0. Einleitung
1.1-2. Hypertexte: Merkmale und Theorie; der Link
1.3. Vorläufer des digitalen Hypertexts
1.4. Beispiel 1: Michael Joyce: afternoon, a story (1987)
1.5. Beispiel 2: Shelly Jackson: Patchwork Girl (1995)
1.6-9. Beispiele 3-5, Hyperpoetry
2.1. Multimediale Dichtung: Visuelle und kinetische Poesie; Vorläufer
2.2. Beispiele digitaler visueller Poesie; Stuttgarter Gruppe
2.3. Bewegte Lettern, dreidimensionale Texte, multimediale Datenwerke
2.4. Lautpoesie und Text-Musik-Kombinationen
3.1. Dichtungsgeneratoren: Permutative Generatoren
3.2. Fortgeschrittene Textgeneratoren
4. Literarische Computerspiele
5. Program Code Poetry
6. Resümee
Bibliographie
German
The internet is a great narrator. Are there smaller ones in its pockets? A mailing list looks for the net literature and finds many. I find the beauty of the list and of the free word that can escape. But the pursuers didn’t give up. I blog and delete – here I will tell, why.
First produced in 1998, Bas Böttcher’s looppool marks a specific generational moment in the history of online poetry and netart. Simple yet delightful, its palindrome title playfully describes the Sisyphean loop of wandering red billiard balls through a textual maze composed of scattered objects, thoughts, and actions. The reader can either passively watch as these spherical flaneurs wander along the pre-selected path or click to alter their course. Rather than convey the sense of an infinite possibility space, the paths of these poems are highly constrained. Like a Möbius strip, there is no outside to this looppool and regardless of the direction taken, the leisurely poem will wander forever along an unbroken loop.
(Source: editorial statement, Electronic Literature Collection, Volume Three)
