Digital Literature in France

By Eric Dean Rasmussen, 23 March, 2012
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41
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Abstract (in English)

Serge Bouchardon's paper concludes with the observation that the field of digital literature "is based on each country's own conception of literariness, of the digital medium, as well as on the relation between the two" and completes his article with a question to be considered in future research on communities, asking if digital literature is a coherent international field or a mere collection of cultural specificities. Giving an account of how digital literature in France evolved theoretically and historically through the creation of creative works and their traditional filiations, within a study of two socio-technical devices, he also analyzes how a particular mailing list, "a reflexive device" of a community possibly contributes to the construction of the field. His contribution comes along with a rich collection of links to various French actors in the field.

(Source: Article abstract.)

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Digital literature is based on each country’s own conception of literariness, of the digital medium, as well as on the relation between the two. So the following question remains open: is digital literature a coherent international field or a mere collection of cultural specificities?

In France (but this might of course be true for other countries), the domain of digital literature first built itself in a phase of hybridization on the margins of the traditional literary field, then it tended to find its own autonomy by constituting a field with its own institutions and networks of legitimization

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