Application

Fidget is a transcription of writer Kenneth Goldsmith's every movement made during thirteen hours on June 16, 1997 (Bloomsday). This online edition includes the full text, a self-running Java applet version written by programmer Clem Paulsen, and a selection of RealAudio recordings from Theo Bleckmann's vocal-visual performance at the Whitney Museum of American Art on Bloomsday 1998.

Fidget attempts to reduce the body to a catalogue of mechanical movements by a strict act of observation. Goldsmith aims to be objective like the photographer Edward Muybridge. In Fidget, Goldsmith reduces language to its basic elements in order to record and understand movement in its basic form. Despite these aims, the dictates of the work like the self-observation and the duration of the act, create a condition of shifting referent points and multiple levels of observation that undermine the objective approach.

Goldsmith and Paulsen's collaboration has reconfigured the text of Fidget to substitute the human body with the computer. The Java applet contains the text reduced further into its constituent elements, a word or a phrase. The relationships between these elements is structured by a dynamic mapping system that is organized visually and spatially instead of grammatically. In addition, the Java applet invokes duration and presence. Each time the applet is downloaded it begins at the same time as set in the user's computer and every mouse click or drag that the user initiates is reflected in the visual mapping system. The different hours are represented in differing font sizes, background colors and degree of "fidgetness", however, these parameters may be altered by the user. The sense of time is reinforced by the diminishing contrast and eventual fading away of each phrase as each second passes.

Fidget was originally commissioned by The Whitney Museum of American Art at Philip Morris as a collaboration with vocalist Theo Bleckmann. The live performance was at The Whitney Museum of American Art at Philip Morris on June 16, 1998 at 8p.m. Bleckmann's vocal interpretations of Fidget are available here in RealAudio. A gallery installation of Fidget opened at Printed Matter in New York City. Printed Matter featured Goldsmith's collaboration with seamstress Sydney Maresca. The exhibition ran from June 11-September 4 1998.

(Source: http://archives.chbooks.com/online_books/fidget/about.html)

According to Pedro Barbosa (1996: 166), the aphorisms developed by Marcel Bénabou rely on a set of abstract formal structures and concrete words stored in the program's memory and were programmed in APL in 1979 for the "Journées Afcet".

The poem-program Universo was developed by João Coelho in BASIC for a IBM PC. This is a computer poem which draws its own title - universe, in english - in a spiral that evokes endless movement, symmetry and chance - forming words in portuguese along the way.

Published as servilivres, Musa Speculatrix series, published in “Qorpo Estranho” Brazilian magazine nº 2, 1976

Triggerhappy is a gallery installation whose format will be familiar to anyone who has encountered that early arcade game, Space Invaders combining an absurd quest for information with an old-fashioned shoot-em-up computer game. In this, it accurately reflects, and comments upon, the electronic environment in which we live, work and play. "In effect", the artists say, "triggerhappy becomes a folly. A self-defeating environment looking at the relationship between hypertext, authorship and the individual." They cleverly recontextualise existing representations and subject them to active manipulation on the part of the viewer, who becomes an unwitting participant in a meaningless game of "info-war".

-- Michael Gibbs, 1998

(Source: http://www.thomson-craighead.net/docs/thap.html)

Wrote a program to generate haiku which was embedded in the idle loop of a campus CDC6400 and became the most prolific poet up till that date, selection published in an anthology of computer poetry edited by Richard W. Bailey (Computer Poems, 1973). [pp. 16-19]

(Source: http://www.robertgaskins.com/#resume)

Plays random sections of a recording of Wallace Stevens reading The Idea of Order at Key West. Click the waveform to play the poem at the corresponding point in time. Blue and green are special colors in the poetry of Stevens. Green for the earth, for nature, for the quotidian, the worldly. Blue for the sky, imagination, the ethereal, thought and dream.