cross-reading

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Description (in English)

"Aurelia: Our dreams are a Second Life" is one of the videopoems by Belén Gache from the series "Lecturas" (Readings). Some of the videopoems of this series were proyected in the exhibition "El video como zona de cruce" ("Video as a Crossroad", in Centro Cultural de España, Montevideo, September 2007. In this videopoem the author walks around Second Life reading fragments of a text by Gérard de Nerval. She walks over the planets and walks through Paris streets. The reader listens to the author. She appears in the middle of the ocean accompanied by relaxing music and then suddenly she is in the middle of a disco surrounded by people dressed up as cybergoths. The video finished with the author walking over the Milky Way, this avatar of the author who is a reader at the same time does not pay attention to the places where she goes or the people she finds she is only interested in her reading.

Description (in original language)

"Aurelia: Our dreams are a Second Life" es uno de los videopoemas de Belén Gache de la serie “Lecturas”. Algunos de estos videopoemas fueron proyectados en el marco de la muestra "El video como zona de cruce", Centro Cultural de España, Montevideo, septiembre de 2007. En "Aurelia: Our drems are a Second Life", la autora pasea a la deriva por Second Life, leyendo fragmentos del texto de Gérard de Nerval. Camina sobre los planetas, viaja a París, recorre las calles leyendo a Nerval. El lector escucha la voz de la autora. Viaja al fondo del mar, donde puede leer acompañada de una música tranquila. De pronto, aparece dentro de una discoteca llena de gente vestida de cibergóticos. Finaliza flotando encima de la vía láctea. El avatar de la autora que a la vez es lectora flota por encima de los planetas y sigue leyendo, permaneciendo indiferente a los lugares a los que va y a la gente a la que encuentra, interesada únicamente en su lectura.

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By Jill Walker Rettberg, 25 September, 2013
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Abstract (in English)

ELO 2013 brought out the question of how the theoretical discussions about specific works can be extended in space and time beyond teams. A few months before, different teams began a project of the labex Arts-H2H focusing on the design of “Cross-reading”, a tool to make a pooling of theoretical perspectives used in different parts of the world to treat works of Electronic Literature. This experience, the first large-scale in this area, has as its primary mission to cross different methodologies (or points of view) on the same object to produce a high value-added analysis, which is not only a juxtaposition of disparate contributions but a construction reflecting teamwork.The still ongoing implementation implied first the design of an ontology to harmonize the different analyses produced autonomously by each team. Analyses come from diverse backgrounds such as literature, semiotics, media and cultural studies, ergonomic experimentation and aesthetics. The ontology considers the work as a Spinozist individual in the context of the procedural model of Ph. Bootz, allowing the contemplation of both the visible "surface" and the computer program of the work. Based on this ontology, we indexed all contributions. Then, “Cross-reading” presents a visualization to show relationships, similarities and differences between the analyses. Relations between synonyms and homonyms concepts are those that allow the construction of a combined theoretical approach. A prototype is available at http://ineslaitano.com.ar/crossreading/

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