masculinity

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1995: Did Bill Clinton really?1996: Can men and women be friends?1997: Do men get violent because of Marilyn Manson?1998: Should men dress better?1999: Which Backstreet Boy Is Gay?2000: Can men be ethically non-monogamous2001: Is it cool to have gay friends?2002: Can men and women really be friends?2003: Are men making more money than women2004: Do men have to go to war?2005: Can men be feminists?2006: Do men like dancing alone?2007: Does metrosexual mean gay?2008: Are men still making more money than women2009: Should men get alimony?2010: Is it true that men eat their young?2011: Should men get paternity leave2012: Are men capable of childrearing?2013: Do men have feelings?2014: Male retirees need videogames and cheetos2015: Are men too fragile? Are men terrorists?2016: Should men chop their dicks off?It is 2015. Masculinity enters its forty-something-ith year of decline since the Second Wave. Paleo diets, birth control, steroids, night shifts, climate change, gun control, mortgage loans, and Sex And The City spelled the End of Men.I looked you up on the internet. Swipe right for a good time. What are you but another lamb on the market?Not all men are islands. Some float aimlessly from shore to shore. Others create empires on their continents. And even more cling to each other like hovering algae.Some are dense and stocky like marble, stale like a full-bodied wine that's been left open for too long. Some are elusive and charming, chameleons sunbathing in plain sight.I remember every man I've kissed, most of their mouths overtook mine and their tongues wriggled with wet enthusiasm. Some men hunt and some men steal. Some swim upstream to spawn and disappear.You are floating in a sea of men. Their bodies slither around you like eels on a dancefloor.Sea of Men shows my admiration and contempt for the best and worst of masculinity.Jennifer Chan makes remix videos, gifs and websites that contend with gendered affects of media culture.

By Maud Ceuterick, 9 July, 2020
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Related to the artist's works 'Sea of Men' (2015) and 'Big Sausage Pizza I & II' (2012)

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"I want to highlight another perspective by Eric Anderson of shifting definition masculinity as becoming more inclusive as opposed to 'orthodox' defined (sic.) and opposition to homosexuality and femininity"

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"Voyeur with Dog" was the first of many slideshow fiction works created by Richard Holeton. The text tells the story of a lonely middle-aged man, coming to terms with the potential loss of his aging, canine companion. The slides describe the behavior of the main character (simply called "The Man") after his divorce, his relationship with his dog and his struggle to connect with others. He has few relationships and spends his time dwelling on memories of his ex-wife and musing about the lives of his (female) neighbors, like the "Girl Next Door" and "Woman at the Sink." Though the Man describes his own appearance and demenour as off-putting, he notices that people, especially women, are drawn to his "beautiful" dog. In contrast to the Man, "the Dog" attracts and delights everyone without effort. Walking the Dog becomes a reprieve from solitude and a source of comfort. However, as the Dog ages and acquires health problems, the Man realizes that he will not always be able to rely on his pet for support. 

Holeton continued to experiment with the slideshow format in the works: "Custom Orthotics Changed My Life" (2010), "Do You Have Balls?" (2011) and "Postmodern: An Anagrammatic Slideshow Fiction" (2017). As with his other slideshow fiction creations, "Voyeur with Dog" incorporate elements like: bullet points, large, easy-to-read text, still images, graphs and tables, a summary of key points, and even a closing Thank You slide.

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"Do You Have Balls?" is a slideshow prose-poem by Richard Holeton that explores issues of masculinity and the body. The presenter muses about how the presence or absence of testes affects his feelings of self-worth and way of relating to others. Each of the section headings is an iteration of the Seussian mantra: "Yes, I have ___ ball(s), and you have ___" Holeton previously experimented with the slideshow format in his works: "Voyeur With Dog" (2009) and "Custom Orthotics Changed My Life" (2010). As with these other slideshow fiction pieces, "Do You Have Balls?" incorporates elements like: bullet points, large, easy-to-read text, still images, graphs and tables, a summary of key points, and even a closing Thank You slide.

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By Hannah Ackermans, 8 February, 2017
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Electronic literature exists at the intersection of the humanities, arts, and STEM: an acronym that itself defines a contested battleground of technical skills. The lack of diversity in STEM has received considerable scrutiny, and computer-related fields particularly suffer from a lack of diversity. Salter notes that this has contributed to the rise of “brogrammer” culture in disciplines with strong computer science components, and with it a rhetorical collision of programming and hypermasculine machismo. Brogrammer culture is self-replicating: in technical disciplines, the association of code with masculinity and men’s only spaces plays a pivotal role in reinforcing the status quo. Given this dramatic under-representation of women in computer science disciplines, the privileging of code-driven and procedural works within the discourse of electronic literature is inherently gendered. The emergence of platforms friendly to non-coders (such as Twine) broadens participation in electronic literature and gaming space, but often such works are treated and labeled differently (and less favorably) from code-driven and procedural works that occupy the same space. Salter argues that electronic literature communities must be aware of the gendered rhetoric and socialization surrounding code, and be vigilant against the tendency to value code (and, by extension, male-coded labor) over content when evaluating works in this form.

(Source: http://kathiiberens.com/)

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