identities

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Description (in English)

In the 17th century, Leibniz proposed to create an encyclopedia that would bring together all the fields of human knowledge. This led him to be interested in the works of Raimundo Llull, Athanasius Kircher or John Dee and to anticipate the ideas of Vannevar Bush or Ted Nelson by several centuries.The book of the end of the world is also constituted as an encyclopedia, only, in this case, it is an unfinished and open corpus, providing a questioning about the space of identities and differences according to which we distribute, recognize and name our world.Reminiscent of Aloysius Bertrand, Marcel Schwob, or medieval bestiaries, The Book of the End of the World proposes the creation of different possible worlds, autonomous universes, each with its own order, laws, and regularities.The inclusion of hypertext works and the link to the book's site on the Internet emphasize the notions of non-linearity and bifurcation implicit in the conception of the work.

Description (in original language)

En el siglo XVII, Leibniz propuso crear una enciclopedia que reuniera todos los campos del conocimiento humano. Ésto lo llevó a interesarse por los trabajos de Raimundo Llull, Athanasius Kircher o John Dee y adelantarse en varios siglos a las ideas de Vannevar Bush o Ted Nelson.El libro del fin del mundo se constituye igualmente como una enciclopedia sólo que en este caso se trata de un corpus inacabado y abierto, proporcionando un cuestionamiento acerca del espacio de identidades y diferencias según las cuales distribuimos, reconocemos y nombramos nuestro mundo.Con reminiscencias de Aloysius Bertrand, Marcel Schwob o los bestiarios medievales, El libro del fin del mundo plantea la creación de diferentes mundos posibles, universos autónomos, cada uno con su propio orden, leyes y regularidades.La inclusión de trabajos hipertextuales y el vínculo con el sitio del libro en Internet enfatizan las nociones de no linealidad y bifurcación implícitas en la concepción de la obra.

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El libro del fin del mundo
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After nearly ten years, the themes dealt with in Tech-illa Sunrise: Un/A Remix arestill as relevant as ever. Salvador Barajas examines the issues of borders,identities, and xenophobia through the lens of technology. The website is acollage of archival images, texts and elements taken from popular culture. Thediversity of Chicano identity is also explored and takes shape within the text. Theuser navigates in a frenetic environment, reminiscent of the beginnings ofcyberspace. Moving from hyperlink to hyperlink, the threat becomes palpable as"warning" signs abound and alert the user of a mysterious virus that will not onlyattack their computer but also their preconceived ideas.

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image of the work