water

Installation was presented at the beaches of the island Vlieland.

Thanner Kuhai is a short work of digital poetry, an elemental metaphor about wrestling with depression and finding hope against all odds. The reader/player is transported into an environment where language becomes intertwined with nature in a flooded subterranean world. Navigate tunnels and passageways teeming with strange life and shadows of words. Submerge beneath the water. Or seek escape to the surface. Available in English and Tamil.

«oceanografias» or «a memória da água» is a poetic operation made in a computador from a linear numerical relation of correspondence with some signifiers, which are semantically and phonetically close to each other. [...] The project was developed in an 8-bit microprocessor Sinclair ZX Spectrum in January 1986.

Combinatory poem written and programmed by Antero de Alda and Jorge Santos in BASIC for a Spectrum ZX in Sever do Vouga, Portugal, on Jan. 1, 1986. The piece was later renamed as A Memória da Água.

A six foot square garden sits in the middle of an otherwise ordinary computer lab. Water briskly flows down a series of cacsades into a glowing pool. Projected on the surface of the pool and flowing as if they were caught in the water's grasp are a tangle of words. You can reach out and touch the flow, blocking it or stirring up the words causing them to grow and divide, morphing into new words that are pulled into the drain and pumped back to the head of the stream to tumble down again.

(Source: artist website)

From January to May 2008, Jhave produced a series of 30 sketches, experiments in motion photography, usually involving water, in which he tests out different ways of juxtaposing and superposing his poetic texts with video clips. (Source: Leonardo Flores, I ♥ E-Poetry)

Rui Torres' text engine, with animation and combinatorics, from advertising slogans of butters, beers, water, cars, soft drinks, banks, credit cards, shampoos, supermarkets.

source:https://po-ex.net/taxonomia/materialidades/digitais/rui-torres-poemads/ 

An anonymous parcel containing a small, bright orange plastic fish arrives one morning triggering a frightening, unexpected memory in the mind of the protagonist. Glimmer is a short mouse-responsive work of digital fiction that uses ambient sounds and rich-textured video effects to compliment the writing. There is a scene of a turbulent imaginary ocean in the middle of the work which was entirely rendered using 3D software.

David Jhave Johnston’s video-based "Interstitial" is a meditation on terminal anxiety. The title of the piece, which refers generally to that which occupies an “empty interval,” takes on a specific connotation when one considers its popular use in web development contexts for the commercial “pre-loaders” that hawk their wares while one waits for the site to open. The video, which is minimally edited, features three views arranged in triptych form: a cat decomposing in a river, tidal pools, and a bug undergoing metamorphosis. These events, as witnessed by Johnston, are unaltered and unmodified, simply captured where they occurred using handheld equipment. According to an artist’s statement published on Tributaries and Text-fed Streams (http://tributaries.thecapilanoreview.ca/2008/02/22/interstitial/), the web presentation of the files was formatted through the process of naming the discrete video, audio, and poetic text files and allowing software to assemble these pieces into an endless loop. Variations in the piece are a product of technical differentials—processing speed, bandwidth, and computer to computer interaction—rather than human interaction. The grand result is a provocative juxtaposition of contrasting phases of life and death, ebbing and flowing, in the interstice created by the poetic process.

(Source: Electronic Literature Directory entry by Davin Heckman)