narratives

By Hannah Ackermans, 31 October, 2015
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Abstract (in English)

Five minute lightning talks addressing the question: What comes after electronic literature?

Steven Wingate: eLit and the Borg: the challenges of mainstreaming and commercialization
Leonardo Flores: Time Capsules for True Digital Natives
Maya Zalbidea, Xiana Sotelo and Augustine Abila: The Feminist Ends of Electronic Literature
Mark Sample: Bad Data for a Broken World
José Molina: Translating E-poetry: Still Avant-Garde
Daria Petrova and Natalia Fedorova: 101 mediapoetry lab
Judd Morrissey: Turesias (Odds of Ends)
Jose Aburto: Post Digital Interactive Poetry: The End of Electronic Interfaces
Andrew Klobucar: Measure for Measure: Moving from Narratives to Timelines in Social Media Networking
David Clark: The End of Endings
Damon Baker: "HAPPINESS FOR EVERYBODY, FREE, AND NO ONE WILL GO AWAY UNSATISFIED!": New Developments in the CaveWriting Hypertext Editing System

(source: ELO 2015 conference catalog)

Description (in English)

Sydney's Siberia is a zoomable poem.

It is not technology making our wires, nodes and swimming data streams, our ever growing networks, beautiful. Instead it is the stories/poetics, the forever coalescing narratives that form the inter/intranet into a vitally compelling mosaic To explore, simply mouse-over/navigate to an appealing square, click and click, read, contemplate connections and repeat. Sydney’s Siberia recreates how networks build exploratory story-scapes through an interactive zooming, clicking interface. Using 121 poetic/story image tiles, the artwork dynamically generates mosaics, infinitely recombining to build new connections/collections based on the users movements.

 

I ♥ E-Poetry entry
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By Scott Rettberg, 3 February, 2012
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Language
Year
Pages
231-49
License
All Rights reserved
Record Status
Pull Quotes

Digital narrative is a battleground. The digital is granular, molecularized, particular. Narrative, on the other hand, has an arching, linear trajectory that pulls us along with it. The two are at war with each other as the drive for fragmentation threatens to shatter the rhythmic ebb and flow of the narrative impulse.

By Eric Dean Rasmussen, 1 November, 2011
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Language
Year
Publisher
ISBN
978-0-313-38749-4
Pages
xvii, 275
License
All Rights reserved
Record Status
Librarian status
Approved by librarian
Pull Quotes

Data lack intrinsic meaning, while stories are all about meaning.

For a given audience, a story is a sequence of content, anchored on a probelm, which engagest that audience with emotion and meaning.

The first decade of the Web, approximately 1994-2004, saw a great deal of browser-based storytelling.

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By Jill Walker Rettberg, 2 February, 2011
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Abstract (in English)

A new kind of narrative is emerging from the network: the distributed narrative. Distributed narratives don’t bring media together to make a total artwork. Distributed narratives explode the work altogether, sending fragments and shards across media, through the network and sometimes into the physical spaces that we live in. This paper begins an investigation into this new narrative trend, looking at how narrative is spun across the network and into our lives. NB: Published under author's maiden name: Jill Walker.