book arts

Event type
Date
-
Individual Organizers
Short description

Erasure is a powerful technique that allows contemporary creative writers, visual artists, and political activists to reveal underlying patterns within extant narratives. Perhaps because of its imbrication with book arts and other tactile forms, erasure poetry is relatively unexplored in the domain of e-literature. However, educational platforms like Wave Books’ interactive erasure poetry website, as well as recent artistic projects such as Amaranth Borsuk, Jesper Juul, and Nick Montfort’s web browser extension The Deletionist, Jacob Harris’s Times Haiku, and my own participatory platform The Infinite Woman demonstrate some of the possibilities for making and reading erasure poetry in a digital context. In this one-hour hands-on workshop, I’ll briefly introduce the form and technique of erasure in contemporary creative writing, looking at some physical examples (like Lauren Russell’s chalk erasure of Descent) in addition to the digital examples mentioned above.

We’ll discuss the aesthetic and political choices in handcrafted and computationally generated erasure poems; consider erasure’s overlap with and distinction from other approaches like remix, appropriation, and conceptualism; and explore how erasure allows writers and artists to stretch and innovate poetic technique. Then, I’ll introduce a series of hands-on exercises designed to get participants quickly making their own physical and digital erasures. Participants will experiment with user-friendly tools to make their own erasure poems on a variety of platforms. Participants will need to have access to a web browser (Chrome or Firefox) and a word processor, as well as a design program. I’ll be using the free, user-friendly, online platform Canva in lieu of an Adobe product; if participants do not already have a design program, they should sign up for a free Canva account before the workshop (https://www.canva.com/). They will also need paper, scissors, pens or markers, found physical text (like a newspaper or electrical bill), and found digital text (like a speech, blog post, or literary passage).

Record Status
By Sissel Hegvik, 20 April, 2013
Author
Publication Type
Language
Year
Publisher
License
All Rights reserved
Record Status
Abstract (in original language)

Såvel religiøse lærde som forfattere og billedkunstnere har eksperimenteret med at formindske skriften til ulæselighed. Den mikrografiske kunst gemmer på en hemmelighed. Karen Wagner forfølger mikrografien op gennem historien, fra den jødisk bogkunst, hvor det vrimler med kalligrammer, “carpet pages” og sefardiske arabesker frem til Robert Walsers tætte krat af sætningsguirlander, Gary Gisslers godt skjulte tekster og cyberkunstens Institut for Uendeligt Små Ting.

Description (in English)

My work involves making marks with a rhythmical distribution of signs on a surface. Not just drawing on a surface but also physically changing it.

The work 2 sides/2 lados is a mixture of drawing, laser cut, wall drawing and book art. Passing from one technique/material to another the invented script undergoes transformation. The initial drawn script is digitally manipulated and cut from the paper to leave voids – the marks appear by their absence. The same marks are then transferred manually to a corner wall.

My current practice is concerned with finding a way of synthesizing the duality generated by site-specific works to produce work which involves a site-specific element and a broader element, but whose elements are integral – there no longer being an original and a copy or a site-specific version and a documentary version. Each is part of the work in its entirely – yet each is independent.

Screen shots
Image
photograph 2 sides/2 lados
Image
photograph 2 sides/2 lados
Image
photograph 2 sides/2 lados