In their article "Electronic Literature and the Effects of Cyberspace on the Body" Maya Zalbidea and Xiana Sotelo discuss how new technologies are facilitating the emancipation of subjugat- ed subjects aimed at transforming unequal social relations through an intersectional and performative approach. This perspective is discussed through the exploration of the so-called intersectional ap- proach described by Berger and Guidroz, Haraway's situated knowledges, and Butler's performative agency based on transgressions. Framed within the posthuman, post-biological deconstruction of so- cial and cultural hierarchies, Zalbidea and Sotelo argue for the value of a conjuncture between post- colonial post-modern/post-structuralist literature and the field of feminist cultural studies. Based on previous theories of gender and bodies in cyberspace, Zalbidea and Sotelo develop ideas about bodies, gender, and anxieties, and how these theories may be illustrated metaphorically in electronic literature and new media art works.
emancipation
Forum Stadtpark
Stadtpark 1
8010 Graz
Austria
From Mai to June Forum Stadtpark Graz and three other European institutions for contemporary literature (Lettrétage – Berlin, Nuoren Voiman Liitto - Helsinki, Ideogramma – Nikosia) will carry out a project called CROWD which will host a literary bus-tour from Finland to Cyprus featuring around 100 authors with the main aim of establishing a more interwoven network for European Independent-literature.
In the framework of this bus-tour we will also make a stop at the Forum Stadtpark, where the symposium Text World World Text – About the relationship between experiment, politics and literature will be held. On two days (17th and 18th of June, 2016) more than 20 authors from Europe and beyond, who are working in the field of so-called experimental literature will discuss todays role of the author in society and also offer an in-depth look on their literary and aesthetic approach and perspective.
There has always been a brisk interaction between the political and artistical/literary discourse. Especially considering the most recent political developments the question what kind of role the artist/author can and should play in a society, becomes even more urgent. Particularly relating to the more experimentally working authors the question arises which role new artistic forms and methods can play in this relationship between literature and society. Can these new forms possibly activate new emancipatory and society transforming potentials? Is it even possible for art/literature to be a means of emancipation? How political can art/literature be at all? What are the coercions and restraints the process of literary production is allegedly or actually subjected to? What kinds of strategies exist to escape from or to deal with these internal and external restrictions of the literary production?
(Source: Forum Stadtpark)
(h)adas is not a conventional essay and it does not only try to be about women and technology; (h)adas tries to find one’s own times and ways of domestication and emancipation that are deduced from daily life technologies, about its invisible power in appropriation and time management and expectations. It is a singular book, in which stories, research and autobiography cohabit and it has worth Remedios Zafra V Malaga Essay Prize “it has been written to revindicate the political power that accompanies this periphery , to make everything shared, to reflect upon the conditions in which repetition power of the world perform, some ways to battle against it from the critical consciousness and creation” (Translated by Maya Zalbidea) (Source: remedioszafra.net)
(h)adas no es un ensayo convencional ni habla solamente de mujeres y tecnología; (h)adas trata sobre los tiempos propios y las formas de domesticación y emancipación que se deducen de las tecnologías de la vida cotidiana, sobre su poder invisible en la apropiación y gestión de tiempos y expectativas. Este libro singular, donde convive el relato, la investigación y la autobiografía, y que le ha valido a Remedios Zafra el V Premio Málaga de Ensayo, «se escribe para reivindicar el poder político que acompaña a esta periferia, para hacerlo compartido, para hacer reflexivas algunas de las condiciones en las que el poder de repetición del mundo actúa, algunas maneras de enfrentarlo desde la conciencia crítica y la creación» (Fuente: remedioszafra.net).