abstraction

Description (in English)

From tweets to literature From the 1,000 posted tweets with the hashtag #outofblue, I developed a literary text. Just by selecting, shortening, arranging and repeating the tweets. Without adding any kind of text written by myself. Of course, also the title of the text was taken from a tweet: “Engelvariationen” (angel variations) – nothing could be more appropriate for a text, which deals with abstraction. Because the text, just like the event in the “Haus der Kunst”, is designed to experience abstraction. The text is not a documentation of the tweetup as such, but rather an exercise of abstraction. It calls for adventure. This might be exhausting, but promises a stunning experience. Enjoy!

(Source: authors abstract)

By Audun Andreassen, 3 April, 2013
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Abstract (in English)

This paper explores the ontology of the digital. Specifically I argue that digital technologies, digital aesthetics, and digital culture express characteristics of the binary code. The binary code, which defines the digital, balances between ideal and real; tied always to some material substrate, the binary code nevertheless operates according to a logic of perfectly specified 0s and 1s. And it tends to bring this idealized perfection into the real, dividing up the world into neat, discrete categories, offering predefined choices with predictable outcomes, and shaping not only the materials of the machine but also the bodies and habits of users according to this binary logic. The binary code is an apotheosis of abstraction, but it is an operative abstraction, which becomes effective even while retaining its pure formality. Brief examples will elaborate this overarching argument, considering the digital’s ontological relationships to temporality, space, material, virtuality, uniqueness, identity, determinism, and language.

(Source: Author's abstract for ELO_AI).