Experimental Interface

Description (in original language)

"Na Europa, para não falarmos de épocas mais remotas, são célebres os papiros mágicos do século V a. C. e o «Ovo» de Símias de Rodes, que data do ano 300 a. C. e cuja técnica de leitura se conhece. Trata-se dum poema bucólico composto graficamente em forma de ovo, sendo essa forma usada como metáfora do processo poético." (Ana Hatherly, in A Reinvenção da Leitura, 1975).

"O ovo, aliás, mais do que morfema, aparece como ideia incisiva da obra de Silvestre Pestana no núcleo da problemática da potência aristotélica: a fecundação do ser múltiplo é condicionada pelo dispositivo, que permite ou não a sobrevivência. Por isso a associação do ovo ao «povo novo», quer aquele que depois do 25 de Abril, quer aquele que hoje imerso num mundo cada vez mais high tech." (Manaíra Athayde, “PO.EX em EXPO”, 2013).

Sinopse > "(N)(P)OVO" e "META(N)(P)OVO" tem por base a adaptação de um dilema ancestral: o que vem antes, a face ou a interface? Numa tentativa deliberada de proVocação, esta dupla obra de videoarte pode ser lida com casca ou sem casca, dependendo do grau de mediação que se pretenda. Convidando a um processo de descascamento das múltiplas camadas ancestrais que significam o palíndromo, esta  obra é também uma (tardia) homenagem a todos os oVos chocados, estrelados, cozidos, mexidos e escalfados desde Símias de Rodes até Silvestre Pestana.

Description in original language
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Description (in English)

Although This work was presented by Scott as being located in the library at the opening of the End(s) of Electronic Literature Festival Exhibition at The Arts Library. Its was in fact not a part of the official Electronic Literature Organization 2015: The End(s) of Electronic Literature festival, and yet it was there.
The meta-story of this "space-hack" should be seen in relation to the history of the physical object itself (TV), (Taroko-remix),e-poetry as well as Foucault work Discipline and Punish, Panopticism and the power institutions.

The digita part of the Take Gonzo was hosted on the secret sub folder together with to the rest of the digital works presented in the End(s) of Electronic Literature Festival Exhibition Kiosk.

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Description (in English)

This is an interactive poem-fiction hybrid exploring unexplored taxonomies through a touch focused 3-D depth experimental interface. To understand, to translate the world, the objects and creatures and geographies around us, into meaningful (meaningless?) symbols, shareable concepts, we developed language. Then to further understand the differences and similarities of everything around us, to narrow down and dissect function and association, we created labels, categories and systems of taxonomy. And while these developed taxonomies and hierarchies are useful to organizing and departmentalizing our complex land/city/culture/art/literary-scapes, they can also hinder new possibilities and understandings. What if defining the function of the lung or leaves limits alternative and possibly powerful uses, keeps us from exploring what some might call “fringe” science? A Nervous System explores these alternative understandings of biological organisms, systems and organs. Through interactive ficto-future stories, poetic diagrams, it examines narratives arriving from chance situations where the mundane turns extraordinary, and what we understand about how our bodies and creatures work is altered, in the most extreme ways. (Source: ELO 2015 catalog) A Nervous System Interactive Fiction/Poetry Artwork An interactive poem-­‐artwork hybrid examining the abundance of taxonomies and the near infinite number of interconnected biological systems in the environment, and explored through an interactive 3-­D depth interface. To understand, to translate the world, the objects and creatures and geographies around us, the near infinite number of systems, abundantly expanding and contracting, into meaningful symbols, shareable concepts, we developed language. Then to further understand the differences and similarities of everything around us, we created labels, categories and systems of taxonomy. And while these developed taxonomies and hierarchies are useful to organizing and departmentalizing our complex biomes and biology, they can also hinder new possibilities and understandings. What if defining the function of the lung or leaves limits alternative and possibly powerful uses, keeps us from exploring what some might call “fringe” science. (Source: http://www.secrettechnology.com/)

 

 

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