the ecological thought

By Eric Dean Rasmussen, 17 January, 2012
Publication Type
Language
Year
ISBN
9780674049208
Pages
x, [4], 163, [1]
Record Status
Librarian status
Approved by librarian
Abstract (in English)

In this passionate, lucid, and surprising book, Timothy Morton argues that all forms of life are connected in a vast, entangling mesh. This interconnectedness penetrates all dimensions of life. No being, construct, or object can exist independently from the ecological entanglement, Morton contends, nor does “Nature” exist as an entity separate from the uglier or more synthetic elements of life. Realizing this interconnectedness is what Morton calls the ecological thought.

In three concise chapters, Morton investigates the profound philosophical, political, and aesthetic implications of the fact that all life forms are interconnected. As a work of environmental philosophy and theory, The Ecological Thought explores an emerging awareness of ecological reality in an age of global warming. Using Darwin and contemporary discoveries in life sciences as root texts, Morton describes a mesh of deeply interconnected life forms—intimate, strange, and lacking fixed identity.

A “prequel” to his Ecology without Nature: Rethinking Environmental Aesthetics (Harvard, 2007), The Ecological Thought is an engaged and accessible work that will challenge the thinking of readers in disciplines ranging from critical theory to Romanticism to cultural geography.

(Source: Harvard University Press catalog)

Pull Quotes

Thinking the ecological thought is difficult: it involves becoming open, radically open -- open forever, without the possibility of closing again. Studying art provides a platform, because the environment is partly a matter of perception.

The ecological thought must imagine economic change; otherwise it's just another piece on the game board of capitalist ideology.

Meditation means exposing our conceptual fixations and exploring the openness of the mesh.

How to care for the neighbor, the strange stranger, and the hyper-object, are the long-term problems posed by the ecological thought.

By Eric Dean Rasmussen, 29 December, 2011
Language
Year
Pages
6-7
Journal volume and issue
32.6 (September/October)
License
All Rights reserved
Record Status
Abstract (in English)

This essay, a discussion between two esteemed e-poets for whom collaboration is an integral part of their creative practice, appeared in the "The Collaborative Turn" special issue of American Book Review, guest-edited by Davis Schneiderman. In their discussion, Montfort and Strickland survey several common types of e-lit collaboration and provide links to representative examples. Strickland explicitly links the material aesthetics of code poetics to literary theorist Timothy Morton's call for critical thinking that engages the universe's enmeshed interconnectedness, which he dubs "the ecological thought."

Pull Quotes

Beyond collaborating with “it,” the e-lit writer has to secure the collaboration of a diverse crowd of readers, none of whom are in possession of any kind of normalized conventions for such reading.

Strangely, my interest in poetry generators is motivated not by un-paraphrasable economy of structure, something I love in poems, but by superfluity of output—by a state of affairs where one is awash in potentials we know we have, but cannot prevision. Why? Because, to my mind, language wants to evolve toward what Tim Morton calls “the ecological thought”; namely, that there is no outside, no inside, no secure perch or boundary, but only multiply woven interconnectiveness—at every level.

Collaborators dissolve their individual claims and feeling of ownership while actually heightening their responsibility.

Attachment
File
32.6.strickland.pdf (526.78 KB)
Critical Writing referenced