binary

By Audun Andreassen, 3 April, 2013
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Abstract (in English)

This paper explores the ontology of the digital. Specifically I argue that digital technologies, digital aesthetics, and digital culture express characteristics of the binary code. The binary code, which defines the digital, balances between ideal and real; tied always to some material substrate, the binary code nevertheless operates according to a logic of perfectly specified 0s and 1s. And it tends to bring this idealized perfection into the real, dividing up the world into neat, discrete categories, offering predefined choices with predictable outcomes, and shaping not only the materials of the machine but also the bodies and habits of users according to this binary logic. The binary code is an apotheosis of abstraction, but it is an operative abstraction, which becomes effective even while retaining its pure formality. Brief examples will elaborate this overarching argument, considering the digital’s ontological relationships to temporality, space, material, virtuality, uniqueness, identity, determinism, and language.

(Source: Author's abstract for ELO_AI).

Description (in English)

Three-dimensional navigational poem in which the letters/numbers I and O appear as elements of an imaginary landscape. IO is "I" in Italian. In this piece it also stands for reconciled differences (one/zero, line/circle, etc.). The reader is invited to explore the space created by the stylized letters/numbers and experience it both as an abstract environment and as a visual text.

Description (in original language)

Poesia tridimensionale navigabile in cui le lettere / numeri  I e O appaiono come elementi di un paesaggio immaginario. IO è "io" in italiano. In questo brano IO rappresenta anche le differenze riconciliate (uno / zero, linea / cerchio, ecc.) Il lettore viene invitato ad esplorare lo spazio creato dalle lettere e dai  numeri entrambi stilizzati e  a sperimentare sia un ambiente astratto che un testo visivo. 

 

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