markov chain

A program that makes use of markov chains to generate literature—meaningful sentences—from database of text elements regarding art and science. Every refresh of the page produces new output.

This bot mashes up the complete text of my 10 PRINT book and generates occasionally nonsensical but often genius Markov chain tweets from it. The bot also incorporates text from other tweets that use the #10print hashtag, meaning it “learns” from the community. [...]The 10 PRINT bot is built in Processing.From author's description in "<a href="http://www.samplereality.com/2013/01/12/from-fish-to-print-my-2012-in-r…">From Fish to Print: My 2012 Year in Review."</a>

The Cabinet Noir was the name given in France for the secret office where the post of suspected persons was opened and inspected before being forwarded to its final recipient. Governments since have used similar Black Chambers to spy on their populations communication via telegram, telephone and internet media. In order to avoid detection, some individuals have resorted to the technique of Steganography, where communications are hidden in seemingly innocent messages. This can lead to a state of paranoia where every text may contain evidence of nefarious intentions. This work takes the email exchange and data produced for the WEISE7 Labor exhibition and mixes it with the text of Edgar Allan Poe's detective story The Purloined Letter. The result is a paranoid archive of implied subtext.

It was only after I began working with Robert Coover in the Brown Literary Arts program in 1998 that I remembered my father commenting years earlier on Coover's book Pinocchio in Venice. As a foremost Scholar of the Pinocchio story and its appearances throughout history in literature and media, he was impressed with Coover's handling of the archive. My father went on to write about Coover's treatment in a co-authored book, Pinocchio Goes Postmodern: Perils of a Puppet in the United States. RC_AI consists of texts composed by myself and Dr. Thomas J. Morrissey, my father, along with several generative algorithms and loose grammars in collaboration with a substantial portion of Robert Coover's Pinocchio in Venice. The panoramic text is a printed array (approximately 380,000 pixels long - or 422 feet) of variable content generated by parsing through approximately 1/2 of Coover's novel using the author's name as a search string. RC_AI was created specifically for ELO_AI: Archive and Innovate the Electronic Literature Organization conference and arts program. The overall event was in part a celebration of Robert Coover who will soon retire from teaching. RC_AI was performed in the auditorium of List Art Center at Brown University with my father on June 4, 2010. For RC_AI, I utilized tesseract, an open-source tool for optical character recognition, and then created a system for text processing using python's natural language toolkit. As this is my first experiment with both tools, the implementation is basic: the former accounts for bad spelling, the latter for poor grammar (as though the puppet sold his schoolbooks for a tree of ass ears).