mainframe

By J. R. Carpenter, 13 December, 2015
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Abstract (in English)

Since the rise of the mainframe computer, literary authors and critics alike have expressed anxiety about the computer’s ability to write narrative prose and poetry as well humans, or better. This lecture situates the contemporary digital literary practices of reading, writing, rewriting, and performing computer-generated texts within a broader social and historical context, dating to long before the advent of the computer. Christopher Strachey's 1952 Love Letter generator and Theo Lutz's The Castle generator are discussed in depth.

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In human terms, a generation refers both to a group of individuals of approximately the same age having similar ideas and attitudes, and to the period of time between one such a group and the next, which is roughly thirty years. Two human generations have passed since the first generation of computers. Many more generations of machines have passed since then, each supporting yet more generations of operating systems and softwares capable of being programmed to generate a wide variety of computer-generated texts.

By J. R. Carpenter, 8 July, 2013
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Abstract (in English)

Visiting Artist Talk presented by CE3C Lab at Alberta College of Art and Design, 7 February 2013.

JR Carpenter has been using the internet as a medium for the creation and dissemination of experimental texts since 1993. In this lecture she will explore much earlier works of Electronic Literature dating back to the 1950s, setting a critical and historical context for the vibrant and experimental field that we find today. She skilfully excavates layers of computer/ communication/network history to offer insight into contemporary practices. Through commentary, analysis, historical images, and examples new and old of computer-generated texts and other non-traditional forms of writing, speaking, and interacting, this talk takes a practice-led approach to navigating the ever shifting creative, critical, and political terrain of this fast-growing form of digital-expression.

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What I really want to talk to you about today is the contemporary literary practice of crating and performing computer-generated narratives. But the word generation so heavily implies regeneration. It’s difficult to know where to begin. Text generation is the oldest form of literary experimentation with computers. A number of influential books, chapters, essays, and papers currently circulating in the emerging field of electronic literature begin this way. But I want to start a little further back than that, before the dawn of the computer, and outside the traditional realm of the literary...

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