"Lord's Prayer, The" (2007) takes the original English version of "The Lord's Prayer" (in this case, a variation of the King James Version) and, using the same words, creates an entirely new poem.
(Source: Artist's description, 2008 ELO Media Arts show)
MyNovel.org (2006) takes six classic novels (Moby Dick, Uncle Tom's Cabin, The Scarlet Letter, Lolita, 1984, and On The Road) and compresses them into four sentences apiece; at any point, if visitors wish to, they can write their own four sentence novel by using the tools included on the site.
(Source: Artist's description, 2008 ELO Media Arts show)
This multimedia poem was written by Jody Zellen, using a “page space” developed by Deena Larsen for this collaboration. Each of the question marks responds to a mouseover by triggering a line of verse moving diagonally across the poem’s surface along with a sound. The title’s reference to the flesh and the use of heartbeat, sonogram, and voice recordings saying things like “breathe” all reinforce a surgical conceptual framework, and metaphorically framing the diagonal language movement as cuts, slashing across the screen. The occasional variations in the sounds and word movement place the poem in conversation with some of the urban concerns which are so central to Zellen’s poetics, while the literalization of a metaphor through interface design is part of Larsen’s. (Source: Leonardo Flores, I ♥ E-Poetry)
(From website): There are always at least two ways to tell a story...
For his first fiction since the Booker Prize-shortlisted The Reluctant Fundamentalist, Mohsin Hamid has taken his inspiration from the Tales from the Thousand and One Nights. In this story, Hamid writes about the melancholic meanderings of a former general's life. Choose a path round his palace, and shape the story as he considers his role and listens to the tales of his loyal aide.
An interactive autobiographical Flash poem about growing up in a fishshop in Richmond (Australia).
"CATALOGUE: Nothingness" uses description, image, email and javascript to interrogate some of the cultural and mechanical forms that operate in online shopping. The work is designed to exist on a parallel plane with commercial shopping sites and to offer a menu of small interventions that extend outward into the world. The theme of nothingness was chosen for the catalogue in order to defamiliarize common structures found in online shops by substituting imaginary objects, states of being, and existential drama for regular items and marketing strategies.
(Source: Author's description from the Electronic Literature Directory)
