grid

Description (in English)

A. Bill Miller's 'Gridworks' is an ongoing body of work that includes drawings, collage, video and transmedia compositions of text-based characters.

"We exist within a built environment that is constantly mediated by the grid. Grids organize space through coordinate mapping and patterns of development. Grids compress, redisplay, and reorder information. Grids are an enforcement system imposed upon both nature and culture.

Grids can also be populated with marks that are fundamentally human — the characters of our shared alphabets. These marks — once scratched by hand, now recorded by a keypress — are not simply carriers of meaning but iconic forms in their own right. The codes of information interchange can potentially become an artist’s palette, a medium for drawing. The coldness and rationality of the grid confronts the warmth and playfulness of the human touch."

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Description (in English)

A floor seperated into 40 sections. The authors get, by random draft, allocated each their section. They get an hour to write a text, that they place in each section. Everyone then goes on to a new, empty section which by then has adjecent texts in their vicinity. The authors now has to actively work in regards to the other text in the other sections. [Description by author. Taken from official website]

Description (in original language)

Et gulv opdelt i 40 felter. Forfatterene får ved lodtrækning tildelt hver sit felt at sidde i. De får en time til at skrive en tekst, der derefter bliver liggende i felterne. Alle går så videre til et nyt, tomt felt -der nu har en eller flere tekster i de tilstødende felter. Forfatterne skal altså aktivt forholde sig til hinandens tekster i skrivningen af de nye felter. [Description by author. Taken from official website]

Description in original language
Technical notes

shockwave plug-in

Description (in English)

The idea is to create a structure online, where authors, but also soundengineers, videoartists and graphicaldesigners kan make contributions to the same history-universe, with special emphazies on the litetterary. The history should not be understood in a lineary sense, but rather as an experience of a story where each piece ( picture, sound) could be experienced unchronologically. The way [the author does] this is by creating a text-concept that can be visualized in a graphical form. The authors have to pertain to this form and place their text in a visual room. Their text will then become apparent as a visual grapical element in relations to the other elements. The reason [the author] calls it a "performance" is because the creation of this little universe is being controlled by [the author] and will transpire over several days. Contributers are placed in several countries and everything will be run online, by email and ICQ. And probably a phonecall or two.

Source: author's description

Description (in original language)

Ideen er at skabe en struktur på nettet, hvor forfattere, men også lydfolk, videokunstnere og grafikere kan komme med bidrag til det samme historie-univers -dog især med hovedvægt på teksterne. Historie skal ikke forstås i liniær forstand, men nærmere som en oplevelse af en historie idet de enkelte afsnit (billede-, lyd-afsnit) skal kunne opleves ukronologisk. Måden jeg gør dette er ved at skabe et tekst-koncept, der kan visualiseres i en grafisk form. Forfatterne skal forholde sig til denne form og placere deres tekst i et visuelt rum. Deres tekst vil da fremstå som et synligt grafisk element i forhold til andre elementer. Grunden til at jeg kalder det "performance" er at tilblivelsen af dette lille univers skal styres af mig og vil foregå over flere dage. Bidragyderne er placeret i flere lande og alt kommer til at køre over nettet, via email og via icq. og sikkert osse en telefon eller to. [Description by author. Taken from official website]

Description in original language
Technical notes

shockwave plug-in required

By Eric Dean Rasmussen, 22 November, 2011
Language
Year
Pages
492-521
Journal volume and issue
52.3
License
All Rights reserved
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Pull Quotes

Offering very little in the way of overt instructions or guidance, the text deprives the reader of a carefully delineated environment arranged according to familiar spatial and textual conventions, and the ability to navigate it—an exploratory process—is instead conditioned by the user's level of literacy in a variety of fields, literary, visual, theoretical, and technological. Yet any reader, if she surrenders to the work's spatial structures, has the ability to adapt to this reading environment and participate in the performance of dispersion.

Lexia to Perplexia is inaccessible without cultural competency on the computer, without the ability to skip across surfaces of image and text, and without a basic knowledge of popular authoring and imaging applications, such as HTML and Photoshop. Yet the work is meaningless without the ability to read it carefully and closely, within the context of literary and visual history, with careful attention and depth of focus.

Creative Works referenced