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The New Media Writing Prize awards evening took place at Bournemouth University on January 17th 2018. Vanita Patel, BA English Student at Bournemouth University, captured the event for us.On January 17th, Bournemouth University hosted the 8th annual awards ceremony for the New Media Writing Prize. This year’s attendees were lucky to have the opportunity to listen to Adrian Smith, Amuzo Director and one of the creators of the original Tomb Raider games. The evening also consisted of a presentation with the competition’s shortlisted entries and winners as well as giving an insight on some of the judges own personal opinions on what new media narratives meant to them. The event was organised by Jim Pope and was graciously sponsored by if:book boss, Chris Meade, Unicorn Training CEO Peter Phillips and Gorkana’s Philip Smith and Cheryl Douglas.

Adrian Smith talked about his experience with interactive narratives whilst creating Tomb Raider in 1996. Using the New Media Writing Prize’s key elements: Innovation, Interactive and Immersive as a starting point for his presentation, Smith gave an interesting talk about the creation of the iconic gaming franchise. It was clear that during the creation of Tomb Raider, the most important element of it was what the heart of the game should be. Whether it was being able to let the player explore the world, making the game accessible to all, or to produce achievable goals and challenges, Tomb Raider provides many options for whatever type of gamer you are.

(Source: Article from www.theliteraryplatform.com :  ‘The Cartographer’s Confession’ wins the New Media Writing Prize 2017, http://theliteraryplatform.com/magazine/2018/01/cartographers-confession...  )

The subcategory of the 2017 New Media Writing Prize for the Student Prize Winner and Shortlist.

The Student prize was awarded to Natasha Nunn: Mary Rose http://mary-rose.ca 

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Bournemouth University
Bournemouth University
United Kingdom

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Main Prize Winner and Shortlist 2015

High Much a Muck Collective: High Muck a Much: Playing Chinese http://www.highmuckamuck.ca/

Lashihai by two.5: A Recollections: 12 vignettes http://twopoint5.co.uk/recollections-app/#sthash.skczJQUx.dpuf

Jason Nelson: Bafflemment Fires http://www.dpoetry.com/fires/#sthash.skczJQUx.dpuf

Christy Dena: Magister Ludi Game https://apps.apple.com/au/app/magister-ludi-game/id1031562918

Rob Wittig and Mark C. Marino: I work for the Web http://robwit.net/iwfw/

Alan Bigelow: The Fall http://webyarns.com/fall/fall.html#sthash.skczJQUx.dpuf

Student Prize Winner & Shortlist 2015

Shaun Hickman: Kindred https://shaunhickman333.wixsite.com/kindred

Annie Hitchman: City Links http://city-links.co.uk/

Madhushala Senaratne: From Walls to Walls http://wallstowalls.info/walls/index.html

DOT Award Shortlisted Writers 2015

J R Carpenter, Budhaditya Chattopadhyay, Maya Chowdhry & Sarah Hyman, Lori Diggle, Shaun Hickman, Saradha Soobrayen

 

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Bournemouth University
Bournemouth
United Kingdom

Short description

The New Media Writing Prize awards evening took place at Bournemouth University on January 17th 2018. Vanita Patel, BA English Student at Bournemouth University, captured the event for us.On January 17th, Bournemouth University hosted the 8th annual awards ceremony for the New Media Writing Prize. This year’s attendees were lucky to have the opportunity to listen to Adrian Smith, Amuzo Director and one of the creators of the original Tomb Raider games. The evening also consisted of a presentation with the competition’s shortlisted entries and winners as well as giving an insight on some of the judges own personal opinions on what new media narratives meant to them. The event was organised by Jim Pope and was graciously sponsored by if:book boss, Chris Meade, Unicorn Training CEO Peter Phillips and Gorkana’s Philip Smith and Cheryl Douglas.

Adrian Smith talked about his experience with interactive narratives whilst creating Tomb Raider in 1996. Using the New Media Writing Prize’s key elements: Innovation, Interactive and Immersive as a starting point for his presentation, Smith gave an interesting talk about the creation of the iconic gaming franchise. It was clear that during the creation of Tomb Raider, the most important element of it was what the heart of the game should be. Whether it was being able to let the player explore the world, making the game accessible to all, or to produce achievable goals and challenges, Tomb Raider provides many options for whatever type of gamer you are.

(Source: Article from www.theliteraryplatform.com :  ‘The Cartographer’s Confession’ wins the New Media Writing Prize 2017, http://theliteraryplatform.com/magazine/2018/01/cartographers-confessio…  )

Bournemouth University and if: book UK announced the shortlist for the 2017 New Media Writing Prize. The shortlisted works for 2017 were:

Main Prize Winner and Shortlist 2017:

The Main Prize was awarded to James Attlee: The Cartographer’s Confession 

The Student prize was awarded to Natasha Nunn: Mary Rose http://mary-rose.ca 

Gorkana Award for Journalism 2017 awarded to Magdelena Chodownik, Akradiusz Sotdon, and Piotr Kliks: Lunik IX https://outride.rs/en/?p=31579 

Lunik IX awarded to Magdelena Chodownik, Akradiusz Sotdon, and Piotr Kliks: http://outride.rs/en/lunik-ix/

(Source: New Media Prize 2017)

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New Media Writing Prize 2017
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By Daniele Giampà, 7 April, 2018
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Abstract (in English)

This is the first interview of a series called Electronic Literature Review Promotion. These interviews are published one month before the event takes place.

