conference series

By Patricia Tomaszek, 21 January, 2012
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Abstract (in English)

This text serves as an annotated archive with links to various media that give account to the accomplishments of the trAce Online Writing Centre: "Between 1995 and 2005 the trAce Online Writing Centre hosted and indeed fostered a complex media ecology: an ever-expanding web site, an active web forum, a local and and international network of people, a host of virtual collaborations and artist-in-residencies, a body of commissioned artworks, the trAce/Alt-X International Hypertext Competition, the Incubation conference series, and frAme, the trAce Journal of Culture and Technology. What emerged was one of the web’s earliest and most influential international creative communities."

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My aim here is to draw attention to the vast and varied remains of the trAce Online Writing Centre, which have been collected together in a unique archive containing a large, diverse and search-able collection of work published between 1995 and 2005.

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The 2012 Electronic Literature Organization Conference will be held June 20-23, 2012 in Morgantown, WV, the site of West Virginia University. In conjunction with the three-day conference, there will be a juried Media Arts Show open to the public at the Monongalia Arts Center in Morgantown and running from June 18-30, 2012. An accompanying online exhibit will bring works from the ELO Conference to a wider audience.

Even if nobody could define print literature, everyone knew where to look for it - in libraries and bookshops, at readings, in class, or on the Masterpiece channel. We have not yet created, however, a consensus about where to find electronic literature, or (for that matter) the location of the literary in an emerging digital aesthetic. Though we do have, in digital media, works that identify themselves as "locative," we don't really know where to look for e-lit, how it should be tagged and distributed, and whether or how it should be taught. Is born digital writing likely to reside, for example, in conventional literature programs? in Rhetoric? Comp? Creative Writing? Can new media literature be remediated? How should its conditions of creation be described? Do those descriptions become our primary texts when the works themselves become unavailable through technological obsolescence? To forward our thinking about the institutional and technological location of current literary writing, The Electronic Literature Organization and West Virginia University's Center for Literary Computing invite submissions to the ELO 2012 Conference.

(Source: Conference website).

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Poster for Electronic Literature Organization 2012 Conference
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Digital Arts and Culture 98 was an international conference which aimed to provide a forum for the presentation and discussion of theoretical and artistic developments in digital arts, media and cultures. Through paper presentations and ample space between sessions, as well as an informal social program, the conferenced aimed to create a good atmosphere for strengthening the links between the many different players and subfields within the rapidly expanding field of digital culture and aesthetic studies.

Digital Arts and Culture  was the first iteration of what has become an annual conference, commonly referred to as DAC.

The first conference was organised by Espen Aarseth at the Department of Humanistic Informatics at the University of Bergen. Humanistic Informatics is now the program for Digital Culture.

Conference Committee:Espen Aarseth, University of Bergen (Chair)Ingela Josefsson, Sødertørn CollegeTerje Rasmussen, University of OsloBjørn Sørenssen, Norwegian Technological UniversityHilde Corneliussen, University of BergenJan Rune Holmevik, University of BergenTorill Mortensen, Volda College

(Source: Conference website)

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