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978-1-93-399665-3
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Description (in English)

The poems in Articulations are the output of a computer program that extracts linguistic features from over two million lines of public domain poetry, then traces fluid paths between the lines based on their similarities. By turns propulsive and meditative, the poems demonstrate an intuitive coherence found outside the bounds of intentional semantic constraints.

(Source: Counterpath catalog copy)

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Cover image of Articulations by Allison Parrish
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978-1-93-399670-7
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Description (in English)

ased on two iconic American novels, A Noise Such as a Man Might Make is a computer conflation using a well-known algorithm that has been applied to language since the middle of the twentieth century. The two source texts share many stylistic and thematic features, both narrating the ritualistic, circular struggle of a man and a boy against hostile environments. The other characters consist of the cold, hunger, physical pain, emotional pain, rain, snow, roads, and the sea. More musical than anecdotal, this novel aims to portray a certain model of masculinity held by Western society for centuries and finding a special place in warlike circumstances. A Noise Such as a Man Might Make is the history of a dying model of manhood, the now troubled paradigm of men as warriors and survivors. The book includes an Afterword by Nick Montfort.

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Book cover for A Noise Such as a Man Might Make (Counterpath)
By Scott Rettberg, 1 October, 2019
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Abstract (in English)

Computer programming is a general-purpose way of using computation. It can be instrumental (oriented toward a predefined end, as with the development of well-specified apps and Web services) or exploratory (used for artistic work and intellectual inquiry). Professor Nick Monfort’s emphasis in this talk, as in his own work, is on exploratory programming, that type of programming which can be used as part of a creative or scholarly methodology. He says a bit about his own work but uses much of the discussion to survey how many other poet/programmers, artist/programmers, and scholar/programmers are creating radical new work and uncovering new insights.

09:08 p5.js12:38 The Deletionist14:26 Permutated Poems of Poems of Brion Gysin18:18 Curveship21:00 A Noise Such As a Man Might Make24:03 Oral Poetics29:35 Q&A

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Short description

CLARIN stands for "Common Language Resources and Technology Infrastructure".

It is a research infrastructure that was initiated from the vision that all digital language resources and tools from all over Europe and beyond are accessible through a single sign-on online environment for the support of researchers in the humanities and social sciences.

In 2012 CLARIN ERIC was established and took up the mission to create and maintain an infrastructure to support the sharing, use and sustainability of language data and tools for research in the humanities and social sciences. Currently CLARIN provides easy and sustainable access to digital language data (in written, spoken, or multimodal form) for scholars in the social sciences and humanities, and beyond. CLARIN also offers advanced tools to discover, explore, exploit, annotate, analyse or combine such data sets, wherever they are located. This is enabled through a networked federation of centres: language data repositories, service centres and knowledge centres, with single sign-on access for all members of the academic community in all participating countries. Tools and data from different centres are interoperable, so that data collections can be combined and tools from different sources can be chained to perform complex operations to support researchers in their work.

By Gesa Blume, 24 September, 2019
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Language
Year
ISBN
9780801426209
Pages
x, 352
License
All Rights reserved
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Librarian status
Approved by librarian
By Gesa Blume, 24 September, 2019
Author
Publication Type
Language
Year
ISBN
9781503601802
9781503602281
Pages
x, 268
License
All Rights reserved
Record Status
Librarian status
Approved by librarian
Abstract (in English)

This book challenges the ways we read, write, store, and retrieve information in the digital age. Computers—from electronic books to smart phones—play an active role in our social lives. Our technological choices thus entail theoretical and political commitments. Dennis Tenen takes up today's strange enmeshing of humans, texts, and machines to argue that our most ingrained intuitions about texts are profoundly alienated from the physical contexts of their intellectual production. Drawing on a range of primary sources from both literary theory and software engineering, he makes a case for a more transparent practice of human–computer interaction. Plain Text is thus a rallying call, a frame of mind as much as a file format. It reminds us, ultimately, that our devices also encode specific modes of governance and control that must remain available to interpretation.[Publisher's Website]