Type
Language
Year
ISBN
9780226143675
Pages
113
License
All Rights reserved
Record Status
Librarian status
Approved by librarian
Abstract (in English)

In Archive Fever, Jacques Derrida deftly guides us through an extended meditation on remembrance, religion, time, and technology—fruitfully occasioned by a deconstructive analysis of the notion of archiving. Intrigued by the evocative relationship between technologies of inscription and psychic processes, Derrida offers for the first time a major statement on the pervasive impact of electronic media, particularly e-mail, which threaten to transform the entire public and private space of humanity. Plying this rich material with characteristic virtuosity, Derrida constructs a synergistic reading of archives and archiving, both provocative and compelling. (Source: University of Chicago Press)

Description (in English)

Talking Cure is an installation that includes live video processing, speech recognition, and a dynamically composed sound environment. It is about seeing, writing, and speaking — about word pictures, the gaze, and cure. It works with the story of Anna O, the patient of Joseph Breuer's who gave to him and Freud the concept of the "talking cure" as well as the word pictures to substantiate it. The reader enters a space with a projection surface at one end and a high-backed chair, facing it, at another. In front of the chair are a video camera and microphone. The video camera's image of the person in the chair is displayed, as text, on the screen. This "word picture" display is formed by reducing the live image to three colors, and then using these colors to determine the mixture between three color-coded layers of text. One of these layers is from Joseph Breuer's case study of Anna O. Another layer of text consists of the words "to torment" repeated — one of the few direct quotations attributed to Anna in the case study. The third layer of text, which becomes visible only when a person is in the chair, reworks Anna's snake hallucinations through the story of the Gorgon Medusa, reconfiguring the analytic gaze. Speaking into the microphone triggers a speech-to-text engine that replaces Anna's words with what it (mis)understands the participant to have said. What is said into the microphone is also recorded, and becomes part of a sound environment that includes recordings of Breuer's words, Anna's words, our words, and all that has been spoken over the length of the installation. Others in the space observe the person in the chair through word pictures on the screen. Readers move their bodies at first to create visual effects, and then to achieve textual ones, creating new reading experiences for themselves and others in the room. Movements range from slowly moving an extended arm in order to recreate left-to-right reading, to head or hand rotation seeking evocative neologisms at the mobile textual borders within the image. The video processing technique was created by Utterback, and has been exhibited separately as Written Forms. The sound environment was designed and implemented by Castiglia, and Nathan Wardrip-Fruin implemented the speech-to-text. Talking Cure was first presented at the 2002 Electronic Literature Organization symposium at UCLA. I have also presented it as a performance/reading, cycling verbally between the layers of text while my image is projected as a different textual mixture on a screen.

(Source: Author's website.)

I ♥ E-Poetry entry
Screen shots
Image
Image
Image
Image
Multimedia
Remote video URL
Contributors note

with: Camille Utterback, Clilly Castiglia, and Nathan Wardrip-Fruin. The video processing technique was created by Utterback, and has been exhibited separately as Written Forms. The sound environment was designed and implemented by Castiglia, and Nathan Wardrip-Fruin implemented the speech-to-text.