algorithmic poem

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“Meditation no 4, by Tomasz Wilmański, an animated alphabet poem in Adobe Flash, shown as a one-off installation in a gallery space where it was projected on a screen (AT Gallery, Poznań 2004). As a tribute to Kenneth Williams and his series of concrete poems, Meditation no 4 relied not only on its visual but also aural aspect. The sound, embedded in a Flash file, played crucial role. [ Taken from Electronic Literature Publishing and Distribution in Europe, 2012 ]

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0948454954
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Description (in English)

"Golden Lion" is an internal-acrostic (mesostic) hologogram between the texts "Han-Shan in Indra's Net" (Fanzang) and "An Essay on the Golden Lion" (Cayley).  The algorithm at work takes each letter from "Han-Shan", finds a word from "Golden Lion" containing that letter, and displays that word.  The algorithm prefers collocation within "Golden Lion" - if possible, it will maintain series of words from "Golden Lion".

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Technical notes

Requires MacOS 8.x+ and HyperCard Player.

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Description (in English)

Poem with computer interventions.

Mac Low created Virginia Woolf Poems using a “diastic” method he developed in 1963, whereby a phrase (or even a word) from a text is chosen, then words in a source text that share the same verbal or letter patterns are extracted and used to create new poetic work. Later, Hartman transformed Mac Low’s arbitrary method, which itself was algorithmic and did not involve random elements, into a computer program named DIASTEXT. The program was capable of rapidly performing the artist’s deterministic tasks once an input text and “seed” phrase are chosen; Mac Low was pleased with the program, and used it to compose many poems and books. Using a combination of the TRAVESTY and DIASTEXT programs, Hugh Kenner and Hartman assembled a book of poems called Sentences (1995) in which source text is a nineteenth-century grammar book that was run through TRAVESTY “a number of times” then underwent DIASTEXT’s “spelling through” process. Each piece begins with a two hundred and fifty-word text generated by TRAVESTY, followed by DIASTEXT’s manipulation of that text into poetry.

(Source: Chris Funkhouser, "Le(s) Mange Texte(s): Creative Cannibalism and Digital Poetry")

Description (in English)

Suicide in an Airplane is a flash-based algorithmic poem/painting in black and white. Poet Brian Kim Stefans, using text derived from pages of The New York Times, has created a work in which terms associated with a hijacking incident randomly appear on the screen. The words, which have the appearance of pencil doodling, break into separate letters and chaotically bounce around the screen, sometimes disintegrating on impact with other text, other times moving about in what seems to be a floating anagram. Accompanied by tone cluster piano chords in a composition by Leo Ornstein, the text seems to pulse with the music. At times, letters fly into objects constructed of other text and explode in sync with music that mimics the scream of jet engines.

(Source: Electronic Literature Exhibition catalogue description by Andrea Nelms)

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