By Daniele Giampà, 5 April, 2018
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Reham Hosny is a member of the Arabic Electronic Literature research group. In this interview, she talks about the influence of Arabic culture in the field of technology and electronic literature as well as the projects of the research group.

By Daniele Giampà, 5 April, 2018
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Eman Younis is a member of the Arabic Electronic Literature research group. In this interview, she talks about the influence of Arabic culture in the field of electronic literature and Arabic authors.

By Daniele Giampà, 5 April, 2018
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Promotional interview for an event organized by the Arabic Electronic Literature research group.

By J. R. Carpenter, 31 January, 2017
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89-114
Journal volume and issue
23.1.
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Abstract (in English)

Walter J Ong argues: ‘The spoken word is always an event, a movement in time, completely lacking in the thing-like repose of the written or printed word’. Digital writing has given rise to a new regime of enunciation in which written words refuse repose. This essay argues that although spoken, written and printed words operate within radically different temporal planes, spoken words also have thing-like properties and written and printed words also move through time. Digital writing has given rise to a new regime of signification unforeseen by Ong in which written words refuse repose. Jay David Bolter argues that digital writing ‘challenges the logocentric notion that writing should be merely the servant of spoken language ... The writer and reader can create and examine structures on the computer screen that have no easy equivalent in speech’. N Katherine Hayles argues that, in digital media, the text ‘becomes a process, an event brought into existence when the program runs ... The [text] is ‘‘eventilized,’’ made more an event and less a discrete, self-contained object with clear boundaries in space and time’. Jean-Jacques Lecercle argues that language is a constructed system, constantly subject to change ... ‘We therefore need to conceive of language not as a stable, arrested system, but as a system of variations’. This essay draws upon a diverse corpus of literary, media and performance theory and practice to establish a critical framework for examining the performance of variable texts throughout the entire apparatus of hardware, software, networks, bodies and spaces within and through which they operate and propagate. This framework is applied to a number of examples of digital writing which incorporates variability, instability, transformation and change into the process of composition, resulting in texts which are both physical and digital, confusing and confound boundaries between speaking, writing and reading.

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his essay will argue that although spoken, written, and printed words operate within radically different temporal planes, spoken words also have thing-like properties and written and printed words also move through time. In making this argument, this essay will draw upon performance writing methodology (Carpenter, 2015b; Fletcher, 2013; Hall, 2013). Performance writing takes a conceptually broad and overtly interdisciplinary approach to considering the performance of text in relation to a wide range of social, cultural, material, mediatic, and disciplinary contexts.

Digital writing has given rise to a regime of signification in which long-standing distinctions between spoken, written, and printed words have become blurred. No longer discreet entities, no longer easily quantifiable objects for study or for sale, digital literary texts demand a new critical approach to reading and writing.

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By Mario Aquilina, 13 January, 2016
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Pages
348–365
Journal volume and issue
1.3
ISSN
2056-4406
eISSN
2056-4414
License
All Rights reserved
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Abstract (in English)

What if the post-literary also meant that which operates in a literary space (almost) devoid of
language as we know it: for instance, a space in which language simply frames the literary or
poetic rather than ‘containing’ it? What if the countertextual also meant the (en)countering of
literary text with non-textual elements, such as mathematical concepts, or with texts that we
would not normally think of as literary, such as computer code? This article addresses these
issues in relation to Nick Montfort’s #!, a 2014 print collection of poems that presents readers with the output of computer programs as well as the programs themselves, which are designed to operate on principles of text generation regulated by specific constraints. More specifically, it focuses on two works in the collection, ‘Round’ and ‘All the Names of God’, which are read in relation to the notions of the ‘computational sublime’ and the ‘event’.

(Source: Author's Abstract)

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Bournemouth University and if:book UK announced the shortlist for the 2013 New Media Writing Prize. The shortlisted works for 2013 were: Mathew Charles, Juan Passarelli, Ann Luce and Rob Mundy: "The Engineer" http://guerrillapictures.tv/TheEngineer/ David Devanny: "Orange Sweatshirt" http://www.daviddevanny.co.uk/projects/os/orangesweatshirt.htm Declan Dineen: "Foursquare Tales" http://declandineen.com/foursquaretales/ Serge Bouchardon: "Opacity" http://i-trace.fr/opacity/ Jonathan Saunders: "The Ghosts of Yamaraja" http://js-portfolio.co.uk/yamaraja.html Esmeralda Kosmatopoulos: "Siri and Me" http://www.esmeraldakosmatopoulos.com/blank#!siri-and-me/ch26 The Main prize was awarded to Esmeralda Kosmatopoulos for her work "Siri and Me" (Source: New Media Prize 2013)

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