blended learning

By Maya Zalbidea, 23 January, 2014
Publication Type
Year
Pages
769-779
Journal volume and issue
Vol 10, No 3 (2013)
ISSN
ISSN: 1549 2230
License
CC Attribution
Record Status
Abstract (in original language)

Las mismas personas que, en el pasado sentimos un cierto rechazo hacia la idea de leer en una
pantalla y alejarnos del romanticismo del libro, hemos terminado sucumbiendo en la tentación
de comprarnos un libro electrónico. En la actualidad, estamos presenciando un momento decisivo
en que la memoria documental de la humanidad está siendo transferida del papel a un
nuevo formato constituido por las nuevas tecnologías de la información y la comunicación: el
formato digital. Como lo defne Javier Celaya en el prólogo, Elogio del texto digital (2012) de
José Manuel Lucía Megías, pretende ser un “quitamiedos” para todos aquellos que ven el texto
en formato digital como una amenaza contra el libro impreso.
Megías refexiona acerca del famoso debate, recurrente en conferencias y mesas redondas,
sobre si el libro electrónico sustituirá por completo al impreso y si habrá consecuencias catas -
trófcas en los derechos de autor y la distribución y publicación de los libros. Es común
encontrar intelectuales que desprecian el acto de la lectura en una pantalla o que piensan que la
literatura digitalizada va a suponer la ruina de la industria editorial. Megías aconseja no perder
más tiempo discutiendo acerca del futuro del libro impreso, dado que a lo largo de la historia
el soporte de la lectura en ningún momento ha cesado de cambiar.

By Patricia Tomaszek, 5 November, 2013
Publication Type
Language
Year
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All Rights reserved
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Abstract (in English)

This is an updated, edited version of the conference paper presented in 2008.

The paper outlines the practices of teaching digital literature at the University of Siegen in Germany where Peter Gendolla and Joergen Schaefer taught courses on literature in computer-based media for students of both Literary and Media Studies. This paper thus provides an historical synopsis of the didactical transformations the teaching practices have undergone as well as an overview of the University’s profile and its focus on research and teaching literary studies. In 2007, the classroom moved online and held a class transatlantically in cooperation with Roberto Simanowski (Brown University/Providence, RI, USA). The online course approached an experimental Blended Learning concept. The paper introduces the methodological concept of the class “Digital Aesthetics” and discusses using Online Communication Systems in the context of the course of studies: Net Literature.

Source: Author's Abstract

Type
Language
Year
Record Status
Abstract (in English)

This course enabled an online cooperation between teachers and students within a cooperative transatlantical teaching framework, it is based on a collaboration between the University of Siegen, Germany and Brown University, USA. Five student groups were assigned one topic and one work (plus relevant examples), as well as leading questions to discuss and close read the assigned work. Topics included: installations, textual instruments/instrumental texts, digital photography, and mapping art. Over the semester students discussed their assigned work via an online forum, while participating in face-to-face classes at their universities. For a final session both students and teachers met online for a video conference.

By Patricia Tomaszek, 9 October, 2012
Publication Type
Language
Year
License
All Rights reserved
Record Status
Abstract (in English)

My major investigation in my master’s thesis was based on a class held at theUniversity of Siegen in 2007: “Digital Literature and Arts II.” In this course Iserved as academic assistant and developed a teaching model that is nowapplicable in Blended Learning Environments. While in my bachelor thesis I wasinterested in the design of online learning environments, my main focus in thecompletion of the master’s was on the student’s course performance: Myobjective was to find methods to analyze the students learning activity. Therefore,I analyzed the teaching and learning interaction based on theories I derived fromstudies on Computer Supported Collaborative Work (CSCW) and ComputerSupported Collaborative Learning (CSCL).

Attachment
By Jörgen Schäfer, 28 June, 2011
Publication Type
Language
Year
Presented at Event
Publisher
Journal volume and issue
166/167
ISSN
0721-3271
License
All Rights reserved
Record Status
Abstract (in English)

 

 

Abstract (in original language)

Diese Ausgabe der Reihe "MuK - Massenmedien und Kommunikation" dokumentiert die Beiträge zum Workshop "E-Learning und Literatur", der am 17. September 2007 im Rahmen der "DeLFI 2007 - Die 5. e-Learning Fachtagung Informatik" der Gesellschaft für Informatik e.V. (17. bis 20. September 2007) an der Universität Siegen stattgefunden hat.

Diese Veranstaltung wurde gemeinsam von den Teilprojekten "Literatur in Netzen/Netzliteratur" und "Informatikunterricht und E-Learning zur aktiven Mitwirkung am digitalen Medienumbruch" des Kulturwissenschaftlichen Forschungskollegs "Medienumbrüche" der Universität Siegen durchgeführt.

Source: Editorial

By Eric Dean Rasmussen, 27 January, 2011
Language
Year
License
All Rights reserved
Record Status
Abstract (in English)

This paper outlines the practices of teaching digital literature at the University of Siegen in Germany where Peter Gendolla and Joergen Schaefer taught courses on literature in computer-based media for students of both Literary and Media Studies. This paper thus provides an historical synopsis of the didactical transformations the teaching practices have undergone as well as an overview of the University’s profile and its focus on research and teaching literary studies. In 2007, the classroom moved online and held a class transatlantically in cooperation with Roberto Simanowski (Brown University/Providence, RI, USA). The online course approached an experimental Blended Learning concept. The paper introduces the methodological concept of the class “Digital Aesthetics” and discusses using Online Communication Systems in the context of the course of studies: Net Literature.

Creative Works referenced