tagging

By Eric Dean Rasmussen, 31 August, 2011
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465-502
License
CC Attribution Non-Commercial No Derivatives
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Abstract (in English)

Note: Tabbi's essay was posted on July 22, 2009, on the online forum On the Human, hosted by the National Humanities Center where it generated 35 additional posts. It was reprinted, along edited versions of these responses, in Beyond the Screen: Transformations of Literary Structures, Interfaces and Genres (Transcript, 2010). These responses are archived separtedly in the ELMCIP Knowledge Base As "Responses to 'On Reading 300 Works of Electronic Literature: Preliminary Reflections.'"

Pull Quotes

[T]he often-noted "obsolescence" of works published in perpetually "new" media is an institutional and cognitive problem as much as a technological challenge.

Whatever transformations the Humanities undergo in new media, a condition for the field's possibility has to be the ability to re-read, and the freedom to cite, the work of peers and precursors.

An evolving glossary of electronic literary terms... has to be applied to works consistently and with an awareness of tag clouds forming throughout the Internet... Moreover, the terms will have to change as the kind of work produced in electronic environments change, and these changes can be tracked.

What scholars can then construct is not so much a universal set of categories defining 'electronic literature,' 'net literature,' or 'digital or online literature,' but rather a practice capable of producing a poetics.

What I'm reading, for the most part, doesn't often differentiate between between 'critical' and 'creative' writing; the most prolific e-lit authors are also programmers and designers who seem to be as comfortable conversing with scientists and technologists as with other writers.

Description (in English)

Patrick Burgaud's “the Albatross” uses Charles Baudelaire 's poem as tags to surf on Youtube. He downloaded the videos "called" by Baudelaire's words and edited them, according to the verses of the piece. Each movie fragment correspond to a word or words group. Each verse of the original can be read as subtitles. The English translation was automatic, using Google. The resulting work is to be seen as a web video on YouTube.

Description (in original language)

Cette interprétation du poème de Charles Baudelaire « l'Albatros » a été réalisée en utilisant les mots de l'oeuvre pour trouver des videos sur Youtube, qui ensuite ont été téléchargées. Chaque fragment de video correspond à un mot ou à un groupe de mots du poème, le vers formant sous-titre.

Description in original language
Description (in English)

"Tributaries & Text-Fed Streams: A Feed-Reading of The Capliano Review is a work of electronic literature by J. R. Carpenter, curated by Kate Armstrong, commissioned by The Capliano Review. In February 2007 The Capilano Review published an issue dedicated to new writing and new technologies guest-edited by Andrew Klobucar. Tributaries & Text-Fed Streams: A Feed-Reading of The Capliano Review is a personal, experimental and playful rereading of and response to these essays by J. R. Carpenter. In this work, Carpenter explores the formal and functional properties of RSS, using blogging, tagging and other Web 2.0 tools to mark-up and interlink essays and to insert additional meta-layers of commentary in order to play with, expose, expand upon, and subvert formal structures of writing, literature, and literary criticism. Over a four-month period Carpenter read and re-read the essays, parsing them into fragments, which she then annotated, marked-up, tagged and posted. Fed into an RSS stream, the fragments could then be re-read, reordered, and reblogged in an iterative process of distribution that opened up new readings of the essays and revealed new interrelationships between them. The result of this process-based approach is part blog, part archive – an online repository for the artifacts of re-reading and a stage for the performance of live archiving. Streams are both literally and metaphorically the central image of the work. Streams of consciousness, data, and rivers flow through the interface and through the texts. Through this process of re-reading and responding, this textual tributary feeds into a larger stream while paying tribute to the original source."

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