scam

Description (in English)

‘Faceless patrons’ is an installation that documents stories used by Internet scammers in so called ‘overpayment check scams’. Scammers use scripted stories to reach their victims, yet when correspondence continues story worlds start to evolve. We wanted to take a closer look on these ‘419-fiction’ cybercrime stories, ‘419’ relating to the criminal code in Nigerian law that deals with fraud. While we were aware of the fact that we are dealing with scammers, we use a fictional character and narration to investigate how the scammers react to various turns in the plot. The story takes the form of e-mail correspondence where two characters are involved; one art patron created by the scammers and our fictional artist ‘Anna Masquer’. The scammers posed identity is often based on either identity theft or a confusing mix of several existing individuals, giving them the opportunity to remain faceless and anonymous. The installation setup consists of five photo-frames hanging on a wall. Each frame connects to a correspondence with a scammer and holds a photograph and a fake check that was received as an advance payment for Anna Masquers’ photos. By using a smartphone or a tablet the visitor can scan each photograph via a third party AR-Browser. Each physical photograph is then overlaid with an AR layer containing a video compilation of images. These images are the result of an online search in an attempt to confirm or invalidate the authenticity of the scammer’s character and his online representations. This search result tries to give a face to the faceless scammer, yet fails while the posed art buyer can be anyone or no one of the persons found within the search.

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By Alvaro Seica, 17 February, 2015
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Abstract (in English)

Andreas Zingerle, from the University of Linz, visited Digital Culture at the University of Bergen on an Erasmus teacher exchange in week 8 of 2015. Zingerle presented his research on February 16 and also gave a workshop on February 18.

Zingerle writes:

My work focuses on human computer and computer mediated human-human interaction with a special interest in transmedia and interactive storytelling. Since 2010 I collaborate with Linda Kronman as the artist group 'kairus.org'. We have worked with the thematic of internet fraud and online scams, constantly shifting our focus and therefore approaching the theme from a number of perspectives like: data security, ethics of vigilante communities, narratives of scam e-mails, scam & technologies. Research subjects are online scammers, vigilante communities of scambaiters and their use of storytelling and technology.

The practice based research is closely intertwined with the artistic production. We adopt methodologies, used by anthropologists and sociologist, therefore our artworks are often informed by archival research (scambaiter forums, archives of fake websites and scam e-mail correspondence), content analysis (narratives of correspondences between scambaiters and scammers), participation observations (self exploration of scambaiting tactics, ‘419 fiction’ workshops) and field research (artist in residence program in Ghana). Besides the artworks we publish academic research papers related to our projects and through workshops we contextualize our quite focused research topics of the artworks to wider discourses like data privacy, activism and hacking culture, ethics of vigilante online communities and disruptive art practices. In our workshops we also explore how scambaiting skills and tools can be used more generally in media competence trainings or in production of disruptive digital fiction.

(Source: UiB)

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