exhibiting electronic literature

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-
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Casa del Lector. Matadero de Madrid
Paseo de la Chopera, 14
Madrid
Spain

Short description

Lorem Bitsum exhibition aims to inform the general public electronic literature (also called "digital literature"), a type of artistic halfway between literature and digital art, which has been produced in the Hispanic circuit. The works that this exhibition brings together are presented in various formats: poetry with code, hypertext narration, interactive fiction, kinetic poetry, generative works, performance, installations, interactive children's stories, etc.  these artists place experimentation with digital technology at the center of their creation while reflecting on our strong relation with the computing devices that surround us and the connective and global digital world.

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By Hannah Ackermans, 29 October, 2015
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Abstract (in English)

Mixed-media artists Joellyn Rock and Alison Aune offer a hands-on visual art workshop on collage, paper-cutting, silhouettes and digital compositing. What does this have to do with electronic literature you ask? Well... In Rock and Aune's multimedia installation, Fish Net Stockings, which will be exhibited at the Hybridity Exhibition at ELO 2015, the little mermaid story unfolds with multivalent versions echoing folk art patterns and digital iterations. Bifurcating imagery, like that made by folding and cutting, plays a role in the aesthetics of the work. Hans Christian Andersen was known for his live scissor writing. His version of scherenschnitte was an improvised performance art with paper cut imagery, integrating the haptic visual experience into his storytelling. Andersen’s cut paper collages anticipate the collage art of dadaism and surrealism, and some e-lit experiments can trace their roots back to these very methods of assemblage. Join us for a playful workshop generating mixed-media collages, paper cuts, silhouettes, and testing their use in digital compositing for video projection. Investigate how to combine imagery in layers in Photoshop and video in final cut for rich digital composites and short animations.

(source: ELO 2015 catalog)

By Hannah Ackermans, 2 September, 2015
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ISBN
978-82-999089-8-6
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PDF
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Abstract (in English)

This is the PDF version of the ELO 2015 The End(s) of Electronic Literature Conference Program and Festival Catalog. It includes abstracts to all workshops, roundtable discussions, lightning talks, research papers and panels, readings, performances and screenings, and exhibitions that are part of ELO 2015. For more information, see the individual elements of the programme.

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By Hannah Ackermans, 2 September, 2015
Language
Year
ISBN
978-82-999089-7-9
Edition
e-Pub
Record Status
Abstract (in English)

This is the e-Pub version of the ELO 2015 The End(s) of Electronic Literature Conference Program and Festival Catalog. It includes abstracts to all workshops, roundtable discussions, lightning talks, research papers and panels, readings, performances and screenings, and exhibitions that are part of ELO 2015. For more information, see the individual elements of the programme.

By Hannah Ackermans, 2 September, 2015
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Year
ISBN
978-82-999089-6-2
Record Status
Abstract (in English)

This is the paperback version of the ELO 2015 The End(s) of Electronic Literature Conference Program and Festival Catalog. It includes abstracts to all workshops, roundtable discussions, lightning talks, research papers and panels, readings, performances and screenings, and exhibitions that are part of ELO 2015. For more information, see the individual elements of the programme.

Short description

An exhibition addressing various aspects of the festival’s theme, the End(s) of Electronic Literature Festival exhibition at the University of Bergen Arts and Humanities Library includes kiosk displays of international web-based electronic literature, installations made specifically for the library context, an “Emergence of Electronic Literature” exhibit (documented in a separate catalog) featuring early works of electronic literature, antecedant works of print literature, posters and other ephemera from the history of the field, and an Electronic Literature Collection, Volume 3 preview exhibit.

(source: ELO 2015 catalog)

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Short description

The Kid E-Lit exhibition showcases experimental electronic literature for children and teenagers alongside popular Nordic children’s and young adult’s book apps for tablets. The exhibition is organized in collaboration with Bergen Public Library and is funded by Nordic Cultural Point. The exhibition includes seven works selected from submissions to the ELO 2015 arts program as well as two works from each of the participating Nordic countries by Nordic researchers and librarians. The Kid E-Lit exhibition will be on display in the Bergen Public Library in August and September 2015, and the Kid E-Lit network will subsequently develop new versions of the exhibition to tour other Nordic libraries. A separate catalog in both English and Scandinavian language has been published and details the project more exensively.

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By Fredrik Sten, 17 October, 2013
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Abstract (in English)

This presentation focuses on curating electronic literature as a critical practice. Exhibits focusing specifically on Electronic Literature have been mounted at galleries, libraries, universities, convention spaces, and parks and other outside venues. The Electronic Literature Organization’s 2012 Media Art Show, for example, hosted exhibits in five different locations in Morgantown, including a community arts center, local gallery, the university library, a department’s conference room, and the city’s amphitheater, while the MLA 2012 and 2013 exhibits were held at the Washington State and Hynes convention centers, respectively. Exhibits of Electronic Literature are planned for U.S. Library of Congress in April 2013 and Illuminations gallery at University of Ireland Maymooth in March 2014, and in various locations in Bergen, Norway in fall 2015. This range of venues suggests a flexibility and appeal of Electronic Literature that is both scalable and broad. With these qualities in mind, the presentation will discuss questions including but not limited to:

*How is curating an exhibit of Electronic Literature different from curating other types of media/computer-based art?
*What is needed for preparing and, therefore, better educating audiences who visit Electronic Literature exhibits?
* How can we (or do we even need to) interest critics in reviewing Electronic Literature?
* What are some of the best practices we can use for mounting shows of Electronic Literature?

Description in original language
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Full paper (7.78 MB)