poets

Description (in English)

CHOEUR is basically an installation whose heart is made of poetry.

In the "window" stand a number of characters. It is the inhabitants of a particular castle, men and women, who challenge the visitor. " Come here. Psst, psst ... Do you want to hear a poem? "

They are poets from Quebec and Belgium. Delayed poetic presences and reduced to the proportions of the castelet.

When, to answer the call, the visitors approach the window, the poets recite at the same time a flow of worms which are not confused. Then, gradually, they give each other the floor. The verses are linked together, quickly at the beginning, then more slowly until only one poet is heard. He says his poem - the others let it say - then gradually fades, leaving room for a sound and visual, a landscape echoing poetry. Then the ground comes alive, the text is visual. When the last word of the poet falls, the others come back and challenge the visitor again.

The castelet presents original texts and their authors, each of whom is associated with an audio artist who has composed a piece specifically. It is thus about duets formed by an author and an audio artist. Each duo is complemented by a video creation designed specifically for the device, as well as a dynamic typographic animation created by the artist Mickaël Lafontaine, who uses a tool-work he has developed: the Audiographe *. The Audiographe uses the poet's voice to modulate the typographic animations he creates.

The Chœur (s) project is a variable configuration installation and a tablet application developed with the support of the artist and developer Louis-Robert Bouchard. Rhizome production.

(Source: http://nt2.uqam.ca/fr/actualites/choeurs-pour-castelet-une-installation…)

Description (in original language)

Dans la "vitrine" se tiennent un certain nombre de personnages. Ce sont les habitants d’un castelet particulier, hommes et femmes, qui interpellent le visiteur. « Viens ici. Psst, psst… Veux-tu entendre un poème ? »

Ce sont des poètes, du Québec et de la Belgique. Des présences poétiques différées et ramenées aux proportions du castelet.

Lorsque, pour répondre à l’appel, les visiteurs s’approchent de la vitrine, les poètes récitent en même temps un flot de vers qui pourtant ne sont pas confus. Puis, graduellement, ils se cèdent mutuellement la parole. Les vers s’enchaînent, rapidement au début, puis plus lentement jusqu’à ce qu’un seul poète se fasse entendre. Il dit son poème — les autres le laissent dire — puis s’efface graduellement, laissant la place à une trame sonore et visuelle, un paysage faisant écho à la poésie. Puis le sol s’anime, le texte se fait visuel. Quand tombe le dernier mot du poète, les autres reviennent et interpellent de nouveau le visiteur.

Le castelet présente des textes originaux et leurs auteurs auxquels, à chacun, est associé un artiste audio ayant composé spécifiquement une pièce. Il s’agit donc de duos formés d’un auteur et d’un artiste audio. À chaque duo vient se greffer une création vidéo conçue expressément pour le dispositif, ainsi qu’une animation typographique dynamique créée par l’artiste Mickaël Lafontaine, qui utilise une œuvre-outil qu’il a développée : l’Audiographe*. L’Audiographe utilise la voix du poète pour moduler les animations typographiques qu’il crée.

Le projet Chœur(s), c’est une installation de configuration variable ainsi qu’une application pour tablette développée avec le soutien de l’artiste et développeur Louis-Robert Bouchard. Une production Rhizome.

Description in original language
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Event type
Date
Organization
Event series
Address

TivoliVredenburg
Utrecht
Netherlands

Short description

Nacht van de Poëzie [The Night of Poetry] is the biggest poetry festival of the Netherlands. The annual event takes place in TivoliVredenburg (Utrecht) and shows a relay of established and new poets reading their work between 8PM and 3AM, which intermissions of music and theatrical performances.  Outside the theater hall, there is a book market and presentations of small publishers, literary journals and literary organisations.

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Description (in original language)
et grootste poëziefeest van het jaar kent in 2017 zijn 35ste (!) editie, als vanouds in de Grote Zaal van TivoliVredenburg. De 19 beste Nederlandstalige dichters, zowel de veteranen als de nieuwe sterren aan het poëtisch firmament, verzorgen deze nachtelijke poëzie-estafette. En uiteraard nemen muzikale en theatrale entr’actes het stokje enkele malen van ze over.

Het evenement begint om 20.00 uur en eindigt meestal tegen 3.00 uur in de ochtend. In de gangen rond de Grote Zaal vindt gelijktijdig ook een boekenmarkt en een presentatie van kleine uitgevers, literaire tijdschriften en organisaties plaats.

(Source: http://www.nachtvandepoezie.nl/over)
Description in original language
Record Status
Event type
Organization
Email
info@nachtvandepoezie.nl
Address

TivoliVredenburg
Utrecht
Netherlands

Short description

Nacht van de Poëzie [The Night of Poetry] is the biggest poetry festival of the Netherlands. The annual event takes place in TivoliVredenburg (Utrecht) and shows a relay of established and new poets reading their work between 8PM and 3AM, which intermissions of music and theatrical performances.  Outside the theater hall, there is a book market and presentations of small publishers, literary journals and literary organisations.

Description (in original language)
Het grootste poëziefeest van het jaar in de Grote Zaal van TivoliVredenburg. De 19 beste Nederlandstalige dichters, zowel de veteranen als de nieuwe sterren aan het poëtisch firmament, verzorgen deze nachtelijke poëzie-estafette. En uiteraard nemen muzikale en theatrale entr’actes het stokje enkele malen van ze over.

Het evenement begint om 20.00 uur en eindigt meestal tegen 3.00 uur in de ochtend. In de gangen rond de Grote Zaal vindt gelijktijdig ook een boekenmarkt en een presentatie van kleine uitgevers, literaire tijdschriften en organisaties plaats.

(Source: http://www.nachtvandepoezie.nl/over)
Description in original language
Record Status
By Hannah Ackermans, 28 November, 2015
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Abstract (in English)

In December of 2013, I mailed blank journals to thirty poets and asked them to record their dreams for two months and return the journals to me. I asked that they record the dreams themselves rather than their interpretations, relying on language, voice, and syntactical rhythm to emerge as distinctive markers. From the dream journals I compiled the dreams into a spreadsheet database, setting the linear retelling of the dream along the horizontal axis (rows) in chronological order, color-coded by poet. Ciphering the dreams into single cells was the true editorial work of the matrix. Even as poets were creating their own patterns, I was reorganizing dialogue, bisecting idioms, segmenting narrative apparitions. Phrases and snippets of these dreams were now decontextualized into raw form, phrases and words shaken out of their former constellations to become single pure poetic units. After the dream journals had been reorganized into the matrix, they could be used to generate new poetic material.

The purpose of soliciting dreams for this project was in the cognitive dissonance of the language and motif of the dream experience. To record a dream as faithfully as possible is already a blended act: remembering and inventing. The hyperreal poetics of dreaming both undermine and reify the narrative construct of the telling. The filtering of dreams through a collaborative matrix is a social act. Poets have an opportunity to take a solitary – the most profoundly solitary – act and become part of a collective generative functional form. The dreams belong to the poets. The database belongs to the making of poems, to all of us. As soon as the database is finished, it generates poems based on the application of a rule, any rule. For example, to create a title that generates a poem based on the order of its letters (the first S, for example, refers to the numbered row, column S position). By making poems in this way, poets wake into a unified dream. This generative model based on a simple matrix is significant to Poetics as a networked social application of poetic units. If poetry can be said to be made up of poetic units, then those units can make up a larger poetic compilation that is a shared source poem from which other poems can be made. The investment in the project database is therefore in its work as a flexible form that is at once collaborative and generative.

(Source: ELO 2015 Conference Catalog)